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Underground Rivers - University of New Mexico

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Chapter 29 -- The <strong>Underground</strong> River as Metaphor<br />

rocky way over the barriers <strong>of</strong> time or watering the broad valley till it smiles anew in an Eden<br />

bloom. -- "Editor's Table," Harpers Magazine, August 1858<br />

Everything lies in everyone <strong>of</strong> us, but has to be brought to the surface. It grows a little in one,<br />

more in that one's child, more in that child's child, and so on and on -- with curious breaks as <strong>of</strong><br />

a river which every now and then takes to an UNDERGROUND COURSE. -- George<br />

MacDonald, The Flight <strong>of</strong> the Shadow (1891)<br />

Among literary scholars, interest in the Bible during the first three quarters <strong>of</strong> the twentieth<br />

century can be pictured as an UNDERGROUND STREAM that finally came to the surface<br />

around 1960. -- Leland Ryken and Tremper Longman, eds., The Complete Literary Guide to<br />

the Bible (1993)<br />

Neo-Platonism may be compared to an UNDERGROUND RIVER that flows through European<br />

history, sending up, from time to time, springs and fountains; and wherever its fertilizing stream<br />

emerges, there imaginative thought revives, and we have a period <strong>of</strong> great art and poetry. --<br />

Kathleen Raine, Blake and Antiquity (1979)<br />

Cather implies a sharp contrast between the now <strong>of</strong> Marie's passions and that <strong>of</strong> Alexandra's,<br />

whereas Alexandra keeps the "UNDERGROUND RIVER" <strong>of</strong> her inner life safely hidden below<br />

the surface <strong>of</strong> her consciousness, so that it can continue to feed her art, Marie lets the river <strong>of</strong><br />

her emotions rise up to the surface, only to drain her inner wellspring. -- Demaree C. Peck, The<br />

Imaginative Claims <strong>of</strong> the Artist in Willa Cather's Fiction (1996)<br />

The great excitement <strong>of</strong> Great Expectations -- and it is still there, on the screen -- has to do with<br />

the rediscovery that visual storytelling was not just a notional link between Charles Dickens and<br />

movies, but an UNDERGROUND RIVER that had broken above ground. -- The Guardian,<br />

January 23, 2007, review <strong>of</strong> the movie Great Expectations (1997)<br />

And language bubbled out <strong>of</strong> place as a spring from UNDERGROUND STREAMS the soil<br />

concealed. -- Meena Alexander, "Poetry, The Question <strong>of</strong> Home," internet posting, Academy <strong>of</strong><br />

American Poets, 2009<br />

No matter how insistently scholars and metaphysicians wave their dowsing wands, the sources<br />

<strong>of</strong> creative artistry remain largely undiscovered. Secret UNDERGROUND RIVERS <strong>of</strong><br />

imagination can bubble up at unexpected times and places. If the geology <strong>of</strong> talent were a<br />

completely developed science, it might explain George Crumb to us. -- Donal Henahan,<br />

"Review/Music, Helping George Crumb Celebrate His Birthday" -- <strong>New</strong> York Times, October<br />

26, 1989<br />

And like an UNDERGROUND RIVER, it waits for the right moment (an event or transition) to<br />

resurface in the form <strong>of</strong> beliefs, fantasies, and actions. It is here, where it breaks the surface <strong>of</strong><br />

life, the intergenerational transference has to be caught unawares, challenged, acknowledged,<br />

revised, and sent on its way. -- Vittorio Cigoli and Eugenia Scabini, Family Identity, Ties,<br />

Symbols, and Transitions (2006)<br />

Was this -- like the emergence <strong>of</strong> some UNDERGROUND RIVER -- the musical reincarnation<br />

<strong>of</strong> impulses subconsciously remembered from generations earlier and producible only when the<br />

carrier <strong>of</strong> this memory had developed his instrumental technique sufficiently to cope with it? --<br />

"The <strong>New</strong> Grove Dictionary <strong>of</strong> American Music," The Atlantic Monthly, March 1987<br />

[Quentin's relived present] moves along in the shadow, like an UNDERGROUND RIVER, and<br />

reappears only when it itself is past. -- Jean-Paul Sartre, "On The Sound and the Fury, Time in<br />

the Work <strong>of</strong> Faulkner," Literary and Philosophical Essays, 1955<br />

Nathan Adler uses the term "antinomian" to designate opposition to customary moral obligations.<br />

The <strong>Underground</strong> Stream, <strong>New</strong> Lifestyles and the Antinomian Personality (1972) is an effort to<br />

explain culture <strong>of</strong> LSD.<br />

DRAFT 1122//66//22001122<br />

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