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Hyperbaton <strong>and</strong> register in Cicero 165<br />

degree. 5 In my usage, focus may be a characteristic of either topics or<br />

predicates, although the main focus of a sentence is usually (for reasons<br />

that should be obvious) on the logical predicate or part of it.<br />

Statistical surveys of the frequency of ‘hyperbaton’ are often rendered less<br />

useful than they might be, because of the tendency to lump together different<br />

types of real or apparent discontinuity which have different underlying<br />

causes <strong>and</strong> may turn out to have different distributions: in section 2 of this<br />

chapter I shall point towards a clearer (probably not at this stage exhaustive)<br />

classification of different types of hyperbaton. My other main purpose in<br />

this chapter is to reopen the question of the relationship of hyperbaton to<br />

register in Latin prose (verse is entirely outside the scope of this discussion),<br />

<strong>and</strong> I provisionally take Cicero as my main source of examples, 6 for the<br />

simple reason that he is the only author from the classical period whose<br />

corpus of genuine texts embraces a sufficient range of identifiably different<br />

prose genres <strong>and</strong> registers. With due care, it appears possible within this<br />

corpus to isolate variations due to genre or register (as opposed, say, to<br />

chronological variations or matters of authorial preference) with a reasonable<br />

degree of certainty – a task which could be difficult or impossible in<br />

connection with other areas of Latin.<br />

It is usual to rank Cicero’s works on a scale of formality, with the letters<br />

to Atticus, say, at the colloquial end, 7 <strong>and</strong> this can be adopted as a rule of<br />

thumb: if a feature occurs significantly more often in the Atticus letters than<br />

in the speeches, that may well indicate that it is a colloquial feature, bearing<br />

in mind the reservations expressed in Chapters 1–5 of this volume regarding<br />

the difficulties of defining <strong>and</strong> identifying colloquialism. 8 The speeches,<br />

on the whole more formal than the letters, show an appreciable variation<br />

in style, 9 although we should avoid thinking in terms of a simple linear<br />

5 For example, Panhuis’s (1982) concept of ‘rhematicity’ seems to me to amalgamate these two theoretically<br />

separable categories.<br />

6 In this chapter, works of Cicero are referred to by abbreviated title alone.<br />

7 Thecueforthis<strong>com</strong>esdoubtlessfromCicerohimself,whoforexamplereferstohisexchangesof<br />

letters with Atticus as ‘familiar conversation’ (sermo familiaris, Att. 1.9.1). In an often quoted passage<br />

written to his friend Papirius Paetus (Fam. 9.21.1) Cicero distinguishes the ‘everyday’ <strong>and</strong> ‘plebeian’<br />

language of informal letters from the language of political or forensic oratory, <strong>and</strong> also the ‘more<br />

subtle’ language of private lawsuits from the ‘more ornate’ style of criminal trials: for this <strong>and</strong> other<br />

relevant passages see Hutchinson 1998: 5–9. Cf. Ferri <strong>and</strong> Probert, this volume p. 39 <strong>and</strong> Thomas,<br />

this volume, p. 255.<br />

8 Pinkster in this volume (p. 189) points out with justification that the epistolary style is an example<br />

of informal writing rather than informal speech, <strong>and</strong> does not necessarily reflect speech patterns; but<br />

the weight of this is lessened by his observation that letters in the ancient world were customarily<br />

dictated. Actually, dictation can lead to its own problems unless one is highly practised in it, since it<br />

proceeds at a speed so much slower than ordinary speech.<br />

9 See Laur<strong>and</strong> 1938; Albrecht 2003: esp. 11–27 <strong>and</strong> 79–85. Classifications of Cicero’s speeches according<br />

to style often tend to rely on Cicero’s own (Orator 102) tripartite division into ‘plain’, ‘middle’ <strong>and</strong>

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