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Underground Rivers - University of New Mexico

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Chapter 17 -- <strong>Underground</strong> <strong>Rivers</strong> in Continental Fiction<br />

CHAPTER 17<br />

UNDERGROUND RIVERS IN CONTINENTAL FICTION<br />

The previous chapter dealt with contributions to English literature; this chapter deals with writings<br />

in other languages.<br />

We'll begin with a collection <strong>of</strong> Persian tales from times long past -- the legend <strong>of</strong> Sinbad the<br />

Sailor, popularized as part <strong>of</strong> Richard Burton's (not the actor <strong>of</strong> the same name) 1885 translation<br />

<strong>of</strong> 1,001 Arabian Nights, the number 1,001 being Burton's embellishment.<br />

According to Christa A. Tuczay, "Motifs in the Arabian Nights and in Ancient and Medieval<br />

European Literature, a Comparison," Folklore, December 2005, seven motifs from 1,001 Arabian<br />

Nights made their way into the fabric <strong>of</strong> Western sensibilities.<br />

The Magnetic Mountain<br />

The Congealed Sea<br />

The Flying Griffins<br />

The Automaton and the Genie in the Bottle<br />

The Walled City and the World's Vanities<br />

The Living Island<br />

The Subterranean River, our precise interest.<br />

In Sinbad's sixth voyage he is shipwrecked once again -- our adventurer has a propensity for<br />

such misfortune, it seems -- and from his raft he discovers a subterranean waterway emerging<br />

from a rocky archway beneath the cliffs <strong>of</strong> a mysterious island.<br />

Sinbad falls asleep as he drifts into the<br />

channel -- it is not clear why he floats<br />

upstream, but this is Sinbad -- to awaken in<br />

the Kingdom <strong>of</strong> Serendib (modern-day Sri<br />

Lanka) where "diamonds are in its rivers and<br />

pearls are in its valleys."<br />

The illustration <strong>of</strong> Sinbad emerging is from a<br />

German publication <strong>of</strong> the 1930s. We can<br />

blame the Nazis for the racial stereotypes, but<br />

we'd have given it little thought back then.<br />

In the medieval German saga Herzog Ernst (c. 1180), the protagonist<br />

travels through the Orient in search <strong>of</strong> the Holy Grave, encountering<br />

such wonders as creatures with human bodies and crane's heads and<br />

as a nod to Odysseus, a Cyclops. After escaping from a magnetic<br />

mountain, Ernst follows a river too broad and swift to cross which<br />

carries him into another mountain. From the channel wall, our hero<br />

breaks <strong>of</strong>f the "orphan" jewel destined to adorn the German imperial<br />

crown.<br />

DRAFT 1122//66//22001122<br />

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