Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

course of six hours, perform ten scripted meetings.
Vít Havránek je teoretičar i organizator koji živi i radi u Pragu. Od 2002. radi kao projektni
voditelj inicijative za savremenu umjetnost tranzit (www.tranzit.org), koju podržava Erste Bank
Grupa. Radio je kao kustos Gradske Galerije u Pragu i Nacionalne Galerije u Pragu. Predaje
savremenu umjetnost na Akademiji primijenjenih umjetnosti u Pragu. Bio je kustos i ko-kustos
brojnih izložbi, među kojima su: A CDEFGHIJK MNOP STUV Z, dio Sociéte Anonyme, Le Plateau,
Paris, 2007, tranzit – Auditorium, Stage Backstage, Frankfurter Kunstverein, Frankfurt 2006, I, series
of exhibitions in three acts (Secession Vienna, Futura Prague, tranzit workshops Bratislava, 2006),
projekta The Need to Document (Basel, Luenenburg, Prag, 2005), Definitions of Everyday (2. Bijenale u
Pragu, 2005), Lanterna Magika (Pariz, 2002), Jiri Kovanda (Brno, 2004), Otto Piene (Prag 2002), action,
word, movement, space (Prag, 1999). Urednik je publikacija i kataloga o savremenoj umjetnosti.
Uredio je seriju publikacija tranzita u izdanju jrp | ringier (Jan Mančuška, Jiří Kovanda i dr.), uredio
i ko-uredio publikacije Autobiographies, revolver, Secession tranzit, 2006, The Need to Document, 2005,
Lanterna Magika, 2002, action, word, movement, space, 1999 te pisao za magazine o suvremenoj umjetnosti
(Springerin, Artist, Flash Art i dr.).
Vít Havránek is a theoretician and organizer based in Prague, Czech Republic. Since 2002 working
as a project leader of the initiative for contemporary art tranzit (www.tranzit.org) supported
by the Erste Bank Group. He worked as a curator for the Municipal Gallery, Prague and National
Gallery in Prague. He lectures in contemporary art at the Academy of Applied Arts, Prague. He
has curated and co-curated number of exhibitions, amongst which are: A CDEFGHIJK MNOP STUV
Z, part of Societe Anonyme, Le Plateau, Paris, 2007, tranzit – Auditorium, Stage Backstage, Frankfurter
Kunstverein, Frankfurt 2006, I, series of exhibitions in three acts (Secession Vienna, Futura
Prague, tranzit workshops Bratislava, 2006), project The Need to Document (Basel, Luenenburg,
Prague, 2005), Definitions of Everyday (Prague Biennale 2, 2005), Lanterna Magika (Paris, 2002), Jiri
Kovanda (Brno, 2004), Otto Piene (Prague 2002), action, word, movement, space (Prague, 1999). He has
edited publications on contemporary art and catalogues. He is editor of tranzit series published
by jrp | ringier (Jan Mančuška, Jiří Kovanda and others), edited and co-edited books Autobiographies,
revolver, Secession tranzit, 2006, The Need to Document, 2005, Lanterna Magika, 2002, action, word,
movement, space, 1999 and has written for contemporary art magazines (Springerin, Artist, Flash Art
and others).
Ana Janevski je kustosica u Muzeju moderne umjetnosti u Varšavi, gdje je kurirala izložbu Čim otvorim
oči vidim film – eksperimenti u jugoslavenskoj umjetnosti 60-ih i 70-ih, samostalnu izložbu Ahlam
Shibili Unhoming, a nedavno je bila ko-kustosica projekta Warsaw Under Construction, začetak novog
festivala posvećenog dizajnu. Trenutno sarađuje s umjetnicom Sanjom Iveković na projektu
u javnom prostoru u Varšavi. Ko-urednica je magazina Muzeum. Magistrirala je na univerzitetu
EHESS u Parizu, s radom “Artikulacija balkanizma u suvremenoj umjetnosti”. Kurirala je nekoliko
izložbi u Hrvatskoj, gdje je programska voditeljica Galerije PM u Zagrebu.
Ana Janevski is curator in the Museum of Modern Art in Warsaw, where she curated the exhibition
As soon as I open my eyes I see a film - Experiments in Yugoslav art in 60s and 70s, the solo show
of Ahlam Shibli Unhoming and recently co-curated the project Warsaw Under Construction, a
trailer of a new festival focused on designing. Curently she is collaborating with the artist Sanja
Iveković on a project in public space in Warsaw. She is the co-editor of the magazine Muzeum. She
received her Mphil at the EHESS in Paris, with the thesis “Articulation of Balkanism in contemporary
art”. She has curated several shows in Croatia, where she is the program director of the PM
Gallery in Zagreb.