Archaeology and nature: hyblean cultural landscape and territorial ...

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Fig. : Antro della Sibilla, Cripta Romana Another important possibility it is to guide the user and to link, for example to a text, some particular views to visualize the object in a certain way to emphasize some property of it. We created special named view such as top, front, left right in perspective or in orthogonal mode, to improve the public enjoyment of 3D model by interactivity. We decided to show the model not only in a render mode, where the hidden lines are invisible, but we chose to visualize the model showing its structure. We carefully planed the named views that we considered more useful for visualization and interaction. We are testing the best way to link to 3D PDF file some other information to compare the original look of Cuma's monumental buildings and landscape with they look today. We have done this by using action options, they let us to create a conceptual link between 3D model and some other information. We think this is an useful alternative to classic animation. However, this kind of representation is a dynamic one, in fact, when we change from one named view to another, the 3D PDF visualization mode automatically creates an animation[7]. There are a lots of benefits to use actions, first of all we can update and expanded the database linked to 3D model in an easy way and we improve the access to 3D exploration of the model for people who no experience of 3D. So, one of the most important target of our research is to test a new strategy to improve public enjoyment using 3D PDF files. Another problem to solve is to simplify the 3D model to create 3D PDF file. We have to reduce the complexity of the 3D model choosing details, texture in an adequate way.. The target is to have a 3D model file not too large without losing its communication characteristic. In this case it means that less could be more. 6. Conclusions The videos represent one of the most powerful tools to communicate the story of an archaeological site. Animation are always an alternative for visualization of 3D model but lack interactivity. The availability of platform such as the iPad and iPhone has improved the way we deal with digital data. 1127
We think that 3D PDF could be an user friendly interface to access additional information such as text, photos, iconography and so on. So we are testing the possibility to use 3D PDF to improve the access to cultural resources to all users., and to improve the exploration of 3D model and linked sources. 7. Acknowledgements I'd like to tank Daniel Pletinckx, Euopeana CARARE, Visual Dimension bvb, Belgium, who brought 3D pdf and its use to my attention. References [1] AA. VV., Cuma, nuove forme di intervento per lo studio del sito antico. Napoli:Dipartimento Studi Mondo Classico e Mediterraneo Antico, Quaderno IRIS/21, 2003. ISBN 88-7329-033-7 [2] PAGET, Fernand R. Gli antichi porti di Cuma. Napoli: Adriano Gallina Editore, 1983. [3] FATTA, Francesca. La rappresentazione dell'Africa romana. In Oltre l'architettura la Ra-Presentazione. Napoli: Giannini Editore, 2011, pp. 61-66. ISBN 978 8874315284. [4] GAIANI, Marco, BENEDETTI, Benedetto, APOLLONIO, Fabrizio Ivan, Teorie per rappresentare e comunicare i siti archeologici attraverso modelli critici, in SCIRES-IT SCIentific RESearch and Information Technology. Vol 1, Issue 2 (2011), 33-70. © CASPUR-CIBER Publishing, http://caspur-ciberpublishing.it. ISSN 2239-4303 [5] ANTINUCCI, Francesco. Comunicare nel museo. Bari: Laterza, 2004. ISBN 8842072230 [6] .EUROPEANA AND 3D, Daniel Pletinckx, http://www.isprs.org/proceedings/XXXVIII/5- W16/pdf/pletinckx.pdf [7] Deliverable, Connecting ARchaeology and ARchitecture in Europeana. D5.4 - 3D/VR Training materials. http://www.carare.eu/.../D5%204_3D%20training%2. [8] http://www.archibase.net/articles/2587.html/ [9] http://carare.eu/eng/Resources/3D-Virtual-Reality [10] Pletinckx, 2008. Interactive Landscapes, How to read and understand historical landscapes, EPOCH Know How book, http://media.digitalheritage.se/2010/07/Interactive_Landscapes_TII.pdf 1128
Page 1 and 2: Archaeology and nature: hyblean cul
Page 3 and 4: 2. Kaukana project: territorial reg
Page 5 and 6: The main goal of the planning inter
Page 7 and 8: The Time of Flight 3d laser scanner
Page 9 and 10: Fig. 12-13: The archaeological land
Page 11 and 12: Industrial heritage, collective ide
Page 13 and 14: vertical reduction of market prices
Page 15 and 16: Fig. 3: The mining site of Grottaca
Page 17 and 18: Fig. 5: Laser scan 3D of the Pozzo
Page 19 and 20: Fig. 6: Palazzo Pennisi. meanings,
Page 21 and 22: Le tanneries di Barjols: uno spazio
Page 23 and 24: Fig. 2 - Piano del quartiere delle
Page 25 and 26: Fig. 4 - Sviluppo verticale anni ci
Page 27 and 28: Riferimenti bibliografici [1] AA.VV
Page 29 and 30: to compact settlements, in which th
Page 31 and 32: Fig. 4: Maiori, plan 1848. Fig. 5:
Page 33 and 34: Fig. 8: Furore,Conca dei Marini and
Page 35 and 36: Fig. 10: Positano. 4. The mountain
Page 37 and 38: which the driving force derived fro
Page 39 and 40: The urban development of the lower
Page 41 and 42: Fig. 2: Roman time, overlap Paget h
Page 43 and 44: Fig. 4: 3D model, a. Greek time, b.
Page 45: Fig. 6: Acropolis of Cuma Overlappi
Page 49 and 50: having an infrastructure in a certa
Page 51 and 52: Cana le Pic. 3 Territorial context
Page 53 and 54: Shape: 1. Bridge dimensions and sha
Page 55 and 56: AUGÉ Marc. Nonluoghi - introduzion
Page 57 and 58: productive landscape design restric
Page 59 and 60: Tehran’s outskirt Fig.4, 5: Agric
Page 61 and 62: Appropriate interaction among urban
Page 63 and 64: Allotment garden: is designed for t
Page 65 and 66: 5. Conclusion Restoration of biodiv
Page 67 and 68: irrepressible expression of a cultu
Page 69 and 70: The competition titled Pylons of th
Page 71 and 72: Fig. 9: An iconographic repertory o
Page 73 and 74: Camillo Sitte meets Robert Venturi
Page 75 and 76: Fig. 1: Berlin southern beltway at
Page 77 and 78: The design of sustainability in rel
Page 79 and 80: To safeguard fertile, dynamic and a
Page 81 and 82: “The loss of place, asserts Chris
Page 83 and 84: 3. Sustainable morphology as integr
Page 85 and 86: In truth, we are witnessing today -
Page 87 and 88: Recognizing Cultural Heritage for S
Page 89 and 90: emember our past. The relationship
Page 91 and 92: State’s social offer (health, edu
Page 93 and 94: Besides, the achievements of this u
Page 95 and 96: evident the impact the park had on

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