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Selected Papers from the Fourteenth International ... - STIBA Malang

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Subjective progressives in 7th and 8th century English 4<br />

being used hyperbolically in <strong>the</strong>se cases), but we must still always check that <strong>the</strong><br />

adverb does not refer to something objectively ongoing at all moments in time. 9<br />

3. Type 2: Subjective progressive without ALWAYS<br />

Type 2 proves much more difficult, since no such easily recognizable criterion can<br />

be found. Formal criteria have been proposed for this type in Wright ( 994), 0<br />

which Smitterberg (2005), although more critical, used with some modification<br />

in his analysis. Killie (2004) has already drawn attention to <strong>the</strong> problem of using<br />

such formal criteria. In her study of subjective uses of <strong>the</strong> progressive in EModE,<br />

she chose to concentrate on combinations with always, as <strong>the</strong>se are less prone to<br />

ambiguity. However, in order to get a complete picture, it is necessary to include<br />

also subjective progressives without ALWAYS, because it is intuitively clear that in<br />

such examples as (2) <strong>the</strong> use of <strong>the</strong> progressive is motivated by a desire to express<br />

a subjective attitude. But we clearly need an appropriate method of distinguishing<br />

<strong>the</strong>se uses <strong>from</strong> aspectual progressives.<br />

The formal criteria used by Smitterberg in his study of <strong>the</strong> nineteenth century<br />

uses of <strong>the</strong> progressive are <strong>the</strong> following:<br />

. Tense: The progressive occurs in <strong>the</strong> present, no perfect or modal<br />

auxiliaries.<br />

2. Clause: The progressive occurs in a main ra<strong>the</strong>r than subordinate<br />

clause.<br />

3. Person: It is used with a first- or second-person subject.<br />

4. Situation type: The progressive is part of a stative situation.<br />

(cf. Smitterberg 2005: 22 )<br />

Smitterberg (2005: 220) counted all progressives which fulfil at least three of <strong>the</strong>se<br />

four criteria as subjective. We would like to find whe<strong>the</strong>r this promises good results.<br />

The first problem one may note is that one could think of aspectual ra<strong>the</strong>r than<br />

subjective uses of <strong>the</strong> progressive where all of <strong>the</strong>se formal criteria are still satisfied,<br />

as e.g., in (4) (if one allows <strong>the</strong> interpretation of [moulder in <strong>the</strong>ir winter quarters]<br />

. The semantics of progressive + ALWAYS combinations has been discussed in greater detail<br />

elsewhere (Kranich 2007b).<br />

10. Wright ( 994: 472) based her choice of formal criteria on Biber’s ( 988) and Biber and<br />

Finegan’s ( 989) findings about features that generally tend to occur often in involved speechproduction.<br />

(‘Involved’ refers here to <strong>the</strong> personal involvement of <strong>the</strong> speaker/writer in <strong>the</strong> subject<br />

matter of <strong>the</strong> text, as opposed to ‘detached’.) One should, however, note that <strong>the</strong>se features<br />

were meant to characterize whole text types, and not as indication of <strong>the</strong> subjective or objective<br />

meaning of a specific form.

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