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Underground Rivers - University of New Mexico

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Chapter 25 -- Radio Days and Saturday Matinees<br />

In The Monster That Challenged the World (1957), an<br />

earthquake has led to the hatching <strong>of</strong> eggs belonging to<br />

a prehistoric giant mollusk. The hatchlings escape into<br />

an aquifer, emerge from the Salton Sea and proceed to<br />

terrorize the citizens <strong>of</strong> California's Imperial Valley.<br />

The problem is finding them all before they escape to<br />

the ocean. The scientists must locate the underground<br />

river that leads to the slimy predators' nest.<br />

Selections <strong>of</strong> the film's music were reused in King Kong<br />

vs. Godzilla (1962).<br />

Journey Beneath the Desert (1961) begins with bad<br />

weather forcing a helicopter to land in an atomic testing<br />

range in the Arabian desert where the crew notices a<br />

local going over a waterfall.<br />

When they pull him to safety, he takes them captive and<br />

leads them down to Atlantis, which turns out to have<br />

sunk into the sands <strong>of</strong> the desert, not the Atlantic. In<br />

the escape sequence, heroes battle guards and flee via<br />

an underground river. The photo suggests why Boys<br />

Clubs liked the movie.<br />

Gone may be Saturday matinee at the Bijou, but there's the television.<br />

In the 1974-77 TV series Land <strong>of</strong> the Lost, Rick Marshall, his son Will and daughter Holly are<br />

rafting the Grand Canyon when they are caught in an earthquake. The Colorado River dives into<br />

the earth's interior, and down the trio plunges!<br />

The theme song,<br />

Marshall, Will, and Holly<br />

On a routine expedition<br />

Met the greatest earthquake ever known.<br />

High on the rapids<br />

It struck their tiny raft.<br />

And plunged them down a thousand feet below.<br />

To the Land <strong>of</strong> the Lost.<br />

To the Land <strong>of</strong> the Lost.<br />

To the Land <strong>of</strong> the Lost<br />

Animations<br />

The previous chapter dealt with frame-by-frame comic strips and comic books. We'll now<br />

progress to animations.<br />

DRAFT 1122//66//22001122<br />

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