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Roman authors on colloquial language 25<br />

luminibus utatur, potius poema put<strong>and</strong>um quam <strong>com</strong>icorum poetarum; apud<br />

quos, nisi quod versiculi sunt, nihil est aliud cotidiani dissimile sermonis. (Orat. 67;<br />

cf. Jonge 2008: 364–5)<br />

For whatever falls into some measurement by the ears, even if it falls short of being<br />

verse – for that indeed is a fault in oratory – is called measure, in Greek .<br />

Therefore I know some have thought that the language of Plato <strong>and</strong> Democritus,<br />

even if it is removed from verse, is nevertheless, because it is delivered more rapidly<br />

<strong>and</strong> with superb verbal flashes, to be considered poetry more than that of the<br />

<strong>com</strong>ic poets; their language, apart from the fact that it consists of verses, does not<br />

differ at all from everyday conversation.<br />

Here the notion that formal prose falls between verse <strong>and</strong> everyday language<br />

is given something of a twist, since some formal prose turns out<br />

to be more poetic than the verse of <strong>com</strong>edy. We should, however, be<br />

wary of seeing everything in serious (Greek or Latin) poetry as belonging<br />

to a non-conversational register, in view of Cicero’s contention that<br />

Homer, Ennius, the other poets <strong>and</strong> especially the tragedians need not<br />

always use the same contentio (here ‘rhetorical style’) but may make<br />

frequent changes <strong>and</strong> non numquam etiam ad cotidianum genus sermonis<br />

accederent ‘sometimes they may even approach everyday conversation’<br />

(Orat. 109, cf.p.132 below).<br />

In addition to the provision or suggestion of some actual examples of<br />

conversational language or the simple rhetorical style, various authors note<br />

qualities of conversational language or of the style of oratory that <strong>com</strong>es<br />

close to it.<br />

We have mentioned (section 2.2 above) the four varieties into which the<br />

Rhetorica ad Herennium divides the voice quality sermo: dignitas, demonstratio,<br />

narratio <strong>and</strong> iocatio. Thesedifferfromoneanotherinpace<strong>and</strong>in<br />

the use of pauses as well as in other respects that we would consider to<br />

belong to ‘tone of voice’ (Rhet. Her. 3.24–5). Narratio is itself characterised<br />

by variety of pace <strong>and</strong> tone (3.24). Although sermo <strong>and</strong> its various subdivisions<br />

are not intended as descriptions of everyday speaking, the closeness of<br />

sermo to everyday speaking suggests that variation in the use of the voice,<br />

<strong>and</strong> in pace <strong>and</strong> the use of pauses, characterised everyday speaking too.<br />

It would, of course, be very surprising if Romans ordinarily spoke in a<br />

monotone.<br />

As regards more narrowly linguistic or rhetorical features, frequent<br />

points are that conversational language <strong>and</strong> the associated simple style are<br />

unadorned (e.g. Rhet. Her. 4.69, mentioned above), or more specifically<br />

that they lack figures of speech (e.g. Quint. Inst. 9.3.3, mentioned above),<br />

archaisms (Cicero De orat. 3.153, quoted above), neologisms, periphrases

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