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The Tree of Enlightenment

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think is really neutral and empty. If we take these sights, sounds,<br />

and thoughts to be manifestations <strong>of</strong> the pure vision <strong>of</strong> enlightenment,<br />

we can utilize these elements <strong>of</strong> experience to contribute<br />

to our progress toward enlightenment. I will explain this in<br />

greater detail in the chapters that follow, but let me give you<br />

an example at this point. e cup that I am holding belongs to<br />

the aggregate <strong>of</strong> form, which is a manifestation <strong>of</strong> the celestial<br />

Buddha Vairochana. e object, which belongs to the aggregate<br />

<strong>of</strong> form, is therefore not simply a cup but a dimension <strong>of</strong><br />

the Buddha Vairochana. is is what is meant when it is said<br />

in the Vajrayana that one regards all sights as the deities, as<br />

the particular manifestations <strong>of</strong> a purified reality. By a particular<br />

act <strong>of</strong> the mind, we can similarly regard all sounds as mantras<br />

and all mental states as the transcendental dimension <strong>of</strong><br />

Buddhahood.<br />

is careful utilization <strong>of</strong> sights, sounds, and mental states is<br />

especially evident in the form <strong>of</strong> the Vajrayana ritual <strong>of</strong> meditation.<br />

In this context the Vajrayana practice <strong>of</strong> meditation may be<br />

likened to a raft – a raft that is composed <strong>of</strong> sights, sounds, and<br />

mental states. In the Vajrayana ritual, for example, there is a visual<br />

component, which is the visualization <strong>of</strong> any one <strong>of</strong> the deities <strong>of</strong><br />

the pantheon; an auditory component, which is the recitation <strong>of</strong><br />

the mantra; and a mental component, which is the identification<br />

<strong>of</strong> the meditator with the object <strong>of</strong> meditation and the cultivation<br />

<strong>of</strong> the understanding <strong>of</strong> nonduality and emptiness.<br />

is will become clearer in later chapters. For the time being,<br />

I would like to conclude by observing that the ritual <strong>of</strong> Vajrayana<br />

meditation practice employs these three components – visual,<br />

auditory, and mental – in order to create a ‘raft <strong>of</strong> ritual’ that uti-<br />

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