Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

Copenhagen. (2005) The Oberhausen Short Film Festival; Transmediale 05, International Media
Art Festival, Berlin. (2004) Macro al Mattatoio, Museum of Contemporary Art, Rome; Institute of
Contemporary Arts, ICA, London; Herziliya Museum of Contemporary Art. (2003) Witte de Witt
Museum, Rotterdam; Home Works II, Beirut; Sharjah International Biennial 6, UAE. (2002) Ars
Electronica, Linz. Wakedovi radovi nalaze se u kolekcijama Muzeja Guggenheim u New Yorku,
Fondation Louis Vuitton pour la Création, Sharjah Art Foundation i Israel Museum.
Sharif Waked was born in Nazareth to a Palestinian refugee family from the village of Mjedil.
He lives and works in Haifa/Nazareth. Through ironic reflections on power and politics, Waked
overturns established aesthetic formations and ponders the absurd realities of political conflict.
Waked has exhibited at various biennials and museums in the Middle East, Europe and
the U.S.A including: (2009) Contemporary Art Centre of South Australia; Queens Museum of
Art, New York City; Sharjah Biennial 9, United Arab Emirates; (2008) Huarte Centro de Arte
Contempor·neo, Spain; Bluecoat Gallery, Liverpool; Artists Space, New York; The Israel Museum,
Jerusalem. (2007) Meeting Points 5, Berlin; The Nobel Peace Centre, Oslo; The Seconde Riwaq
Biennale, Ramallah; Tate Modern, London. (2006) École Nationale Supérieure des Beaux-Arts,
Paris, Charlottenborg Exhibition Hall, Copenhagen. (2005) The Oberhausen Short Film Festival;
Transmediale 05, International Media Art Festival, Berlin. (2004) Macro al Mattatoio, Museum
of Contemporary Art, Rome; Institute of Contemporary Arts, ICA, London; Herziliya Museum of
Contemporary Art. (2003) Witte de Witt Museum, Rotterdam; Home Works II, Beirut; Sharjah International
Biennial 6, UAE. (2002) Ars Electronica, Linz. Waked’s work is part of the permanent
collections of the Solomon Guggenheim-New York, the Fondation Louis Vuitton pour la Création,
the Sharjah Art Foundation, and the Israel Museum.
Eyal Weizman je arhitekt koji živi i radi u Londonu. Studirao je arhitekturu pri Architectural
Association u Londonu, a doktorirao je na London Consortiumu, Birkbeck College. Trenutačno
je direktor Centra za istraživanja u arhitekturi na Goldsmiths-koledžu, a prije toga je predavao
arhitekturu u Beču na Akademiji likovnih umjetnosti. Od 2008. je član upravnog odbora B’Tselem
managing board. Djeluje kao predavač, kustos, te organizator konferencija u institucijama širom
svijeta. Weizman sarađuje sa brojnim nevladinim organizacijama u Izraelu/Palestini, a sudjelovao
je i u brojnim umjetničkim projektima. Bio je kurator izložbe “Civilna okupacija - politika
izraelske okupacije” koja je izazvala mnoge kontroverze u Izraelu ali i medunarodno. Autor je knjiga
A Civilian Occupation (Verso Books 2003.), Hollow Land (Verso Books 2007.), serije Territories 1,
2 and 3, Yellow Rhythms i mnogih članaka u časopisima, magazinima, i publikacijama. Weizman je
član uredničkog savjeta inflexion journal-a i glavni je član je uredništva Cabinet Magazine-a (New
York). Weizman je dobitnik Nagrade James Stirling Memorial Lecture Prize za 2006.-2007.
Eyal Weizman is an architect based in London. He studied architecture at the Architectural Association
in London and completed his Ph.D. at the London Consortium, Birkbeck College. He is
the director of the Center for Research Architecture at Goldsmiths College, University of London.
Before this role, Weizman was Professor of Architecture at the Academy of Fine Arts in Vienna.
Since 2008 he has been a member of B’Tselem managing board. Weizman has taught, lectured,
curated, and organized conferences in many institutions worldwide. Weizman collaborated
with many NGOs in Israel/Palestine, and has participated in numerous art projects. He curated
the exhibition Civil occupation – the politics of Israeli occupation, which sparked controversies
in Israel but also internationally. His books include Hollow Land (Verso Books, 2007), A Civilian
Occupation (Verso Books, 2003), the series Territories 1, 2 and 3, Yellow Rhythms and many articles
in journals, magazines and edited books. Weizman is a member of editorial advisory board to
inflexion journal and is an editor-at-large for Cabinet Magazine (New York). Weizman is the recipi-