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INF C8 130 / DANTE<br />

tal che per lui ne fia la terra aperta». one for whom the city shall open to us.<br />

DANTE NOTES EARLIER WORDS FROM VIRGIL THEN CLOSES THE CANTO.<br />

DANTE:<br />

INF C8 119-120 / DANTE INF C8 119-120 / KLINE<br />

d'ogne baldanza, e dicea ne' sospiri: devoid of all daring, and he said, sighing: Who are<br />

«Chi m'ha negate le dolenti case!». these who deny me entrance to the house of pain?<br />

INF C8 122 / DANTE INF C8 122 / KLINE<br />

non sbigottir, ch'io vincerò la prova, do not you be dismayed: I will win the trial,<br />

INF C8 128-129 / DANTE INF C8 128-129 / KLINE<br />

e già di qua da lei discende l'erta, on this side of its entrance, one is coming,<br />

passando per li cerchi sanza scorta, down the steep, passing the circles unescorted,<br />

INF C8 130 / DANTE<br />

tal che per lui ne fia la terra aperta». one for whom the city shall open to us.<br />

A HEAVENLY SPOTLIGHT..◙ ..PICKS OUT THE HEAVENLY MESSENGER MANIFESTING ON THE → R → .<br />

HEAVENLY MESSENGER AGE : 30?<br />

PLACE./.LANGUAGE ETC<br />

HEAVEN.<br />

DESCRIPTION<br />

SEEN ONLY HERE (SPEAKS LATER). HEAVENLY ROBE, DOZING WITH A BLISSFUL LOOK. THERE IS A BIBLE ON<br />

HIS KNEES.<br />

ANOTHER HEAVENLY SPOTLIGHT..◙ .PICKS OUT BEATRICE HEAVENWALKING IN HIS DIRECTION. THE<br />

SPOTLIGHTS TURN OFF TOGETHER.<br />

CANTO 9<br />

INF C9 1-6 / KLINE<br />

The colour that cowardice had printed on my face, seeing my guide turn back, made him repress his own heightened<br />

colour more swiftly. He stopped, attentive, like one who listens, since his eyes could not penetrate far, through the<br />

black air and the thick fog.<br />

VIRGIL IS ‘STOPPED, ATTENTIVE, LIKE ONE WHO LISTENS’ [INF C9 4]. HE IS WAITING FOR THE HELP<br />

PROMISED BY BEATRICE.<br />

VIRGIL:<br />

INF C9 7-9 / DANTE INF C9 7-9 / KLINE<br />

«Pur a noi converrà vincer la punga», Nevertheless we must win this struggle, he began,<br />

cominciò el, «se non . . . Tal ne s'offerse. if not … then help such as this was offered to us.<br />

Oh quanto tarda a me ch'altri qui giunga!». Oh, how long it seems to me, that other’s coming!<br />

INF C9 10-15 / KLINE<br />

I saw clearly, how he hid the meaning of his opening words with their sequel, words differing from his initial<br />

thought. None the less his speech made me afraid, perhaps because I took his broken phrases to hold a worse<br />

meaning than they did.<br />

87

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