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PUCCIO (VOICE):<br />

INF C25 43-45 / DANTE INF C25 43-45 / KLINE<br />

dicendo: Cianfa dove fia rimaso?; saying: Where has Cianfa gone? At which<br />

per ch'io, acciò che 'l duca stesse attento, I placed my finger over my mouth,<br />

mi puosi 'l dito su dal mento al naso. in order to make my guide stop and wait.<br />

PUCCIO SCIANCATO DEI GALIGAI *---- ? - *---- ? AGE : *-- ?<br />

PLACE./.LANGUAGE ETC<br />

FLORENCE.<br />

DESCRIPTION<br />

VOICE ONLY.<br />

DANTE:<br />

Puccio Sciancato dei Galigai, Florentine.<br />

DANTE SIGNALS TO VIRGIL TO STOP AND STAY QUIET. THEY STARE DOWN FOR A WHILE.<br />

DANTE MAKES NOTES THEN READS THEM TO THE AUDIENCE IN A HUSHED TONE.<br />

DANTE:<br />

INF C25 46-48 / DANTE INF C25 46-48 / KLINE<br />

Se tu se' or, lettore, a creder lento Reader, if you are slow to credit, now,<br />

ciò ch'io dirò, non sarà maraviglia, what I have to tell, it will be no wonder,<br />

ché io che 'l vidi, a pena il mi consento. since I who saw it, scarcely credit it myself.<br />

174<br />

INF C25 49-51 / DANTE<br />

Com' io tenea levate in lor le ciglia, While I kept looking at them, a six-footed serpent,<br />

e un serpente con sei piè si lancia Cianfa darted in front of one of them,<br />

dinanzi a l'uno, e tutto a lui s'appiglia. and fastened itself on him, completely.<br />

INF C25 52-54 / DANTE<br />

Co' piè di mezzo li avvinse la pancia It clasped his belly… with its middle feet,<br />

e con li anterïor le braccia prese; seized his arms with the front ones,<br />

poi li addentò e l'una e l'altra guancia; and then fixed its teeth in both his cheeks.<br />

INF C25 55-78 / KLINE<br />

The rear feet it stretched along his thighs, and put its tail between them, and curled it upwards round his loins,<br />

behind. Ivy was never rooted to a tree, as the foul monster twined its limbs around the other. Then they clung<br />

together, as if they were melted wax, and mixed their colours: neither the one nor the other seemed what it had at<br />

first: just as in front of the flame on burning paper, a brown colour appears, not yet black, and the white is<br />

consumed. The other two looked on, and each cried: ‘Ah me, Agnello, how you change! See, you are already not<br />

two, not one!’ The two heads had now become one, where two forms seemed to us merged in one face, and both<br />

were lost. Two limbs were made of the four forearms, the thighs, legs, belly and chest became such members as<br />

were never seen before. The former shape was all extinguished in them: the perverse image seemed both, and<br />

neither, and like that it moved away with slow steps.<br />

DANTE STOPS. HIS EYE HAS BEEN CAUGHT BY SOMETHING EVEN MORE INTERESTING. OR VIRGIL SEES IT<br />

AND INTERRUPTS DANTE.<br />

VIRGIL:<br />

INF C25 79-81 / DANTE INF C25 79-81 / KLINE<br />

Come 'l ramarro sotto la gran fersa As the lizard, in the great heat of the Dog days,<br />

dei dì canicular, cangiando sepe, appears like Like a flash of lightning,<br />

folgore par se la via attraversa, scurrying from hedge to hedge, if it crosses the<br />

track,

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