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Underground Rivers - University of New Mexico

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Chapter 16 -- <strong>Underground</strong> <strong>Rivers</strong> in English Fiction<br />

“My name is Arthur Gordon Pym” is less gripping than Herman Melville's “Call me Ishmael,” but<br />

Poe's narrative does involve disaster in the South Pacific. Pym’s schooner is in the pack-ice<br />

where (due to Poe’s misinformation <strong>of</strong> Antarctic fauna) the explorers encounter a “gigantic<br />

creature <strong>of</strong> the race <strong>of</strong> the Arctic bear.”<br />

Sailing further south, Pym's vessel encounters warmer weather and lands upon a wooded island<br />

where treacherous savages lead them to a chasm inland which descends into the bowels <strong>of</strong> the<br />

earth. Excerpts <strong>of</strong> Pym’s diary entries catch the gist <strong>of</strong> the sojourn.<br />

March 9 -- The range <strong>of</strong> vapour to the southward had arisen prodigiously in the horizon, and<br />

began to assume more distinctness <strong>of</strong> form. I can liken it to nothing but a limitless cataract,<br />

rolling silently into the sea from some immense and far-distant rampart in the heaven. The<br />

gigantic curtain ranged along the whole extent <strong>of</strong> the southern horizon. It emitted no sound.<br />

March 21 -- The summit <strong>of</strong> the cataract was utterly lost in the dimness and the distance. Yet<br />

we were evidently approaching it with a hideous velocity. At intervals there were visible in it<br />

wide, yawning, but momentary rents, and from out these rents, within which was a chaos <strong>of</strong><br />

flitting and indistinct images, there came rushing and mighty, but soundless winds, tearing up<br />

the enkindled ocean in their course.<br />

March 22 -- The darkness had materially increased, relieved only by the glare <strong>of</strong> the water<br />

thrown back from the white curtain before us. Many gigantic and pallidly white birds flew<br />

continuously now from beyond the veil, and their scream was the eternal Tekeli-li! as they<br />

retreated from our vision... And now we rushed into the embraces <strong>of</strong> the cataract, where a<br />

chasm threw itself open to receive us. But there arose in our pathway a shrouded human<br />

figure, very far larger in its proportions than any dweller among men. And the hue <strong>of</strong> the skin <strong>of</strong><br />

the figure was <strong>of</strong> the perfect whiteness <strong>of</strong> the snow.<br />

The white curtain. The white birds. A white human figure. Nothingness.<br />

There is no March 23 entry, and Pym leaves untold how he came to write his memoir.<br />

In the January 1837 Southern Literary Messenger, Poe reviewed the Congressional address by<br />

Symmes' devotee, Jeremiah Reynolds, discussed in the previous chapter.<br />

He has seen his measures adopted in the teeth <strong>of</strong> opposition, and his comprehensive views<br />

thoroughly confirmed in spite <strong>of</strong> cant, prejudice, ignorance and unbelief… With mental powers<br />

<strong>of</strong> the highest order, his indomitable energy is precisely <strong>of</strong> that character which will not admit <strong>of</strong><br />

defeat.<br />

Poe used some 700 words <strong>of</strong> Reynold's speech in Pym.<br />

In all three tales, Poe leaves unwritten what lies below the whirlpool; there's terror enough in the<br />

approach. And, as we will see in the chapter to follow, grist enough for many lesser mills.<br />

Charles Dickens (1812-1870)<br />

We'll get to the Dickensonian underground rivers <strong>of</strong> 19th-century London<br />

in Chapter 73, The Sinking <strong>of</strong> the Fleet.<br />

J.W. De Forest (1826-1906)<br />

There is a body <strong>of</strong> serious fiction that's lost in the libraries -- perhaps for good reason -- but when<br />

it comes to underground rivers, is thunderous English. We'll cite just one, De Forest's "Overland,"<br />

The Galaxy, February 1871.<br />

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