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LAST DITCH OF DEMOCRACY - Majority Rights

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Vivaldi had done it. I have a high opinion of Rossini and Mozart. I.e.,<br />

use of mandolin in serious orchestra. So has everyone who ain’t stark<br />

ravin’ goofy. But Mozart when he came down to Italy did NOT set the<br />

public crazy. And part of the reason was, as I conjecture, that the Italian<br />

had then had an earful of Tony Vivaldi. That is guess work. But there<br />

are things to set against Bach. In fact things Bach took hold of and<br />

rearranged; without as I think improvin’ ’em.<br />

I had a chance to hear both together two years ago in Siena, in a good<br />

orchestral concert, one up to Casella, the way that program was built.<br />

Man named Guarnieri conductin’, been doing three years now in Siena,<br />

at this summer fest. And I would by god rather hear Guarnieri<br />

conductin’ Vivaldi than hear Toscanini conductin’ Beethoven in<br />

Salzburg. An idea which occurred to me, dunn’ the Juditha performance.<br />

I try to tell you that Italy is carryin’ ON. La rivoluzione continua. This<br />

is the kind of thing Italians go on doing, despite that dirty mugged<br />

bleeder and betrayer of his allies, Winston babyface Churchill.<br />

And his gangsters. Those blighters have never done one damn thing for<br />

civilization. They have rotted their country, and should not be allowed<br />

to rot anyone elses. They didn’t start the process of corruption, but they<br />

have been, everyone of ’em for it, all day and every day, and for the 24<br />

hour period.<br />

Di Marzio is runnin’ a paper. Vicari is runnin’ a monthly devoted to the<br />

“narrative” nothin’ but narrative or careful discussion of narrative, and<br />

how one should do it. Over in Barcelona, they are printin’ a series,<br />

Poesia en la Mano, bilingual editions of everyone from Villon to<br />

Mallarme’ and Rilke, and, I am told, your present colloquitor if they can<br />

git anyone to translate me.

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