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Chapter Seventy<br />

The Quail and the Falcon<br />

Although he had never been sc<strong>old</strong>ed or corrected by the Buddha, Bhikkhu Svasti was aware of his own shortcomings. Perhaps the Buddha<br />

refrained from saying anything critical of him because he could see Svasti’s wholehearted efforts to be master of his six senses, even if his<br />

mastery was far from complete. Whenever Svasti saw another bhikkhu or bhikkhuni being corrected, he took it to heart as if he himself<br />

were the one at fault. This provided him with many opportunities to deepen his practice. He especially took to heart any correction and<br />

guidance the Buddha gave to Rahula. Rahula continued to make great strides in his practice, and that benefited Svasti’s practice as well.<br />

Once while sitting in a forest glade with Rahula, Svasti expressed how fortunate he felt to be a disciple of the Buddha. He said that<br />

because he had tasted true peace, joy, and freedom, he had no more desire for the life of the world. Rahula cautioned him, “While that may<br />

be true, don’t give yourself too much credit too fast. The effort to continually observe and master the senses is the very foundation of the<br />

practice, and not even the most senior disciples can afford to grow lax in their practice.”<br />

Rahula t<strong>old</strong> Svasti about Bhikkhu Vangisa, a monk renowned for his intelligence and gift with language. He was, in fact, a fine poet who<br />

had composed several gathas praising the Buddha, Dharma, and Sangha which had earned the Buddha’s compliments. When Vangisa first<br />

joined the sangha, he studied under the guidance of Bhikkhu Nigrodhakappa in Aggalava, just outside Savatthi. After Nigrodhakappa died,<br />

Vangisa went to dwell at Jetavana. One day while out begging with Ananda, Vangisa confided that his mind was troubled, and he asked for<br />

Ananda’s assistance. Ananda learned that Vangisa was disturbed by the lust he felt for the young women who came to the monastery to<br />

bring food offerings. Ananda understood that as an artist, Vangisa was easily touched by beauty. Ananda appealed to that very sense in<br />

helping Vangisa see how he could use the beauty of the <strong>path</strong> of awakening in order to transcend his desires for the kind of fleeting beauty<br />

that creates only clinging and obstacles. Ananda showed him how to shine his awareness on the objects of his contemplation in order to see<br />

clearly the empty and impermanent nature of all dharmas. Practicing according to Ananda’s instructions, Vangisa learned to master the six<br />

senses. He wrote a poem about this practice which was now well known to other monks. It went as follows:<br />

Even after donning the saffron robe,<br />

I chased after desires<br />

like a buffalo pining after the farmer’s rice.<br />

How ashamed I felt!<br />

A mighty general’s son<br />

gifted with bow and arrow<br />

might fend off the siege<br />

of even a thousand s<strong>old</strong>iers.<br />

Dwelling in Mindfulness,<br />

I will not be defeated,<br />

even before a throng of beautiful women.<br />

I follow the Lord<br />

who is a descendent of the sun.<br />

Serenely walking on this <strong>path</strong><br />

all desire is released.<br />

Becoming master of my senses,<br />

I walk forth calmly.<br />

Though met by countless obstacles<br />

none can shake my peace.<br />

Because Vangisa was a man gifted with intelligence and talent, there were times when his pride got the better of him, and he felt a quiet<br />

disdain for some of the other monks. Luckily, thanks to his practice of mindfulness, he was able to recognize this arrogance within himself.<br />

He composed a gatha on this theme:<br />

Disciples of Gautama,<br />

overcome arrogance!<br />

The <strong>path</strong> of pride<br />

leads only to suffering.

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