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Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

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a<strong>van</strong>tgarde art, including Century City: Moscow, Tate Modern, London (2001), Construction: Tatlin<br />

<strong>and</strong> After, State Museum <strong>for</strong> ContemporaryArt, Thessaloniki (2002) <strong>and</strong> Cut <strong>and</strong> Paste: Photomontage<br />

1920-1945, Estorick Foundation, London, (2008/09).<br />

Yane Calovski je umjetnik čiji rad uključuje pisanje, crtež, video, javne akcije, publikacije i instalacije.<br />

Njegov rad bio je predstavljen na brojnim izložbama, a najrecentnija je samostalna izložba<br />

u European Kunsthalle u Kelnu i izložba Manifesta 7 u Bolzanu, u Italiji. Studirao je na Pennsyl<strong>van</strong>ia<br />

Academy of Fine Arts na University of Pennsyl<strong>van</strong>ia i na Bennington College, a postdiplomske<br />

studijske programe pohađao je u CCA Kitakyushu, Japan (1999/00), i na Jan <strong>van</strong> Eyck<br />

Academy u Maastrichtu, Hol<strong>and</strong>ija (2002/04). Također djeluje kao kustos i predavač, te je osnivač<br />

i urednik magazina D magazine (D is <strong>for</strong> drawing).<br />

Yane Calovski’s work incorporates writing, drawing, video, public actions, publications, <strong>and</strong><br />

installations. His work has been exhibited <strong>and</strong> published internationally, most recently in a solo<br />

exhibition at the European Kunshalle in Cologne <strong>and</strong> Manifesta 7 in Bolzano. He studied art <strong>and</strong><br />

architecture at the Pennsyl<strong>van</strong>ia Academy of the Fine Arts <strong>and</strong> BenningtonCollege <strong>and</strong> precipitated<br />

in the post-graduate studio program both at the CCA Kitakyushu, Japan (1999/00) <strong>and</strong> at<br />

the Jan <strong>van</strong> Eyck Academy, Maastricht (2002/04). In addition, he curates <strong>and</strong> lectures internationally,<br />

<strong>and</strong> is the founding member of press to exit project space in Skopje <strong>and</strong> founding editor<br />

of D magazine (D is <strong>for</strong> drawing).<br />

Libia Castro & Ólafur Ólafsson (Španija/Isl<strong>and</strong>, sarađuju od 1997.), koji se često opisuju kao<br />

“stanovnici svijeta”, su roterdamsko-berlinski umjetnički t<strong>and</strong>em čiji se rad temelji na multidisciplinarnom<br />

pristupu i čiji se projekti kreću između različitih konteksta i referentnih okvira.<br />

Njihov rad često uključuje saradnju s drugima: grupama, pojedincima, aktivistima, umjetnicima<br />

i drugim profesionalcima. Refleksijom na svakodnevni život u različitim mjestima na<br />

kojima rade, nastoje aktivno izoštriti percepciju postavljajući pitanja o stvarnosti čovječanstva,<br />

usredotočavajući se na egzistencijalne, kulturne, prostorne, društveno-ekonomske i političke<br />

aspekte. Njihov najnoviji video rad, Lobisti, snimljen u Brusselu i Strassbourgu, uz podlogu dub<br />

muzike prikazuje lobiste u njihovom radnom okruženju, dok pokušavaju utjecati na donošenje<br />

odluka u Evropskom Parlamentu. Recentne izložbe na kojima su učestvovali su: Favoured Nations,<br />

Momentum, 5. Nordijsko Bijenale, Moss; Invasion of Sound, Zacheta National Gallery, Varšava;<br />

Bienale Cuveei, O.K Center-Arbeiter Kamer, Linz; Principle Hope, Manifesta 7, Rovereto; Be(com)ing<br />

Dutch, Van Abbe Museum, Eindhoven, te samostalne izložbe u Galerie Opdahl, Berlin, Galleria Riccardo<br />

Crespi, Milano i Everybody is doing what they can, Reykjavík Art Museum.<br />

Libia Castro & Ólafur Ólafsson (ES/IS, collaborating since 1997), often described as “citizens of<br />

the world,” the Rotterdam/Berlin based duo work from out of a conceptual <strong>and</strong> multidisciplinary<br />

approach, moving with their projects between different contexts <strong>and</strong> frames of reference. In<br />

their projects they often collaborate with other people: groups, individuals, activists, artists <strong>and</strong><br />

other professionals. While reflecting upon everyday life in the different places in which they<br />

work, they actively try to sensitize perception by raising questions <strong>and</strong> provoking dialogue about<br />

the human condition, focusing on existential, cultural, spatial, socio-economical <strong>and</strong> political<br />

aspects. Their last video work, Lobbyists, recorded in Brussels <strong>and</strong> Strasbourg, vocalized to dub<br />

music, portrays lobbyists per<strong>for</strong>ming under working conditions as they try to influence decisionmaking<br />

in the European Parliament. Recent shows they have participated in include Favoured Nations,<br />

Momentum, 5th Nordic Biennial, Moss; Invasion of Sound, Zacheta National Gallery, Warsaw;<br />

Bienale Cuveei, O.K Center-Arbeiter Kamer, Linz; Principle Hope, Manifesta 7, Rovereto; Be(com)ing

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