Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

Recommendations

Info

menog nematerijalnog rada. Za ovu izložbu Florian Schneider predložio je tekstove jednog bliskog saradnika Patricea Lumumbe, prvog premijera nezavisnog Konga. Taj saradnik bio je francuski intelektualac Serge Michel, a njegovi tekstovi objavljeni su u hrvatskom Vjesniku početkom šezdesetih godina. Ovdje tekstovi imaju svrhu da učine raspravu složenijom i da je lansiraju preko evropskih granica – postkolonijalna stvarnost ne može se zamisliti, a da se ne uzme u obzir istorija njenih kolaboracija i saučesništava. U tom kontekstu, Serge Michel bio je izuzetak. Oba teksta artikulišu moguću zajedničku osnovu za ponovno sagledavanje današnjih pejzaža kolaboracije, i oba nude podlogu za mjerenje njenog istorijskog značaja i genealogije. Oni služe kao matrica za početak proširene rasprave o samim silama koje oblikuju te pejzaže – mrežama, vezama i društvenim ekonomijama današnjice. Ta rasprava neće samo dotaknuti, nego i zauzeti samu crtu koja razdvaja i povezuje politiku i etiku s estetikom, ako se ova posljednja shvati u širem smislu. Pitanje kolaboracije tiče se mogućnosti i ograničenja individualnog i kolektivnog djelovanja u određenim situacijama, što bi se, takođe, moglo nazvati „pozadinskim uslovima“ ili naprosto skupom datih činjenica koje definišu neku situaciju i koje se prepoznaju kao takve. Svaka situacija postavlja se kao pitanje o tome kako tretirati zadate parametre onoga što je već prisutno kao pozadina u tom smislu. Svaka pozicija aktera u odnosu na bilo koju pozadinu uvijek se kreće između dvaju polova negacije ili afirmacije, te se problematizuje kroz permanentne proračune mogućnosti, prilika, margina i saučesništva te suočavanje s kontradikcijama. To nije samo pitanje racionalnih procjena, nego je rary immaterial labour. For the exhibition, Florian Schneider has suggested displaying the texts of a close associate of Patrice Lumumba, the first prime minister of the independent Congo. This associate is the French intellectual Serge Michel, whose texts appeared in the Croatian newspaper Vjesnik in the early 60s. They are intended here to complicate the debate and take it beyond European boundaries – a post-colonial reality cannot be conceived without taking the history of its collaborations and complicities into account. Serge Michel, in this context, was an exception. Both texts articulate a possible common ground for rethinking the landscapes of collaboration today, and both provide a foil against which one can begin to measure its historical significance and genealogy. They serve as a blueprint for the beginning of an extended discussion that investigates the very forces that shape those landscapes - the networks, alignments and social economies of the present day. This discussion is necessarily one that not only traverses, but inhabits the line that separates and binds politics and ethics to aesthetics, if the latter is understood in its wider sense. The question of collaboration touches upon the possibilities and limitations of individual and collective agency in given situations, what might generally also be called the ‘background conditions’, or simply, a set of given facts which define a situation and are acknowledged as such. Any situation poses itself as a question of how to deal with the parameters set by what is already there as a background in this sense. Any actor’s position in relation to any background always moves between the two poles of negation or affirmation, and is problematized by permanent
duboko prožeto onim što obično nazivamo psihologijom, a od toga zavisi funkcionisanje čitavih društvenih svjetova. Možda to pitanje kolaboracije i „pozadine“ moramo upisati u širi narativ sudbine negativnosti – shvaćene kao ono što se nalazi izvan granica društvene kohezije i zdravog razuma obilježenog pozadinom – i naposlijetku preispitati taj spekulativni narativ s obzirom na konkretnost istorije. Jedno je sigurno o tom narativu: dok su „pozitivisajuća“ sredstva disciplinovanog režima (proizvodnja identitetâ) proizvela negativnu „spoljašnjost“ – spoljašnjost reda, racionalnosti, pa čak i jezika – društvo nadzora obuhvata sile negativnosti i „upravlja“ njima. Važnost načela „manjega zla“ direktan je simptom takve paradigmatske promjene: „zlo“ je simptomatična forma koju je u evropskoj istoriji poprimila razarajuća sila negativnosti, a „manje zlo“ je računica čija je svrha da u zagrljaju globalnog „dobra“ to zlo svede na minimum. Mogućnosti i sudbine negativnosti – između ostalog i njen utopistički imaginarij – naposlijetku su transformisale upravo one njene postupke koje artikulišu političko djelovanje, poput odbijanja da se prihvati „datost“ stvarnostî. Međutim, nove forme kolaboracije s pozitivnim konotacijama, koje su nastale u tim okolnostima, povezane su i potajno komuniciraju s geografijom kolaboracije iz prošlosti. Ovaj projekt nastoji da postavi temelje na kojima se može oblikovati razgovor o kolaboraciji, kao i o prikrivenim strujanjima koja povezuju njene istorije. calculations of possibility, opportunity, margins, complicity and the management of contradictions. It is not only a question of rational judgement, but is heavily invested in what we usually call psychology, in which the enactment of entire social worlds is at stake. Perhaps we have to inscribe this question of collaboration and the ‘background’ into a larger narrative of the fate of negativity – understood as that which lies beyond the boundary of social cohesion and common sense marked by the background – and subsequently test such a speculative narrative against the concreteness of history. At least that much is known of this narrative: while the ‘positivising’ devices of the disciplinary regime (the production of identities) produced a negative ‘outside’ - an outside of order, rationality, and even language - the society of control embraces and ‘manages’ the forces of negativity. The prominence of the “lesser evil” principle is a direct symptom of such paradigmatic change: “evil” is the symptomatic form the disruptive power of negativity and negation has taken in European history, and the “lesser evil” is a calculation to reduce evil to a minimum, embraced by a global “good”. The possibilities and fates – and not least the utopian imaginary – of negation has subsequently transformed those very gestures of negation that articulate political agency, such as the refusal of recognizing the ‘givenness’ of realities. However, the new, positively connoted forms of collaboration that have emerged under these conditions have ties, and secretly communicate, with the geography of collaboration of the past. This project seeks to lay grounds on which a conversation on collaboration, and the undercurrents that connect its histories, can be shaped.
Page 3:
SPAPORT Međunarodna godišnja izlo
Page 8 and 9:
GDJE SE SVE TEK TREBA DOGODITI / WH
Page 10 and 11:
Page 12 and 13:
Ivana Bago & Antonia Majača WHERE
Page 14 and 15:
Page 16 and 17: GDJE SE SVE TEK TREBA DOGODITI / WH
Page 42 and 43: UN Tenk, print u boji na aluminiju,
Page 48 and 49: Tvoja zemlja ne postoji, 2003 - You
Page 50 and 51: Studija za spomen obeležje, uljane
Page 58: Dragan Nikolić Nacionalni park Nat
Page 61 and 62: Liu Wei Dan za pamćenje A Day to R
Page 64 and 65: Anselm Franke KRUGOVI SARADNJE Uče
Page 68 and 69: Moj prijatelj Lumumba My Friend Lum
Page 73 and 74: Florian Schneider Kolaboracija Ako
Page 75 and 76: 2. Sve je više dokaza za to da se
Page 77 and 78: Naposljetku, kolaboracija s kojotom
Page 79 and 80: da svatko ima trenutačan i neogran
Page 81 and 82: 1. In pedagogical discourse, both c
Page 83 and 84: flow in which these positions are a
Page 85 and 86: The nets of voluntariness, enthusia
Page 87 and 88: Eyal Weizman 665/Manje zlo Prije ne
Page 89 and 90: uveća dobro. Oba slučaja potvrđu
Page 91 and 92: Manje zlo je uobičajeno opravdanje
Page 93 and 94: skali od manje ili više nečega, n
Page 95 and 96: edukciju patnje. 25 Put prema utopi
Page 97 and 98: koju nanose “manja” ili da bi s
Page 99 and 100: sastojao se u “vještini rukovođ
Page 101 and 102: councils set up by the Nazis), she
Page 103 and 104: ously most often about the sufferin
Page 105 and 106: the beginning of a possible archive
Page 107 and 108: losophy: If God governs the world a
Page 109 and 110: a better world possible. Marx saw t
Page 111 and 112: festa7 seeks to start unpacking thi
Page 113 and 114: lib. arb. I.v.12). In her presentat
Page 115 and 116: Namjera našeg priloga je stvaranje
Page 117 and 118:
1. 2. 3.
Page 119 and 120:
“S jeseni, kada počnu vetrovi, l
Page 121 and 122:
prožimanjem fakata i fikcije, Kiš
Page 123 and 124:
Naime, u poljsko-hrvatskom, a zasig
Page 125 and 126:
Danas Poljaci žive u etnički čis
Page 127 and 128:
Yael Bartana Mary Koszmary (Noćne
Page 129 and 130:
Jednom kulturom, ne možemo osjeća
Page 131 and 132:
Želimir Žilnik Kenedi se vraća k
Page 133 and 134:
ulica, jer sve mi je to vrlo sumnji
Page 135 and 136:
small. But anyway, thank you, I sha
Page 137 and 138:
Neka geografska područja muče svo
Page 139 and 140:
postalo neodrživim. Sačuvala je c
Page 141 and 142:
A.C.A.B. Multimedijalna instalacija
Page 145 and 146:
Ronen Eidelman Trinaest principa 1.
Page 147 and 148:
Ronen Eidelman The Thirteen Princip
Page 149 and 150:
Aydan Murtezaoğlu HIP ACTIVIST - L
Page 151 and 152:
Nina Möntmann Učestvuju / With co
Page 153 and 154:
zamjenjuje pravo istraživanje i pr
Page 155 and 156:
Njihove muke, oklijevanja i nedoumi
Page 157 and 158:
Yael Bartana Jews! Fellow countryme
Page 159 and 160:
Esra Ersen If You Could Speak Swedi
Page 161 and 162:
Jelena Vesić Učestvuju / With con
Page 163 and 164:
svetlošću sa horizonta revolucije
Page 165 and 166:
se zaustavi na lociranju ovih ‘ne
Page 167 and 168:
Bratstvo i jedinstvo! Komunizam - p
Page 169 and 170:
jena prostitucija i pomaže ženama
Page 171 and 172:
kim uslovima svakako deli gore pome
Page 173 and 174:
Studenskog kulturnog centra u Beoga
Page 175 and 176:
umetnička aktivnost trebalo bi da
Page 177 and 178:
Lutz Becker Kino beleške, Film 29
Page 180 and 181:
Biografije / Biographies A.C.A.B. j
Page 182 and 183:
U svom radu bavi se uglavnom odnoso
Page 184 and 185:
Dutch, Van Abbe Museum, Eindhoven a
Page 186 and 187:
Muzeju Stedelijk, SMART Project Spa
Page 188 and 189:
Erden Kosova je kritičar koji živ
Page 190 and 191:
Ko-urednik je knjige Wörterbuch de
Page 192 and 193:
Copenhagen. (2005) The Oberhausen S
Page 194:
Želimir Žilnik (1942, živi i rad
Page 197:
Foto dokumentacija / Photo document
show all

Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

Create successful ePaper yourself

Delete template?

Save as template?