Archaeology and nature: hyblean cultural landscape and territorial ...

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References [1] MANCUSO, Stefania , Archeologia e paesaggio culturale. Espacio, Tiempo y Forma, 2008, pp. 13-22. [2] DI STEFANO, Giovanni. L'ancoraggio di Caucana e il problema dei Vandali. Roma: Editore Carocci, 2006. [3] MICCICHÈ, Giuseppe. Santa Croce Camerina - dalle origini ai nostri giorni. Ragusa: Leggio e Diquattro, 1968. [4] DI STEFANO, Giovanni, PELAGATTI, Paola. Kaukana. Il chorion bizantino. Palermo: Sellerio, 1999. [5] DI STEFANO, Giovanni. Il villaggio bizantino di Kaukana. In: AA.VV. Atti del I° Congresso Internazionale di Archeologia della Sicilia bizantina, in Bizantino-Sicula IV, 2002, Istituto di studi Bizantini e Neoellenici, Quaderni 15. pp. 173-190. [6] WILSON, JA Roger. Il sito bizantino di Kaukana. In: Kalos XXIII, n. 1 (January–March 2011). pp 38–42. [7] MIGLIARI, Riccardo. I fondamenti geometrici della progettazione. In Gli spazi e le arti, quarto volume dell'appendice XXI Secolo della Enciclopedia. vol. 4, pp.299-306. Istituto della Eciclopedia Italiana Fondata da Giovanni Treccani, 2010. [8] GAIANI, Marco, BENEDETTI, Benedetto, REMONDINO, Fabio. (a cura di) Modelli digitali 3D in archeologia: il caso di Pompei. Pisa: Edizioni della Normale, 2009. [9] FORTE Maurizio (a cura di). Cyber Archaeology. BAR International Series 2177, 2010. [10] FORTE, Maurizio (a cura di), The reconstruction of Archaeological Landscapes through Digital Technologies, Proceedings of the 2nd Italy-United States Workshop, Rome, Italy, November 3-5, 2003. Berkeley, USA, May, 2005, BAR International series, 1379. [11] CAMPANA Stefano, FRANCOVICH, Riccardo (a cura di). Laser scanner e GPS. Paesaggi archeologici e tecnologie digitali. Firenze: All'Insegna del Giglio, 2006 [12] GALIZIA, Mariateresa, SANTAGATI, Cettina. Sperimentazione della tecnica laser scanner 3D per la conoscenza valorizzazione e fruizione del parco archeologico di Caucana. In: AA.VV. Atti 13° Conferenza Nazionale Asita, Bari, 1-4 Dicembre 2009. pag 1089-1094. 1091
Industrial heritage, collective identity and eco-museums: the case-study of Floristella-Grottacalda mining site Antonella VERSACI 1 , Alessio CARDACI 2 (1) Faculty of Engineering, Architecture and Motor Sciences, University of Enna “KORE”, Italy E-mail: antonella.versaci@unikore.it (2) Faculty of Engineering, University of Bergamo, Italy E-mail: alessio.cardaci@unibg.it Abstract Lack of values and sloppiness characterize our territories, even if they are full of cultural resources, as in Enna. A spread heritage often left to itself, no longer or only few integrated into the active life of places. However, dispersed in a landscape of rare beauty, significant examples of an important chapter in the Sicilian history, connected to the historical exploitation of its large sulfurous deposits, rise. Among these, the Floristella and Grottacalda mining site, located not far from the UNESCO World Heritage site of the Villa Romana del Casale, is one of the most expressive examples of industrial archeology in Southern Italy. In this area, still visible and dramatically evocative are the signs of several ages as well as the systems and methods of mining and sulfur melting. Only partially located within protected enclosures and managed by a park governing body that should take care of its safeguarding, this place appears quite “distant” from people who do not ”recognize themselves” in it. Nevertheless, if properly protected and promoted - i.e. in the framework of an eco-museum structure - and connected to the territory; when studied for scientific and educational reasons, in close collaboration with the community and in synergy with the Institutions, such heritage would be a very useful tool for the reinforcement of identities among the population. It will also help to increase cultural and environmental heritage awareness, collaborating for its preservation. Parole chiave: cultural heritage – industrial heritage - eco-museums - Sicily 1. Introduction Looking towards the existing city - in general, fully built, dense and chaotic - the gradual fade of those values that give meaning to a physical location, allowing its transmission to future generation, is becoming increasingly evident. This loss of identity can be seen in many historic cities, often characterized by atopic landscapes in which stand contemporary edifices built according to homologating processes, unrelated to the morphological and/or constructive relationships with the environment and the permanence of memory. Moving away from the old town, the sense of disorientation is even more understandable: plunged in the urban sprawl, extraordinary signs of the past remain silent and solitary. Used also in relatively recent times for productive purposes and finally forced to abandon the old tasks and the original functions - they are looking for new opportunities to transform and adapt to contemporary needs. These industrial areas, now neglected, deserve to be rediscovered, restored and reconnected to the real world, because they are expression and reflection of those technological, economic and social values that have characterized the socalled "machine age"; of that culture of work that has deeply influenced the course of the 20 th century, providing a substantial contribution to the development of human civilization. Nowadays, they represent the promise and the challenge of intervention possibilities to be undertaken for the sake of future generations [1]. They can also be considered a response to the needs of adaptability and flexibility, increasingly rare in highly structured cities, often degraded, crystallized and congested. 1092
Page 1 and 2: Archaeology and nature: hyblean cul
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Page 5 and 6: The main goal of the planning inter
Page 7 and 8: The Time of Flight 3d laser scanner
Page 9: Fig. 12-13: The archaeological land
Page 13 and 14: vertical reduction of market prices
Page 15 and 16: Fig. 3: The mining site of Grottaca
Page 17 and 18: Fig. 5: Laser scan 3D of the Pozzo
Page 19 and 20: Fig. 6: Palazzo Pennisi. meanings,
Page 21 and 22: Le tanneries di Barjols: uno spazio
Page 23 and 24: Fig. 2 - Piano del quartiere delle
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Page 27 and 28: Riferimenti bibliografici [1] AA.VV
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Page 31 and 32: Fig. 4: Maiori, plan 1848. Fig. 5:
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Appropriate interaction among urban
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Allotment garden: is designed for t
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5. Conclusion Restoration of biodiv
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irrepressible expression of a cultu
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The competition titled Pylons of th
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Fig. 9: An iconographic repertory o
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Camillo Sitte meets Robert Venturi
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Fig. 1: Berlin southern beltway at
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The design of sustainability in rel
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To safeguard fertile, dynamic and a
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“The loss of place, asserts Chris
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3. Sustainable morphology as integr
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In truth, we are witnessing today -
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Recognizing Cultural Heritage for S
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emember our past. The relationship
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State’s social offer (health, edu
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Besides, the achievements of this u
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evident the impact the park had on
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