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Underground Rivers - University of New Mexico

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Final Thoughts<br />

Chapter 23 -- Girls, Too!<br />

It's been a free-wheeling, these chapters <strong>of</strong> juvenile literature review. Some <strong>of</strong> the works have<br />

been well crafted and some have been taxing, but all draw us into spaces where only the author<br />

knows the exit.<br />

Before we exit the library, however, we can make a brief pass through the passages we've<br />

quoted in our several chapters on fiction. While our sample is not random, <strong>of</strong> course, a word<br />

count reveals something <strong>of</strong> the impressions the authors wished to convey. Here are a few<br />

comparisons:<br />

Words signifying darkness<br />

e.g., dim, shade<br />

Words signifying largeness<br />

e.g., great, ceaseless<br />

Words signifying quickness<br />

e.g., rapid, sudden<br />

Words suggesting negativity<br />

e.g., monstrous, dread<br />

: Words signifying brightness<br />

e.g., brilliance, sparkle<br />

: Words signifying smallness<br />

e.g., small, tiny<br />

: Words signifying slowness<br />

e.g., slow, sluggish<br />

: Words suggesting positivity<br />

e.g., fantastic, splendid<br />

The quintessential tale: the adventurer embarks on an illuminated underground river, sees<br />

awesome sights and rushes onward, barely escaping misfortune.<br />

Here are a few <strong>of</strong> the fictional rivers' common attributes.<br />

Unlike a river on the terrestrial surface, underground waters have a ro<strong>of</strong> <strong>of</strong> stone arching above.<br />

While the closed spatial dimension shouldn't affect any adventurers but those in aircraft -- which<br />

indeed we have noted -- the ro<strong>of</strong> remains a barrier to freedom. A voyager on an underground<br />

river is to some degree a captive.<br />

As a current is prone to do to do, these rivers propel the characters onward. More commonly<br />

than not, the voyager is drawn into a sequence <strong>of</strong> increasing adventure. The option to turn back<br />

is lost and what's ahead isn't foretold,<br />

Homer's River Pyriphlegethon was <strong>of</strong> fire and Dante's River Phlegethon was <strong>of</strong> blood. The rivers<br />

<strong>of</strong> more-recent writers, however, are <strong>of</strong> -- well -- just water. Familiarity helps us board the boat,<br />

so to speak. From our upper-world experiences, we know how a craft rocks as we shift our<br />

weight, how it spins as it shoots the rapids, how it may capsize where the channel is deepest. It's<br />

real.<br />

For similar reasons, the underground oceans <strong>of</strong> fiction are reasonably free <strong>of</strong> sea monsters and<br />

the like, objects <strong>of</strong> danger which might enliven a normal adventure under the upper stars. A<br />

protagonist entering into the earth to face but the nemeses above ground isn't much <strong>of</strong> a yarn.<br />

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