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63 Colloquial and Li.. - Ganino.com

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352 brigitte l. m. bauer<br />

un<strong>com</strong>mon dichotomy between prose <strong>and</strong> poetry: in contrast to general<br />

tendencies in diachronic linguistics this time it is in poetry, where normally<br />

we find archaisms, that we observe the first instances of linguistic<br />

innovation.<br />

Already at the earliest stage of what was going to be a process of grammaticalisation,<br />

we notice a discrepancy between prose <strong>and</strong> poetry. In poetry<br />

<strong>com</strong>bining the noun <strong>and</strong> an adjective – whatever their context – is much<br />

more <strong>com</strong>mon than in prose. Moreover, it is in poetry that we find a<br />

stronger variety of adjective–noun <strong>com</strong>binations in lexical/adverbial (or<br />

adverbial) use. Instances of this use in prose authors are limited in number<br />

<strong>and</strong> in type: the structure primarily includes animo <strong>and</strong> shows a strong<br />

preference for aequo. It is important to note that the earliest prose text<br />

analysed here (Cato) includes two instances of that <strong>com</strong>bination, both<br />

with adverbial value. Second, the high numbers of instances of this use in<br />

<strong>Li</strong>vy almost exclusively entail animo. By contrast, evidence from the latest<br />

author analysed here, Petronius, shows that we are dealing with a development:<br />

as in the earlier poetic texts, his lexical/adverbial <strong>com</strong>binations<br />

involve a variety of nouns. The spread of adjective + noun constructions<br />

therefore follows the patterns found for the development of adjective +<br />

mente (Bauer 2001).<br />

There are more parallels. In my earlier articles on adverbs I noticed<br />

that from a diachronic perspective the main difference between animo<br />

<strong>and</strong> mente resides in the formal stability – in time <strong>and</strong> genre – of mente<br />

<strong>com</strong>binations, which may account for the survival of mente as a suffix<br />

(Bauer 2003). Conversely animo + noun <strong>com</strong>binations displayed important<br />

formal variety, including prepositions, genitives <strong>and</strong> so forth. Analysis<br />

in this chapter has revealed a similar formal variety, culminating e.g. in the<br />

Vulgate’s importance of preposition + adjective + corde <strong>com</strong>binations<br />

reflecting adverbial value.<br />

In conclusion we can therefore say that the patterns we observed earlier<br />

for mente in the early instances (prose vs poetry), <strong>and</strong> for animo in the<br />

Vulgate (variability) are similar to those involving other nouns. In view of<br />

the topic of this Festschrift we therefore underscore the important observation<br />

that in the development of adverbial constructions the relation<br />

between poetry <strong>and</strong> prose is the reverse of what we traditionally find.<br />

The first question that <strong>com</strong>es to mind is: ‘Why in this specific development<br />

is it prose that “catches up” with poetry <strong>and</strong> not the other way<br />

around?’ Influence from Greek poetry may have been a factor. A century<br />

ago already Shorey (1910) pointed out that adjective + noun <strong>com</strong>binations<br />

in the dative featuring adverbial value are found in ancient

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