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Underground Rivers - University of New Mexico

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Chapter 30 -- Down to a Sunless Sea<br />

Coleridge himself attributes a portion <strong>of</strong> "Kubla Khan" to<br />

Purchas, his Pilgrimage; or, Relations <strong>of</strong> the World and the<br />

Religions observed in all Ages (1613) in which Samuel<br />

Purchas recalled the 13-th century Mongolian ruler Kublai,<br />

whose palatial estate in Shangdu (Xanadu) was legendary<br />

in splendor.<br />

In Xanada did Cublai Can build a stately Pallace,<br />

encompassing sixteene miles <strong>of</strong> plaine ground with a<br />

wall, wherein are fertile Meddows, pleasant Springs,<br />

delightful Streames, and all sorts <strong>of</strong> beasts <strong>of</strong> chase and<br />

game.<br />

Xanadu was much later to become the name <strong>of</strong> Charles<br />

Foster Kane's fictional estate in Orson Wells' "Citizen<br />

Kane'" (1940). As would have been the case for the<br />

Chinese Xanadu, the film's surrealistic grounds "on the<br />

deserts <strong>of</strong> the Gulf coast" could likely sit upon karst terrain<br />

(Chapter 39, Karstology), and thus above water-filled<br />

caverns.<br />

Unlike Purchas before him, however, or Wells after, Coleridge follows the river into the earth.<br />

Into the Earth<br />

Coleridge describes the Alph in four geological manners.<br />

As "momently" (i.e. in an instant) flinging itself upward, tossing rocks about, violent.<br />

As meandering in "mazy motion" through Xanadu's woods and dales,<br />

As descending into "caverns measureless to man," and <strong>of</strong> special interest to us,<br />

As tributary to a "sunless sea."<br />

As each process has geologic possibility, we're tempted to sketch a hydrologic cross-section, the<br />

subterranean portion downward from the cavern, but such a figure produces a fluvial morphology<br />

in disaccord with that <strong>of</strong> any waterway we know. Within a brief five-miles, there is both the fearful<br />

upwelling and the idyllic riparian countryside. Streamflow incised in deep canyons doesn't<br />

meander; it tumbles. How can a sea be sunless?<br />

Let us begin with the river's name.<br />

"Alph, the sacred river" likely alludes to the Arcadian River Alpheus <strong>of</strong> Chapter 28, Et In Arcadia<br />

Ego.<br />

"Alph" could be the Greek letter, alpha, the original place.<br />

According to Maud Bodkin's Archetype Patterns <strong>of</strong> Poetry (1963), "Alph" signifies the modern<br />

need for "something enormous, ultimate, to express what strove unexpressed within<br />

experience."<br />

The Alph could be life itself, "meandering with a mazy motion" being its twists and turns. Such<br />

interpretation, in fact, subsumes the other three.<br />

Literary scholars, <strong>of</strong> course, dissect the entire poem word by word, but we will confine our<br />

consideration to the line pertaining to subterranean waters,<br />

Down to a sunless sea<br />

Seemingly so simple. Only five words, six syllables.<br />

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