15.06.2013 Views

Archaeology and nature: hyblean cultural landscape and territorial ...

Archaeology and nature: hyblean cultural landscape and territorial ...

Archaeology and nature: hyblean cultural landscape and territorial ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

In accordance with an agreement established between the company <strong>and</strong> the Grottacalda's miners to exploit<br />

the high areas of the mine, activities continued until 1963, the year of expiration of the concession. Of this<br />

important mining activity (among the largest in Sicily) now remains a vast as degraded heritage: castles in<br />

masonry, concrete drop structures located near the extraordinary Mezzena Well (Fig. 4 <strong>and</strong> 5), the so called<br />

Pozzo Gr<strong>and</strong>e built in 1868, the calcaroni (masonry furnaces), several buildings, formerly used as housing<br />

for the miners <strong>and</strong> the administrative staff, the former power station, a cinema, the buildings of the former<br />

railway station. Recently, some of these buildings have been converted to farm holidays structure by the<br />

current owners [9].<br />

On the other h<strong>and</strong>s, with regard to the mine Floristella, the permission opening was granted on April 11,<br />

1825 although the extraction of sulfur happened even earlier, after the discovery, in 1791, of the method of<br />

manufacture of soda obtained by treating with sulfuric acid, the common salt. This field was one of the most<br />

important mining district of Caltanissetta, not only for its productivity but also for the quality of the sulfur that<br />

was extracted: so high as to constitute a st<strong>and</strong>ard of excellence in the market.<br />

The mining area of Floristella preserves the typical l<strong>and</strong>scape of the Sicilian zolfiera. Like a great open-air<br />

museum, the huge mining complex provides a true "stratigraphy" of different eras <strong>and</strong> related systems <strong>and</strong><br />

techniques of sulfur mining <strong>and</strong> smelting. Inside, in fact, are present <strong>and</strong> clearly visible countless galleries<br />

<strong>and</strong> about 180 discenderie (shafts) from where the sulfur was knocked down by the traditional pick to be<br />

then transported to the so-called calcarelle (a sort of circular ditches with a 1.50-2 meters diameter with an<br />

inclined plain so to allow the casting of the molten sulfur towards an opening called a morte - death - where it<br />

solidified) that are still preserved in good condition, near wells <strong>and</strong> galleries. It can also be seen what<br />

remains of industrially masonry furnaces, several examples of the so-called Gill furnaces (invented in 1880<br />

by Robert Gill), of castles complete with winch (the oldest dating back to 1868), in addition to the ruins of<br />

service buildings arisen in the vicinity of the wells (nursing, accommodation for the miners, including the<br />

room used as a recreational club for workers).<br />

On a hill st<strong>and</strong>s the imposing Palazzo Pennisi, former residence of the owner family, which dominates the<br />

entire mining area of Floristella of which it represent the real heart (Fig. 6). Built between 1870 <strong>and</strong> 1885,<br />

initially only until the ground floor by Baron Pennisi, nobleman from Acireale, it was intended as a summer<br />

residence for the family. The Palazzo was later raised to two other plans to meet the need for<br />

accommodation of the mine manager <strong>and</strong> employees, <strong>and</strong> for setting up office facilities. It was designed to<br />

be an impregnable fortress: unable to be taken by the miners in the event of strikes <strong>and</strong> riots. For this<br />

reason, the numerous openings were equipped with louvers <strong>and</strong> inside - in addition to housing, offices,<br />

chambers of operation, an octagonal chapel, the coal cellar, barns, cellars - there are some secret safety<br />

exits that, through the cellars <strong>and</strong> two small galleries, allowed to escape from the Palace in the ridge below.<br />

The magnificence of the building <strong>and</strong> its architectural value, generate a kind of contrast with the austerity of<br />

the place, providing an immediate <strong>and</strong> exciting image of what should be the extreme social gap of that time.<br />

Fig. 4: The Pozzo Mezzena.<br />

1097

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!