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CANTO 11<br />
VIOLENCE ETC<br />
INF C11 1-9 / KLINE<br />
On the edge of a high bank, made of great broken rocks in a circle, we came above a still more cruel crowd, and<br />
here, because of the repulsive, excessive stench that the deep abyss throws out, we approached it in the shelter of a<br />
grand monument, on which I saw an inscription that said: ‘I hold Anastasius, that Photinus drew away from the true<br />
path.’<br />
VIRGIL WALKS TO STAGE FRONT AND LEANS OVER TO LOOK DOWN. HE STEPS BACK AND HOLDS HIS<br />
HAND IN FRONT OF HIS FACE.<br />
VIRGIL:<br />
INF C11 10-12 / DANTE INF C11 10-12 / KLINE<br />
Lo nostro scender conviene esser tardo, The Master said: We must delay our descent<br />
sì che s'ausi un poco in prima il senso until our sense is somewhat used to the foul wind,<br />
al tristo fiato; e poi no i fia riguardo. and then we will not notice it.<br />
DANTE:<br />
INF C11 13-14 / DANTE INF C11 13-14 / KLINE<br />
Così 'l maestro; e io «Alcun compenso», I said to him: Find us something to compensate,<br />
dissi lui, «trova che 'l tempo non passi so that the time is not wasted.<br />
VIRGIL:<br />
INF C11 15 / DANTE INF C11 15 / KLINE<br />
perduto». Ed elli: «Vedi ch'a ciò penso». And he: See, I have thought of it.<br />
VIRGIL SITS ABRUPTLY ON THE GROUND. DANTE LOOKS AT HIM AS IF VIRGIL WANTS HIM TO PLAY A<br />
GAME. VIRGIL MOTIONS DANTE TO SIT.<br />
VIRGIL:<br />
INF C11 16-18 / DANTE INF C11 16-18 / KLINE<br />
«Figliuol mio, dentro da cotesti sassi», He began: My son, within these walls<br />
cominciò poi a dir, «son tre cerchietti of stone, are three graduated circles<br />
di grado in grado, come que' che lassi. like those you are leaving.<br />
DANTE notes:<br />
INF C11 16 / DANTE INF C11 16 / KLINE<br />
«Figliuol mio, dentro da cotesti sassi», He began: My son, within these walls<br />
VIRGIL:<br />
INF C11 19-21 / DANTE INF C11 19-21 / KLINE<br />
Tutti son pien di spirti maladetti; They are all filled with accursed spirits: but so that<br />
ma perché poi ti basti pur la vista, the sight of them may be enough to inform you, in<br />
intendi come e perché son costretti. future, listen how and why they are constrained.<br />
INF C11 22-24 / DANTE<br />
D'ogne malizia, ch'odio in cielo acquista, The outcome of all maliciousness, that Heaven<br />
ingiuria è 'l fine, ed ogne fin cotale hates, is harm: and every such outcome,<br />
o con forza o con frode altrui contrista. hurts others, either by force or deceit.<br />
98