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Underground Rivers - University of New Mexico

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Chapter 31 -- Poems for Subterranean Sailors<br />

Pulitzer Prize winner Maxine Kumin writes <strong>of</strong> nature's persistence in ”Why There Will Always Be<br />

Thistle” (2001).<br />

Outlawed in most Northern<br />

states <strong>of</strong> the Union<br />

still it jumps borders.<br />

Its taproot runs deeper<br />

than underground rivers<br />

and once it's been severed<br />

by breadknife or shovel<br />

-- two popular methods<br />

employed by the desperate --<br />

the bits that remain will<br />

spring up like dragons' teeth<br />

a field full <strong>of</strong> soldiers<br />

their spines at the ready.<br />

Algimantas Baltakis' "<strong>Underground</strong> <strong>Rivers</strong>" is not at all about symbolism. It's an accurate<br />

description.<br />

Alas, these rivers have no names.<br />

No banks have they to shape their frames.<br />

They don't reflect the floating sky,<br />

In gloom by day and night they lie.<br />

A wild sea-mew will never sweep<br />

Across their waters running deep<br />

Nor will a maiden ever chance<br />

To see dawn glow on their expanse.<br />

Yet their dim waters, cool and clear,<br />

Feed wells and fountains far and near.<br />

In summer drought or winter frost<br />

Their patient streams are never lost.<br />

Oppressed by darkness, now and then<br />

The waters try to leave their den.<br />

In dense dark forest look around,<br />

A spring is bubbling from the ground.<br />

Andriana Škunca's "Shadow," on the other hand, could be about anything that haunts us.<br />

Farther away it gushes out <strong>of</strong> the underground stream,<br />

Following us everywhere.<br />

Constantly tied to some suffering that resides in us<br />

Like a broken staff it leans on.<br />

Here's a twelfth century Japanese verse published in the November 5, 1921, Literary Digest.<br />

The subterranean river takes its rise<br />

And flows unseen beneath the hills.<br />

Like this, my love; and I indeed am sad<br />

Because I may not tell my love.<br />

Charles Pierre Baudelaire's (1821-1867) name has become a byword for literary and artistic<br />

decadence. His "Don Juan aux Enfers" (Don Juan in Hell) centers around a free-thinking<br />

Spanish nobleman who seduces a woman, kills her father and then insults the dead man's statue<br />

before being condemned to hellfire.<br />

When Don Juan reached that underground river,<br />

He paid his death coin passage from those shores.<br />

Charon, gruff in Antisthenes' manner,<br />

Then pulled with vengeful arms on his long oars.<br />

DRAFT 1122//66//22001122<br />

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