Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

U svom radu bavi se uglavnom odnosom između identiteta i rituala u izraelskom društvu,
sagledavajući prakse koje konstituišu identitet, naročito u odnosu na tradicionalna i savremena
shvatanja roda, mjesta i etniciteta. Njen rad je bio predstavljen na brojnim samostalnim
izložbama, između ostalog u: Galerija Foksal, Varšava, Poljska (2008); Centar za savremenu umjetnost,
Tel Aviv, Izrael (2008); The Power Plant, Toronto, Kanada (2007); Kunstverein Hamburg,
Hamburg, Njemačka (2006); Museum St. Gallen, St. Gallen, Švajcarska (2005); Sommer Contemporary
Art, Tel Aviv, Izrael (2004); MIT List Visual Arts Center, Cambridge, Massachusetts, SAD
(2004). Također je učestvovala u brojnim grupnim izložbama, između ostalog u: Henry Moore
Institute, Leeds, Velika Britanija (2008); Museo de Arte Contemporaneo de Castilla y Leon, Španija
(2008); Documenta 12, Kassel, Njemačka (2007); Walker Art Center, Minneapolis, SAD (2007); Centre
Pompidou, Pariz, Francuska (2007); 27. Bijenale u São Paulo, Brazil (2007); Tàpies Foundation,
Barcelona, Španija (2006); i 9. Bijenale u Istanbulu, Turska (2005).
Yael Bartana (b. 1970, Afula, Israel) lives and works in Amsterdam and Tel Aviv. She has a BFA
from the Bezalel Academy of Art and Design in Jerusalem, an MFA from the New York School of
Visual Arts and participated in the Rijksakademie artist-in-residence program from 2000-2001.
Her work focuses mainly on the relationship between ritual and identity in Israeli society, looking
at the practices that constitute identity, especially in its relation with traditional and contemporary
notions of gender, place and ethnicity. She has had numerous solo exhibitions including:
Foksal Gallery, Warsaw, Poland (2008); Center for Contemporary Art, Tel Aviv, Israel (2008);
The Power Plant, Toronto, Canada (2007); Kunstverein Hamburg, Hamburg, Germany (2006); Museum
St. Gallen, St. Gallen, Switzerland (2005); Sommer Contemporary Art, Tel Aviv, Israel (2004);
MIT List Visual Arts Center, Cambridge, Massachusetts, USA (2004).She has also been included in
many group exhibitions including: Henry Moore Institute, Leeds, United Kingdom (2008); Museo
de Arte Contemporaneo de Castilla y Leon, Spain (2008); Documenta 12, Kassel, Germany (2007);
Walker Art Center, Minneapolis (2007); Centre Pompidou, Paris, France (2007); 27th Bienal de São
Paulo, Brasil (2007); Tàpies Foundation, Barcelona, Spain (2006); and the 9th Istanbul Biennial,
Istanbul, Turkey (2005).
Lutz Becker (r. 1941. u Njemačkoj) živi i radi u Londonu. Studirao je na Slade School of Fine Art
u Londonu gdje je i diplomirao u klasi Thorolda Dickinsona. Kasnije je postao uvaženi redatelj
političkih i umjetničkih dokumentaraca poput Nuremberg in History (2006.), Art in Revolution
(1971.), Double Headed Eagle (1972.), Lion of Judah (1981.) i Vita Futurista (1987.). Pored bavljenja
slikarstvom, radi i kao kustos. Učestvovao je u nastajanju niza velikih izložbi u Galeriji Hayward:
Art and Revolution (1971.), Piscator and Political Theatre (1972.), The Romantic Spirit in German Art
(1994), Art and Power: Europe under the dictators 1930-45 (1995.). Lutz Becker radio je kao kustos na
mnogim izložbama koje su se bavile ruskom i sovjetskom avangardnom umjetnošću, na primjer
Century City: Moscow, Tate Modern, London (2001.), Construction: Tatlin and After, State Museum for
ContemporaryArt, Thessaloniki (2002.) te Cut and Paste: Photomontage 1920-1945, Estorick Foundation,
London, (2008./09.).
Lutz Becker (b. 1941, Germany) lives and works in London. He studied at the Slade School of Fine
Art, London, where he graduated under Thorold Dickinson. Later he became a distinguished
director of political and art documentaries such as Nuremberg in History (2006), Art in Revolution
(1971), Double Headed Eagle (1972), Lion of Judah (1981) and Vita Fururista (1987/2009). A practicing
painter, he is also a curator of exhibitions. He collaborated with the Hayward Gallery on a
series of large exhibition projects: Art and Revolution (1971), Piscator and Political Theatre (1972),
The Romantic Spirit in German Art (1994), Art and Power: Europe under the dictators 1930-45 (1995). Lutz
Becker participated as curator on many exhibition projects that dealt with Russian and Soviet