Nicoline van Harskamp - DeLVe | Institute for Duration, Location and ...

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Ana Janevski AKO ŽELITE, OTPUTOVAT ĆEMO ZAJEDNO NA MJESEC IF YOU WANT, WE’LL TRAVEL TO THE MOON TOGETHER Učestvuju / With contributions by: Yael Bartana Danilo Kiš Artur Żmijewski Želimir Žilnik
“S jeseni, kada počnu vetrovi, lišće divljeg kestena pada strmoglavce, s peteljkom naniže. Onda se čuje zvuk: kao da je ptica udarila kljunom u zemlju.” Ta prva rečenica iz Ranih Jada Danila Kiša pala mi je na pamet tijekom prošlogodišnjeg posjeta Banja Luci, u ranu jesen, povodom prve izložbe Spaport. Provlačila se tijekom cijelog boravka, a, iskreno rečeno, ne znam ima li u Banja Luci stabala divljih kestena, čisto sumnjam. U pitanju je jedan od onih knjiških citata iz srednjoškolskih dana koje i dalje pamtim te koji su pomno opisivali tadašnja raspoloženja, misli i dvojbe. Materiel d’apprentissage, odnosno odgojni materijal. Uostalom i Kiševi Rani Jadi su neka vrsta odgojnog romana zajedno są ostalim djelima triptiha, Baštom, pepelom i Peščanikom. Njihova tema je duhovni razvoj pripovjedačeve ličnosti, dječaka Andreasa Sama, i njegovo traganje za izgubljenim ocem i vlastitim identitetom. Iako prvi put u Banja Luci, osjećala sam neku čudnu familijarnost, te asocijacije na tinejdžerske dane, a ujedno i na 90-te, nisu bile slučajne. Tada su Kiševi romani i riječi pružali precizne i lucidne komentare na dramatične ratne događaje koji su se odvijali na tzv. “našim prostorima”. “Nacionalizam je, kao kolektivna pojava, posledica zavisti i straha, a iznad svega, posledica gubljenja individualne svesti; te prema tome, kolektivna paranoja i nije ništa drugo do zbir individualnih paranoja doveden do paroksizma.” Te Kiševo pominjanje Sartrovog Julesa, “to je onaj koji prebledi ako se pomene tema Engleza”. “Nemojte pred njim pominjati engleski čaj, jer će vam svi za stolom namigivati, davaće vam znake rukama i nogama, jer Žil je osetljiv na Engleze....” Dramatična i kompleksna pitanja su i dalje prisutna i aktualna, a BiH je možda epicentar svih trenutnih nevolja na tzv. ‘našim prostorima’. Iako svjesni važnosti “In autumn, when the winds start, the leaves of the horse chestnut fall headlong, stalk downwards. Then a sound is heard: as if a bird had struck the earth beak-first.” This first sentence from Early Sorrows by Danilo Kiš came to mind during last year’s visit to Banja Luka, in the early autumn, on the occasion of the first Spa Port exhibition. It endured the whole of my stay, although to be quite honest I don’t know if there are any horse chestnuts in Banja Luka; I very much doubt it. It’s rather about one of those quotes from secondary school days, which I still remember, and that precisely described the moods, thoughts and doubts of the time. Materiel d’apprentissage, or educational material. And anyway, Kiš’s Early Sorrows is a kind of bildungsroman together with the other parts of the triptych, Garden, Ashes and Hourglass. Their topic is the spiritual development of the narrator’s persona, the boy Andreas Sam, and his search for his lost father and his own identity. Although that was my first time in Banja Luka, I felt a strange kind of familiarity, and associations with my teen days, and also with the 1990s, which was not accidental. Then Kiš’s novels and words provided precise and lucid comments on the dramatic events of the war that were unfolding in what were called „our spaces“. “Nationalism, as a collective phenomenon, is the consequence of envy and fear, and above all, the consequence of the loss of individual awareness; and accordingly, collective paranoia is nothing but a sum of individual paranoias brought to the point of paroxysm.” I often remember Kiš’s reference to Sartre’s Jules, who is the one that pales if the theme of the English is mentioned. “Don’t mention English tea in front of him, because everyone at table will wink at you, make signs at you with their hands and legs, because Jules is sensitive about the English...” 119
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SPAPORT Međunarodna godišnja izlo
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GDJE SE SVE TEK TREBA DOGODITI / WH
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Ivana Bago & Antonia Majača WHERE
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UN Tenk, print u boji na aluminiju,
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Tvoja zemlja ne postoji, 2003 - You
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Studija za spomen obeležje, uljane
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Dragan Nikolić Nacionalni park Nat
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Liu Wei Dan za pamćenje A Day to R
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Anselm Franke KRUGOVI SARADNJE Uče
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menog nematerijalnog rada. Za ovu i
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jena prostitucija i pomaže ženama
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kim uslovima svakako deli gore pome
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Studenskog kulturnog centra u Beoga
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umetnička aktivnost trebalo bi da
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Lutz Becker Kino beleške, Film 29
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Biografije / Biographies A.C.A.B. j
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U svom radu bavi se uglavnom odnoso
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Dutch, Van Abbe Museum, Eindhoven a
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Muzeju Stedelijk, SMART Project Spa
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Erden Kosova je kritičar koji živ
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Ko-urednik je knjige Wörterbuch de
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Copenhagen. (2005) The Oberhausen S
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Želimir Žilnik (1942, živi i rad
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