Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

scene u jugoslovenskom samoupravnom
socijalizmu (Lutz Becker) i periferalne
globalizacije sa evropejskim licem i
fašistickim naličjem koja prati otvaranje
Univerzijade u Beogradu (Chto Delat);
Konačno, oba rada polaze od jednog konkretnog
istorijsko-geopolitičkog trenutka
kako bi došli do univerzalnih političkih
pitanja koja se mogu predstaviti kao internacionalna.
Pretpostavljam da je upravo na
taj način vredno govoriti o internacionalizaciji
savremene umetnosti danas i ovde, a
u pravcu neke bolje budućnosti.
1. Iz rada Die Zukunft (Budućnost) grupe Société Réaliste
predstavljenog na ovogodišnjem istanbulskom
bijenalu pod nazivom What Keeps Mankind Alive.
Reč je o parafrazi čuvene rečenice “Rat je nastavak
politike drugim sredstvima” pruskog vojnika i vojnog
teoretičara Carl Philipp Gottlieb von Clausewitz-a.
2.Prelom Kolektiv (Dušan Grlja), Lexicon of Provisional
Futures, 2007. http://www.provisionalfutures.
net/?p=106
3. Prelom Kolektiv (Jelena Vesić i Dušan Grlja), “Neoliberalna
institucija kulture i kritika kulturalizacije”,
Transversal (Post-jugoslovensko stanje institucionalne
kritike), http://eipcp.net/transversal/0208/prelom/sr
4. Boris Buden, “The Pit of Babel or The Society
that Mistook Culture for Politics” i “Translation is
Impossible. Let’s Do It!” na www.eipcp.net; kao i Boris
Buden, Kaptolski kolodvor, Centar za savremenu
umetnost, Beograd, 2002. i Vavilonska jama: O (ne)
prevodivosti kulture, Fabrika knjiga, Beograd, 2007.
5. Zapadni Balkan je termin koji proizilazi iz politike
‘evropskih integracija’. Zapadni Balkan u suštini znači
bivša Jugoslavija, minus Slovenija, plus Albanija.
Becker’s Cinema Notes. The unifying characteristics
of these two pieces are manifold:
both works start off from an analysis of a
concrete situation – the counter-culture
and political frameworks for action of the
alternative artistic scene in Yugoslav selfmanaging
socialism (Lutz Becker) and of
peripheral globalization with the European
obverse and fascist reverse that keeps up
with the opening of the University Games
in Belgrade (Chto Delat). Finally both
pieces start off from a concrete historical
and geopolitical moment in order to
arrive at universal political issues that can
be presented as international. I assume
that in precisely this way it is worthwhile
talking about the internationalization of
contemporary art today and here, in the
direction of some better future.
1. From the work Die Zukunft (The Future) of the group
Société Realiste presented at this year’s Istanbul Biennale
under the title What Keeps Mankind Alive. It is a
reworking of the famed sentence “War is a continuation
of politics by other means” by the Prussian
soldier and military theorist von Clausewitz.
2. Prelom Kolektiv (Dušan Grlja), Lexicon of Provisional
Futures, 2007. http://www.provisionalfutures.
net/?p=106
3. Prelom Kolektiv (Jelena Vesić i Dušan Grlja),
“Neo-liberal institution of culture and critique of
culturalization”, Transversal (Post-Yugoslavian
Condition of Institutional Critique), http://eipcp.net/
transversal/0208/prelom/en
4. Boris Buden, “The Pit of Babel or The Society
that Mistook Culture for Politics” and “Translation
is Impossible. Let’s Do It!” available at www.eipcp.
net; also in Boris Buden: Kaptolski kolodvor, Centar
za savremenu umetnost, Beograd, 2002. i Vavilonska
jama: O (ne)prevodivosti kulture, Fabrika knjiga:
Beograd, 2007
5. The Western Balkans is a term that derives from
the politics of European integration.The Western Balkans
in essence means the former Yugoslavia, minus
Slovenia but plus Albania.