Download the November Classical - Allegro Music
Download the November Classical - Allegro Music
Download the November Classical - Allegro Music
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Zig-Zag Territoires<br />
Antonio VIVALDI<br />
nuova stagione<br />
Cat # ZIG 310<br />
Price Code: S (SRP $18.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 25<br />
8% RESTOCK DISCOUNT<br />
INCLUDES WORLD pREMIERE<br />
D U.S. ORDERS ONLY<br />
Alpha<br />
Marco Beasley<br />
storie di napoli<br />
Cat # APH 532<br />
Price Code: S (SRP $18.99)<br />
Number of Discs: 1<br />
Digipak, Box Lot 25<br />
8% RESTOCK DISCOUNT<br />
12<br />
U.S. ORDERS ONLY<br />
release date: november 13, 2012<br />
Gli Incogniti<br />
Amandine Beyer: conductor<br />
VIVALDI: Concertos for Violin & Organ, RV808 & after RV517 (premiere<br />
of RV517) • Cello Concertos, RV420 & RV403 • Flute Concertos, RV431 &<br />
RV440 • Violin Concertos, RV194 & RV235<br />
After a recording of The Four Seasons that was awarded several distinctions,<br />
Amandine Beyer and her ensemble come back to Vivaldi with a selection<br />
of concertos full of effervescence, humor, lyricism, concentration,<br />
contemplation, impatience, and energy. Includes <strong>the</strong> world premiere<br />
recording of Concerto for Violin and Organ, RV808.<br />
ALSO AVAILABLE<br />
Marco Beasley: tenor<br />
Ensemble Accordone<br />
Guido Morini: conductor<br />
VIVALDI<br />
The four seasons<br />
Cat # ZIG 80803<br />
Price Code: R (SRP $17.99)<br />
Number of Discs: 1<br />
D U.S. ORDERS ONLY<br />
Neapolitan music from <strong>the</strong> Renaissance to <strong>the</strong> 20 th century, featuring<br />
works by Morini, Falconieri, Willaert, Latilla, Valente, Lama, Cioffi,<br />
Daniele, and more<br />
This program of Neapolitan music, covering a vast historical span,<br />
is a manifesto of <strong>the</strong> musical influences that have nurtured Marco<br />
Beasley. Guido Morini’s arrangements, written especially for him, make<br />
<strong>the</strong> program particularly appealing. For <strong>the</strong> first time, <strong>the</strong> musician<br />
explores crossover paths in <strong>the</strong> broadest sense without being overly<br />
complex. Beasley confirms his nickname as “<strong>the</strong> Baroque crooner” and<br />
opens up original orchestrations, taking part in <strong>the</strong> colossal heritage<br />
that influenced modern Western culture.