Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

postalo neodrživim. Sačuvala je ciklus za
prigode u kojima bi njegov optimizam
imao smisla i bio funkcionalan.
Gdje se sve tek treba dogoditi / Where
Everything is Yet to Happen uključuje
neumjetnički, ali vizualno bogat doprinos
pod nazivom A.C.A.B. Taj naslov, preuzet iz
britanske kulture skinheadsa i anarhističke
pankerske scene, sastoji se od prvih slova
određenog slogana, a usvojile su ga brojne
radikalne skupine nogometnih navijača.
Pogrdno asocirane s huliganstvom, te
radikalne skupine ukidaju međusobni
antagonizam i udružuju se kako bi se
suprotstavile ekscesivnim sigurnosnim
mjerama kojima je svrha disciplinirati
okorjele nogometne navijače koji se ne
uklapaju u profil pristojnog “gledatelja”
u paranoičnom društvenom uređenju
kakvo se razvilo nakon 11. rujna. Bez
obzira na njihove razlike i tenzije klupskog,
etničkog ili nacionalnog karaktera,
osobe koje se osjećaju poveznima s A.C.A.B.
etikom pozivaju se na globalno zajednički
jezik otpora protiv sterilizacije kulturnog
života, gentrifikacije stadiona i uništenja
navijačke kulture u nogometu.
U projektu Medinat Weimar Ronen Eidelman,
umjetnik i aktivist koji živi i radi
u Tel Avivu, usmjerava oštricu svoga
rada prema povlaštenim zemljama čije
obilježavanje drugih geografskih područja
kao zona sukoba implicira da su njihovi
vlastiti teritoriji sigurni i izuzeti iz sličnih
antagonizama. Dok je studirao u Weimaru,
gradu koji simbolizira visoku kulturu
njemačke prošlosti, Eidelman je shvatio
da proces “suočavanja s poviješću” u
Njemačkoj ustvari nije dovršen, a referencije
na nekadašnju židovsku prisutnost u
navodno uglađenom gradu poput Weimara
još uvijek mogu izazvati nervozne reakcije.
Kako bi dosegao sam korijen problema,
Eidelman je dizajnirao projekt u kojemu
sassination of Hrant Dink in Istanbul: even
an indirect representation of the country
after this murder became unsustainable
for her. She preserved the series for occasions
in which its optimism would matter
and function.
Where Everything is Yet to Happen hosts a
non-artistic but visually rich contribution
from A.C.A.B. This title, inherited from
British skinhead culture and anarcho-punk
scenes based on the initials of a certain
slogan, has been appropriated by numerous
ultras groups from the sphere of
football. Associated pejoratively with hooliganism
these ultras-groups suspend their
mutual antagonisms and join forces to defy
excessive security measures designed to
discipline diehard football supporters that
do not fit in to the well-behaved “spectator”
profile of the paranoiac post-11/9
social management. Regardless of their
club-based, ethnical or national differences
and tensions, people who affiliate with
A.C.A.B. ethics appeal to a globally shared
language of resistance to the sterilisation
of cultural life, the gentrification of stadiums
and destruction of supporter culture
in football.
In his project Medinat Weimar, Tel Avivbased
artist/activist Ronen Eidelman
directs the biting edge of his work towards
privileged countries whose branding of
some other geographies as conflict zones
implicate that their territories is safely
exempted from similar antagonisms. While
studying in Weimar, the symbol city of the
high culture of the German past, Eidelman
realised that the process of “coming to
terms with history” has actually not been
completed in Germany, and references to
the past Jewish presence in a supposedly
civil city like Weimar could still trigger
nervous reactions. In order to reach the
roots of the problem Eidelman designed a