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Underground Rivers - University of New Mexico

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Chapter 30 -- Down to a Sunless Sea<br />

The Manifold upwelling<br />

Anthony Harding's review <strong>of</strong> McKusick's essay the Coleridge Bulletin (21), Spring 2003, however,<br />

finds such scientific basis <strong>of</strong> Coleridge to be "rather uneven."<br />

The attempt to read “Kubla Khan” as a compendium <strong>of</strong> geological speculation is, well,<br />

speculative. It is certainly true that Coleridge hoped to write “an epic poem that would integrate<br />

the lore <strong>of</strong> ‘universal science’ into a coherent narrative form,” but to conclude that in “Kubla<br />

Khan,” Coleridge was starting that poem -- “a scientific epic in the genre <strong>of</strong> Darwin’s Botanic<br />

Garden” -- is to go beyond what the evidence will support. To take images and terms that were<br />

also used by geologists -- river, sea, cavern, hill, chasm, and so on -- as pro<strong>of</strong> that this is a<br />

“scientific epic” is persuasive only so long as we ignore evidence that Coleridge was drawing<br />

upon a huge range <strong>of</strong> other sources: the Bible, travel literature [including an account <strong>of</strong> Florida's<br />

sinkholes [Chapter 40], archaeology, mythography, ancient history, ethnography, and so on.<br />

McKusick seems determined to hunt for any connection, no matter how flimsy, that might link<br />

the poem with geology: so, he makes much <strong>of</strong> the term “fragment” (used in the 1816 running<br />

title), observing pedantically that this term “had a distinct geological sense,”, and he connects<br />

"chasm" with the story <strong>of</strong> the Fall via John Whitehurst, a geologist cited in the notes to The<br />

Botanic Garden, since Whitehurst “asserted that the... Edenic state <strong>of</strong> human society was<br />

replaced by a fallen state” resulting from a flood.<br />

Coleridge was versed, for example, in the divine framework <strong>of</strong> Thomas Burnet's Telluris Theoria<br />

Sacra (1694, Chapter 13, Hydrotheology/Theohydrology). While Coleridge may have intended a<br />

poetic nod to both 19th century Neptunian and Plutonian geology, his stream <strong>of</strong> thought remains<br />

significantly metaphysical.<br />

DRAFT 1122//66//22001122<br />

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