Selected Papers from the Fourteenth International ... - STIBA Malang
Selected Papers from the Fourteenth International ... - STIBA Malang
Selected Papers from the Fourteenth International ... - STIBA Malang
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Adverb-marking in coordinate constructions 189<br />
b. …if he could were a gowne and a tipet cumlie, and haue hys crowne shorne<br />
faire and roundlie … (Ascham 1570)<br />
c. …but Na<strong>the</strong>les he would <strong>the</strong> point should be lesse & more fauorably handled,<br />
not euen fully plain & directly, but that <strong>the</strong> matter should be touched a slope<br />
craftely (More 1513)<br />
d. …Therefore whensoeuer your words will not make a smooth dactil, ye must<br />
alter <strong>the</strong>m or <strong>the</strong>ir situations … or if <strong>the</strong> word be polysillable to deuide him,<br />
and to make him serue by peeces, that he could not do whole and entierly.<br />
(Puttenham 1589)<br />
e. And thus by maister Edward Diar, vehement swift & passionatly.<br />
(Puttenham 1589)<br />
f. … and many times this Silver Lace is not onely slightly and deceitfully made<br />
… and <strong>the</strong> silk false and deceitfully dyed, which makes <strong>the</strong> Lace turne black<br />
and tarnish (Violet 1661)<br />
g. That <strong>the</strong> Coronation Oath makes <strong>the</strong> King; which is a most gross as well as<br />
dangerous Mistake; <strong>the</strong> King being as perfect and compleatly King before his<br />
Coronation as after (Apology 1684)<br />
Some of <strong>the</strong> examples in (17), such as (f), appear ambiguous, possibly allowing<br />
an interpretation adj and adv adj, whereby <strong>the</strong> item in <strong>the</strong> first conjunct is an<br />
adjective ra<strong>the</strong>r than a deadjectival adverb. Given <strong>the</strong> context, however, an adverb<br />
interpretation does seem more likely; highly ambiguous sentences were omitted<br />
<strong>from</strong> this study. In some cases, such as (17c), it may be that <strong>the</strong> writer chose a zero<br />
form in order to avoid three ly-adverbs in sequence; however, <strong>the</strong>re are many o<strong>the</strong>r<br />
instances in texts of sequences of several ly-adverbs. In addition, such a motivation<br />
would not account for <strong>the</strong> very similar (17e). We shall return in Section 3 to<br />
<strong>the</strong> question of motivation for <strong>the</strong> choice of this structural type, but it may be that<br />
just as <strong>the</strong> repetition of -ly was felt to be unpleasing in immediate sequence, it may<br />
have been felt to be unpleasing or at least redundant in coordinate structures. This<br />
principle, if it was indeed operative, would of course have been in direct conflict<br />
with <strong>the</strong> symmetry principle suggested in Section 2.1.<br />
. X-ly and Y<br />
The structure type X-ly and Y has, as far as I know, gone unnoticed in <strong>the</strong> literature,<br />
unlike <strong>the</strong> previous type. In <strong>the</strong> example in (18), one might suspect an attempt<br />
to achieve a pleasing symmetry, in that <strong>the</strong> preceding coordinate structure<br />
wel and ornately is rhythmically almost <strong>the</strong> mirror-image.<br />
(18) And by and by somewhat louder, he rehersed <strong>the</strong>m <strong>the</strong> same matter againe<br />
in o<strong>the</strong>r order and o<strong>the</strong>r wordes, so wel and ornately, & na<strong>the</strong>les so euidently<br />
and plaine (More 1513)