Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...
Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...
Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...
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I<strong>van</strong>a Bago <strong>and</strong> Antonia Majača are art historians <strong>and</strong> curators from Zagreb where they run<br />
Galerija Miroslav Kraljević (G-MK), as well as the research organization <strong>Institute</strong> <strong>for</strong> <strong>Duration</strong>,<br />
<strong>Location</strong> <strong>and</strong> Variables <strong>and</strong> (<strong>DeLVe</strong>). Alongside numerous projects in G-MK, together they have<br />
curated international exhibitions <strong>and</strong> projects Stalking With Stories – The Pioneers of the Immemorable<br />
(Apexart, New York, 2007); Be A Happy Worker: Work-to-Rule! (G-MK, Zagreb, 2008), The Salon<br />
of Revolution (HDLU, Zagreb, 2008), Where to go? Notes on Trans<strong>for</strong>mation After 1989 (Rotor, Graz,<br />
2009), Where Everything Is Yet to Happen / SPAPORT (Banja Luka, 2009), And Then Nothing Turned Itself<br />
Inside Out (Kunsthalle Exnergasse, Vienna, 2009), Removed From the Crowd – the Fate of the Outer<br />
Planets (Škuc Gallery, Ljubljana, 2009). They have edited the 83rd issue of the periodical Život umjetnosti<br />
titled Issu(ing) the Revolution. (published by the <strong>Institute</strong> of Art History). They are authors<br />
of several education projects, including a one-year seminar within the project Kustoska plat<strong>for</strong>ma<br />
realised with Culture of change, Student Center in Zagreb.<br />
Zbyněk Baladrán je umjetnik, pisac i organizator koji živi i radi u Pragu, u Češkoj. Studirao je istoriju<br />
umjetnosti na Karlovom Univerzitetu u Pragu i umjetnost na Akademiji likovnih umjetnosti,<br />
također u Pragu. Izlagao je na brojnim internacionalnim izložbama, među kojima su: Manifesta 5,<br />
2004, Donostia, San Sebastián, The Need to Document, Basel, Luenenburg, 2005, Praguebiennale 2 & 3,<br />
Prague, 2005/2007, Auditorium, Stage, Backstage, Frankfurter Kunstverein, Frankfurt, 2006, October,<br />
Exit, Memory <strong>and</strong> Desir 08, Glossary, Secession Vitrine, Vienna, 2008, Gyumri Biennial, Gyumri, Armenia,<br />
2008, Try again, fail again, fail better, Műcsarnok, Budapest, 2008, The Provocation of the Real,<br />
National Center <strong>for</strong> the Arts, Mexico, 2008, Be a Happy Worker: Work-to-Rule, G-MK, Zagreb, 2008,<br />
Another City, Zacheta, Warszawa, 2008, Same Democracy, Neon>Campobase, Bologna, 2008, Castillo/<br />
Coralles, Paris, 2008, i dr. Također piše o umjetnosti i srodnim disciplinama. Jedan je od osnivača<br />
praške Galerije Display i Galerije tranzitdisplay, prostora za suvremenu umjetnost koji postoji od<br />
2001. i koji se prvenstveno fokusira na prezentaciju internacionalne suvremene umjetnosti. Od<br />
2007. surađuje s teoretičarem Vitom Havránekom na projektu Monument to Trans<strong>for</strong>mation, koji se<br />
bavi društvenim promjenama proteklih 30 godina.<br />
Zbyněk Baladrán is an artist, author <strong>and</strong> organizer based in Prague, Czech Republic. He studied<br />
art history at the Charles University <strong>and</strong> at the Academy of Fine Arts, both in Prague. He has<br />
shown his work in numerous international exhibitions, including Manifesta 5, 2004, Donostia,<br />
San Sebastián, The Need to Document, Basel, Luenenburg, 2005, Praguebiennale 2 & 3, Prague,<br />
2005/2007, Auditorium, Stage, Backstage, Frankfurter Kunstverein, Frankfurt, 2006, October, Exit,<br />
Memory <strong>and</strong> Desire, Artra gallery, Milan, 2007, Why do you Resist?, Forum Stadtpark, Graz, 2007,<br />
Stalking With Stories, Apexart, New York, 2007, Synonyma, MtT 1989-1968-2009, Index, Stockholm,<br />
2007, What History do they represent?, together with Vangelis Vlahos, Blow de la Barra, London, 2008,<br />
Glossary, Secession Vitrine, Vienna, 2008, Gyumri Biennial, Gyumri, Armenia, 2008, Try again, fail<br />
again, fail better, Műcsarnok, Budapest, 2008, The Provocation of the Real, National Center <strong>for</strong> the<br />
Arts, Mexico, 2008, Be a Happy Worker: Work-to-Rule, G-MK, Zagreb, 2008, Another City Zacheta, Warszawa,<br />
2008, Same Democracy, Neon>Campobase, Bologna, 2008, Castillo/Coralles, Paris, 2008, <strong>and</strong><br />
others. He also writes text about art <strong>and</strong> close disciplines. He was one of the co-founders of the<br />
Prague Display gallery <strong>and</strong> tranzitdisplay gallery, space <strong>for</strong> contemporary art, that presented its<br />
first exhibition in 2001 <strong>and</strong> is focused to presenting international contemporary art. Since 2007<br />
he has collaborates with theoretician Vit Havranek on the project Monument to Trans<strong>for</strong>mation,<br />
which is focused on changes in society last 30 years.<br />
Yael Bartana (r. 1970, Afula, Israel) živi i radi u Amsterdamu i Tel Avivu. Diplomu je stekla na<br />
Bezalel akademji umjetnosti i dizajna u Jeruzalemu, a magisterij na Školi vizuelnih umjetnosti<br />
u New Yorku. Također je bila učesnica rezidencijalnog programa na Rijksakademie (2000-2001).
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