Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...
Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...
Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...
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Tumačenje broj 2.<br />
NEO-LIBERALNA INSTITUCIJA KULTURE I<br />
KRITIKA KULTURALIZACIJE 3.<br />
Prelom Kolektiv, Novembar 2007.<br />
Tokom poslednjih decenija svedoci smo<br />
neo-liberalnih napora da se ‘kultura’<br />
podredi ekonomskim mehanizmima<br />
slobodnog tržišta u smislu kulturalizacije<br />
ekonomije ili, obratno, ekonomizacije kulture.<br />
Principi slobodno-tržišne konkurencije<br />
i preduzimaštva uvedeni su u nekada<br />
privilego<strong>van</strong>o polje umetničke ili intelektualne<br />
proizvodnje. To ne znači samo jednostavno<br />
uvođenje tržišnih odnosa u ‘sferu<br />
kulture’, već pre ukazuje na uspostavljanje<br />
praksi preduzimaštva na individualnom<br />
nivou – na nivou subjekta.<br />
Ovakva logika savremene upotrebe ‘kulture’<br />
uočljiva je u neo-liberalnoj strategiji<br />
kulturalizacije političkih odnosa – kako je<br />
4.<br />
to <strong>for</strong>mulisao Boris Buden . Ona u man-<br />
joj meri ukazuje na gotovo potpuni slom<br />
‘političke sfere’ u njenom modernom<br />
smislu, a više na njenu značajnu trans<strong>for</strong>maciju.<br />
Artikulacija političkih borbi i<br />
društvenih antagonizama izmeštena je iz<br />
‘klasičnog’ domena državnih aparata kao<br />
što su političke partije, parlamentarni<br />
sistem i procedure pravne države ka rasutom<br />
polju konkurentskih ‘kulturnih opcija’.<br />
Međutim, kulturalizacija prevazilazi<br />
jednostavno trans<strong>for</strong>misanje političkih<br />
problema u probleme kulture. Kulturalizacija<br />
je takođe ‘škola kulture’: obrazo<strong>van</strong>je,<br />
kultivisanje i uzgajanje subjekata<br />
dominantne kulture. ‘Kultura’ je samim<br />
tim samo jedan momenat ideološke edukacije<br />
ili, još bolje, kreiranja (nemačka reč<br />
Bildung obuhvata oba značenja) ‘narodnih<br />
masa’ – precizno govoreći, subjekata (u oba<br />
značenja te reči: podanika i autonomnih<br />
delatnika) kapitalističkog poretka.<br />
‘Kultura’ u savremenim post-jugoslovens-<br />
SpaPort, is a widely dispersed phenomenon.<br />
Just as in the case with the Belgrade<br />
University Games from the Partisan<br />
Songspiel, through such events a symbolic<br />
rapprochement with the civilised West is<br />
produced <strong>and</strong> it is shown that the progressive<br />
<strong>and</strong> creative powers of the world can<br />
get together in the one-time conflictive<br />
Balkans, l<strong>and</strong> of blood <strong>and</strong> honey. This was<br />
one of the striking examples of the culturalisation<br />
of politics in the area.<br />
* * *<br />
Interpretation No 2.<br />
THE NEOLIBERAL INSTITUTION OF CUL-<br />
TURE AND THE CRITIQUE OF CULTURAL-<br />
IZATION 3.<br />
Prelom Kolektiv, November, 2007<br />
During the recent decades we have witnessed<br />
an obvious neoliberal ef<strong>for</strong>t to<br />
subdue ‘culture’ to the mechanisms of the<br />
free-market economy in the sense of the<br />
culturalization of the economy or, conversely,<br />
the economization of culture. The<br />
principles of free-market competitiveness<br />
<strong>and</strong> entrepreneurship have been introduced<br />
into the once privileged sphere of<br />
artistic <strong>and</strong> intellectual production. This<br />
means not only simply bringing market<br />
relations into the ‘sphere of culture’, but<br />
is more about establishing the practices of<br />
entrepreneurship at the individual level –<br />
at the level of the subject.<br />
The logic of the contemporary usage<br />
of ‘culture’ is evident in the neoliberal<br />
strategy of the culturalization of political<br />
relations – as Boris Buden has called<br />
it 4.<br />
. What it indicates is less an almost<br />
total breakdown of the ‘political sphere’<br />
in its modern sense, but more its significant<br />
trans<strong>for</strong>mation. The articulation of<br />
political struggles <strong>and</strong> social antagonisms<br />
have moved from the ‘classical’ domain of