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L ' I N F E R N O

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VIRGIL APPROACHES THE DOORKEEPER. DANTE GOES ON WRITING.<br />

DANTE:<br />

INF C8 109-111 / DANTE INF C8 109-111 / KLINE<br />

Così sen va, e quivi m'abbandona So the gentle father goes, and leaves me there,<br />

lo dolce padre, e io rimagno in forse, and I am left in doubt:<br />

che sì e no nel capo mi tenciona. since ‘yes’ and ‘no’ war inside my head.<br />

INF C8 112-117 / KLINE<br />

I could not hear what terms he offered them, but he had not been standing there long with them, when, each vying<br />

with the other, they rushed back. Our adversaries closed the gate in my lord’s face, leaving him outside, and he<br />

turned to me again with slow steps.<br />

DANTE QUIETLY VERSIFIES AS VIRGIL INAUDIBLY CLAIMS HIS AUTHORITY TO ENTER.<br />

DANTE:<br />

INF C8 109-111 / DANTE INF C8 109-111 / KLINE<br />

Così sen va, e quivi m'abbandona So the gentle father goes, and leaves me there,<br />

lo dolce padre, e io rimagno in forse, and I am left in doubt:<br />

che sì e no nel capo mi tenciona. since ‘yes’ and ‘no’ war inside my head.<br />

♫Sì? Sì? Sì?...No! No! No * * * * * * * * * *<br />

INF C8 111<br />

The Angels on the battlement sing a high-pitched travesty of Virgil’s argument, consisting entirely<br />

of repetitions of the question: Sì?<br />

The Angels peer over the battlement at the doorkeeper. After a long moment the doorkeeper gives<br />

the smallest shake of his head.<br />

The Angels sing a mocking repeated: No!<br />

Virgil tries again twice. Each time the Angels raise the pitch of the Sì? ’s, and lower the pitch and<br />

raise the volume of their No! ’s.<br />

After the third attempt, a bass single No! may be sung by Satan within the City.<br />

VIRGIL RETURNS TO DANTE, LOOKING DISTRESSED [INF C8 112-117].<br />

VIRGIL:<br />

INF C8 118-120 / DANTE INF C8 118-120 / KLINE<br />

Li occhi a la terra e le ciglia avea rase His eyes were on the ground, and his expression<br />

d'ogne baldanza, e dicea ne' sospiri: devoid of all daring, and he said, sighing: Who are<br />

«Chi m'ha negate le dolenti case!». these who deny me entrance to the house of pain?<br />

INF C8 121-123 / DANTE<br />

E a me disse: «Tu, perch' io m'adiri, And to me he said: Though I am angered,<br />

non sbigottir, ch'io vincerò la prova, do not you be dismayed: I will win the trial,<br />

qual ch'a la difension dentro s'aggiri. whatever obstacle those inside contrive.<br />

INF C8 124-126 / DANTE<br />

Questa lor tracotanza non è nova; This insolence of theirs is nothing new,<br />

ché già l'usaro a men segreta porta, for they displayed it once before, at that less secret<br />

la qual sanza serrame ancor si trova. gate we passed, that has remained unbarred.<br />

INF C8 127-129 / DANTE<br />

Sovr' essa vedestù la scritta morta: Over it you saw the fatal writing, and already<br />

e già di qua da lei discende l'erta, on this side of its entrance, one is coming,<br />

passando per li cerchi sanza scorta, down the steep, passing the circles unescorted,<br />

86

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