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Underground Rivers - University of New Mexico

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Chapter 7 -- The Concept <strong>of</strong> Circulation<br />

The Florentine polymath Leonardo da Vinci (1452-1519) merits<br />

centerpiece status in our underground sojourn if for no other reason than<br />

his encyclopedic curiosity. Da Vinci’s “primo motore” lies squarely within<br />

the Christian god's perceived role for the era. Da Vinci's doctrinal dues<br />

thus paid, he was somewhat <strong>of</strong> a pantheist, largely excluding the divine<br />

from his musings. Aristotle would have concurred.<br />

The circa 1513 sketch shows the<br />

elder artist pondering the flow <strong>of</strong><br />

water. The backwards-inscribed<br />

text reads,<br />

Observe the motion <strong>of</strong> the<br />

surface <strong>of</strong> the water, how it<br />

resembles that <strong>of</strong> hair, which<br />

has two motions -- one<br />

depends on the weight <strong>of</strong> the<br />

hair, the other on the direction<br />

<strong>of</strong> the curls; thus the water<br />

forms whirling eddies, one part<br />

following the impetus <strong>of</strong> the<br />

chief current, and the other<br />

following the incidental motion<br />

and return flow.<br />

Despite da Vinci’s <strong>of</strong>t-cited, “In talking about water, remember to call upon experiment and then<br />

on reasoning,” rarely, if ever, did he subject his concepts to physical test, again falling in with<br />

Aristotle. Da Vinci honored the here-and-now, but not to the point <strong>of</strong> getting his hands wet.<br />

But da Vinci's experimental shortcoming didn't inhibit his greatest strength. "Do you not see that<br />

the eye embraces the beauty <strong>of</strong> the whole world?" The visual is pre-eminently the real. What da<br />

Vinci saw he never doubted -- Aristotelian to the fullest.<br />

To da Vinci, water is "il vetturale di natura," the vehicle <strong>of</strong> nature. In his First Book on Water (one<br />

<strong>of</strong> his few manuscripts written thematically, not as happenstance observations), da Vinci writes.<br />

Water is sometimes sharp and sometimes strong,<br />

sometimes acid and sometimes bitter,<br />

sometimes sweet and sometimes thick or thin,<br />

sometimes seen bringing hurt or pestilence,<br />

sometimes health-giving and sometimes poisonous.<br />

It suffers change into as many natures as are the different places through which it passes.<br />

Unfortunately for focused scholarship, da Vinci's "many places" was indeed many.<br />

If you chose to say that the rains <strong>of</strong> the winter or the melting <strong>of</strong> the snows in summer were the<br />

cause <strong>of</strong> the birth <strong>of</strong> rivers, I could mention the rivers which originate in the torrid countries <strong>of</strong><br />

Africa, where it never rains -- and still less snows -- because the intense heat always melts into<br />

air all the clouds which are borne thither by the winds.<br />

DRAFT 1122//66//22001122<br />

Uppddaatteess aatt hhttttpp::////www. .uunnm. .eedduu//~rrhheeggggeenn//UnnddeerrggrroouunnddRi ivveerrss. .hhttml l<br />

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