Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

funkcionisanje tog mehanizma, nego su po
pravilu usmereni su tako da mu služe. Mislim
da se glavni uzroci zbog kojih su pojedini
pokreti u okviru umetnosti bili nedovoljno
efikasni u odnosu na društvenu praksu, kriju
u neshvatanju prave klasne prirode umetničke
svesti i delatnosti. [...]
Marina Abramović:
Umetnik mora biti lep,
umetnost mora biti lepa.
[...]
Slavko Timotijević: Kada kažem – “Ja sam za
slobodu stvaranja i demokratiju umetnosti”,
mogu to da kažem kao jednu ordinarnu frazu
koja nema pozadinu u praksi i tu rečenicu
koristim samo u prigodnim prilikama. Isto
tako mogu da imam veoma jasne selektivne
kriterijume šta podrazumevam pod pojmom
umetnost, ali se to iz predhodne rečenice nikako
ne može naslutiti. [...]
Braco Dimitrijević: Ovo mesto bi moglo biti od
istorijskog značaja.
Bojana Pejić: Ovaj film bi mogao biti od istorijskog
značaja.
Goran Trbuljak: Pre nekog vremena gledao
sam jedan film od King Vidora koji se zove
Gomila. U njemu glavni junak se vozi ulicom,
na početku filma, i gleda jednog čoveka koji
ima na sebi plakat i koji baca loptice u zrak. On
se tom čoveku na neki način podsmehuje jer
smatra da je žalosno da jedan čovek mora raditi
takvu profesiju.Taj čovek sa puno talenta kroz
celi film pokazuje različite načine na koje hoće
afirmisati svoju ličnost, hoće da bude slikar itd.,
uglavnom mnogo stvari pokušava kroz celi film.
Medjutim, na kraju filma se desi to da on završi
kao taj čovek koji baca tri kuglice i koji nosi
sendvić. Ja sam samo hteo da vidim da li sam ja
u stanju da tri minuta bacam kuglice-to je sve.
Zoran Popović: Umetničko delo, odnosno
values that it had in its recent or distant past;
they primarily lie in a demand for a radical
transformation of the social-economic base
itself, which would lead to a further broadening
of the sphere of individual and public freedoms,
as well as the optimum ways of exercising collectively
the results of those freedoms. [...]
Goran Đorđević: [...] Since the character of
the results of artistic activity, the character
of works of art, is directly determined by the
requirements of the mechanism that ensures
the conditions, first of all the material ones, for
their realisation and presentation, it is normal
that these results cannot effectively threaten
the functioning of this mechanism, but are, as
a rule, oriented so as to serve it. I think that the
main reasons why certain movements in art
were insufficiently effective in relation to the
social practice lie in their failure to understand
the real class nature of artistic consciousness
and activity. [...]
Marina Abramović:
Art must be beautiful.
The artist must be beautiful.
[...]
Slavko Timotijević: When I say, “I am in
favour of freedom of creation and democracy
of art”, I can say that as a mere phrase that is
not substantiated by practice, and only use that
particular sentence on solemn occasions. Also,
I can have very clear selective criteria when it
comes to what I mean by the term art, but that
cannot be inferred from the above sentence. [...]
Braco Dimitrijević: This place could be of
historical significance.
Bojana Pejić: This film could be of historical
significance.
Goran Trbuljak: A while ago, I saw King
Vidor’s film The Crowd. At the beginning of the
movie, the protagonist drives along a street,