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Underground Rivers - University of New Mexico

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"Et In Arcadia Ego, I" (1630)<br />

Chapter 28 -- Et In Arcadia Ego<br />

"Et In Arcadia Ego, I" depicts three men and a woman, two <strong>of</strong><br />

the men and the woman occupied with the apparent<br />

discovery <strong>of</strong> a tomb. The inscription "Et In Arcadia Ego"<br />

seems to have an unsettling effect.<br />

In the lower right sits the river god Alpheus, seemingly allied<br />

with nature, not culture. In his hand is an urn representing<br />

Arethusa Fountain, the flowing water suggesting the<br />

continuity <strong>of</strong> time. The god and his urn were present before<br />

this scene occurred and will be there after the drama is<br />

spent.<br />

DRAFT 1122//66//22001122<br />

"Et in Arcadia Ego, II" (1637-1638)<br />

In "Et In Arcadia Ego, II," three shepherds point at the tomb's inscription, but absent is an air <strong>of</strong><br />

melancholic contemplation. Poussin's Venetian training shows in the golden orange, scarlet, and<br />

midnight blue. The shepherds have figuratively eaten <strong>of</strong> the apple by Eve in Eden. Classical<br />

painters <strong>of</strong> the era used statuary as female models and the enigmatic female looks frozen.<br />

Uppddaatteess aatt hhttttpp::////www. .uunnm. .eedduu//~rrhheeggggeenn//UnnddeerrggrroouunnddRi ivveerrss. .hhttml l<br />

368

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