12.06.2013 Views

Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

jena prostitucija i pomaže ženama žrtvama<br />

nasilja u porodici.<br />

Tokom poslednje parade ponosa, u tuči s neonacistima,<br />

navijačima i popovima, razbili su joj<br />

glavu.<br />

Hor:<br />

Kada smo prolivali krv za našu svetlu<br />

budućnost,<br />

nismo se delili na muškarce i žene.<br />

Bili smo drugovi i drugarice.<br />

I najvažnije – to je bila ljubav prema našoj<br />

zajedničkoj domovini!<br />

Ljubav!<br />

Prema zajedničkoj Domovini<br />

Ljubav...<br />

Naša Domovina je Revolucija!<br />

[...]<br />

* * *<br />

Jedan od problema delo<strong>van</strong>ja u polju umetnosti<br />

i kulture u post-konfliktnom regionu<br />

bivše Jugoslavije jeste da se savremena<br />

umetnost često predstavlja kao a<strong>van</strong>garda<br />

društvene “normalizacije” (na političkom<br />

planu normalizacija bi značila izgradnju<br />

nacionalne države i kapitalističkog<br />

društvenog poretka, kao i težnju ka ka<br />

Evropskoj Uniji). Gentrifikacija zastarelih<br />

umetničkih manifestacija u velike<br />

međunarodne izložbe bijenalnog <strong>for</strong>mata,<br />

baš kao što je slučaj sa Spaportom, široko<br />

je rasprostranjena pojava. Upravo kao i u<br />

slučaju Beogradske Univerzijade iz Partizanskog<br />

Songspiel-a, kroz ovakve događaje<br />

se realizuje simboličko približa<strong>van</strong>je<br />

civilizo<strong>van</strong>om Zapadu i pokazuje se da se<br />

progresivne i kreativne snage sveta mogu<br />

okupiti i na nekada konfliktnom Balkanu<br />

– zemlji ‘krvi i meda’. To bi bio jedan od<br />

eklatantnih primera kulturalizacije politike<br />

na ovim prostorima.<br />

* * *<br />

(points to his security guards). I give them jobs.<br />

And why? Because I’m generous! Everyone<br />

knows how much I’ve done <strong>for</strong> our people. I’ve<br />

also done a lot to support sports, to support<br />

our football clubs. And what’s football without<br />

football fans? I’ll say even more—what’s Serbia<br />

without fans?<br />

Disabled Veteran (pointing to the Lesbian):<br />

This is the Lesbian. Her dance is called “Love Is<br />

a Revolutionary Force.” During the war, she <strong>and</strong><br />

her friends supported the deserters <strong>and</strong> all the<br />

others who didn’t want to fight. She feels that<br />

all war criminals should be punished. Now she’s<br />

an activist <strong>for</strong> the rights of sexual minorities<br />

<strong>and</strong> a social worker. She says we can change the<br />

world with small steps, <strong>and</strong> that love should be<br />

free. She believes marriage is legalized prostitution,<br />

<strong>and</strong> she helps female victims of domestic<br />

violence. During the last gay pride parade, during<br />

a fight with neo-Nazis, football hooligans,<br />

<strong>and</strong> priests, someone cracked her skull.<br />

Chorus (with passion):<br />

When we spilled blood <strong>for</strong> your bright future,<br />

We didn’t divide ourselves into men <strong>and</strong><br />

women:<br />

We were comrades.<br />

But the most important thing<br />

Was love <strong>for</strong> our common homel<strong>and</strong>!<br />

Love…<br />

Our Homel<strong>and</strong> is the Revolution!<br />

[...]<br />

* * *<br />

One of the problems of working in the field<br />

of art <strong>and</strong> culture in the post-conflict region<br />

of ex-Yugoslavia is that contemporary<br />

art is often presented as the a<strong>van</strong>t-garde of<br />

social normalisation (at the political level,<br />

normalisation would be the construction<br />

of a national state <strong>and</strong> a capitalist social<br />

system, as well as an aspiration to join the<br />

EU). The gentrification of old art events<br />

into great international exhibitions with<br />

a biennial rhythm, as was the case with

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!