Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

Ko-urednik je knjige Wörterbuch des Krieges, Merve-Verlag, Berlin 2008.
Florian Schneider is a filmmaker, writer, and curator. In his work he focusses on bordercrossings
between mainstream and independent media, art and activism, theory and open source technology.
As a filmmaker he directed several award-winning documentaries and designed and realized
two theme-evenings for the German-French TV station arte on the topics of migration and activism.
He is one of the initiators of the KEIN MENSCH IST ILLEGAL (no one is illegal) campaign at
documenta X and subsequent projects such as the “noborder network” and the internet platform
KEIN.ORG. He initiated and co-organized the new media festivals MAKEWORLD (2001), NEUROnetworking
europe (2004), “Borderline Academy” (2005), “SUMMIT - nonaligned initiatives in
education culture” and the multimedia project “DICTIONARY OF WAR” (2006 -). He has lectured
at universities, museums, and conferences worldwide. Since 2006 he teaches theory at the art
academy Trondheim. Since autumn 2008 he is advising researcher at Jan van Eyck Academie
Maastricht. At the moment he is working on his PHD-project on “Imaginary property” at the
Institute for Research Architecture in Goldsmiths College, London. In 2008 he participated with
performances and video installations at the biennales in Gwangju, Taipei and Brussels, as well as
Manifesta 7 (Trento and Bolzano). He is co-editor of Wörterbuch des Krieges, Merve-Verlag, Berlin
2008.
Slaven Tolj rođen je 1964. u Dubrovniku. Diplomirao je na Akademiji likovnih umjetnosti u
Sarajevu 1987. godine. Sudjelovao je na brojnim samostalnim i skupnim izložbama u zemlji i
inozemstvu (Documenta Kassel 1997, Body and the East, Moderna galerija Ljubljana 1998, Muzej
suvremene umjetnosti Zagreb 1998, Apex Art, New York 2000, ). Od 1988. godine voditelj je programa
Art radionice Lazareti.
Slaven Tolj was born in 1964 in Dubrovnik. He studied at the Academy of Contemporary Art in
Sarajevo, where he gratuated in 1987. He participated at numerous solo and group exhibitions in
Croatia and abroad (Documenta, Kassel 1997, Body and the East, Moderna galerija Ljubljana 1998,
Muzej suvremene umjetnosti Zagreb 1998, Apex Art, New York 2000.). Od 1988. godine voditelj je
programa Art radionice Lazareti
Jelena Vesić je nezavisna kustosica, umjetnička kritičarka koja živi i radi u Beogradu. Ko-urednica
je časopisa Prelom i članica Prelom Kolektiva. Njen rad je uglavnom posvećen politikama
reprezentacije u umjetnosti i vizuelnoj kulturi, kao i kritičkom istraživanju novih modela
interakcije između teorije i umjetnosti u širem društvenom polju. Njena kustoska praksa često
eksperimentiše sa okvirima, metodologijama, te kontekstualnim i kolaborativnim aspektima
predstavljanja umetnosti. Objavljivala je svoje tekstove u različitim umetničkim časopisima i
publikacijama kao što su: Idea/art+society/ (Cluj), Version (Paris), Galerija Nova Newspapers (Zagreb),
Afterartnews /Onestarpress/ (Paris), (An)other Publication (Rotterdam), Blue Monday art-critical blog /
LabForCulture/ (Amsterdam), transform /eipcp/ (Vienna), Chto Delat/What is to be Done (St.Petersburg/Moscow),
Prelom (Belgrade), mag.net 3 (Rome/Amsterdam), Život Umjetnosti (Zagreb), Doubles
(Kiev), Read Thread (Istanbul) etc. Njeni noviji kustoski projekti su: No More Reality: Crowd and
Performance, Depo, Istanbul, 2009; No More Reality step 3: Documentation Centre, De Appel Institute
for Contemporary Art, Amsterdam, 2008; The case of Students Cultural Centre – Belgrade in the 1970s,
shown in SKUC (Ljubljana), Galerija Nova (Zagreb), CCA/pro.ba (Sarajevo), Salon of Museum of
Contemporary Art (Belgrade), Badischer Kunstverein (Karlsruhe) and Transit (Budapest), 2008;
Back to the Future, Borderline video festival, Beijing, 2007; Breaking Step: Displacement, Compassion
and Humor in Recent Art from Britain, Museum of Contemporary Art, Belgrade, 2007.