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The Iconography of Nepalese Buddhism

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About the Author<br />

Min Bahadur Shakya is a scholar <strong>of</strong> Newar and Tibetan<br />

<strong>Buddhism</strong>. Among his major publications are hort istory<br />

<strong>of</strong> uddhism in epal, 1984. ntroduction to uddhist<br />

onasteries <strong>of</strong> athmandu alley, 1986.<br />

He was elected Vice President <strong>of</strong> World Fellowship <strong>of</strong><br />

Buddhist Youth WFBY for the years 1984–1988. His major research<br />

work on ife and ontribution <strong>of</strong> epalese rincess<br />

hrikuti evi is shortly forthcoming. Mr. Shakya was nominated<br />

by Venerable Master Hsing Yun, Fokuang Shan, Taiwan as<br />

Research Associate in Fokuang Shan Chinese Buddhist Research<br />

Academy for the years 1989–1990.<br />

In 1990, he was granted a SAARC Fellowship (Buddhist<br />

Studies) by the Ministry <strong>of</strong> Foreign Affairs, impu, Bhutan.<br />

Currently he is working as the Chief Editor <strong>of</strong> uddhist imalaya,<br />

a bi-annual journal dealing with <strong>Buddhism</strong> in the Himalayan<br />

regions. He has also contributed more a dozen research<br />

papers in reputed foreign journals. Since 1986, he is teaching in<br />

Engineering Institute, Pulchowk Campus, Lalitpur. Presently<br />

he is the Director, Nagarjuna Institute <strong>of</strong> Exact Methods.<br />

Foreword<br />

Under the definition <strong>of</strong> andicrafts there are multiple products.<br />

Of them the statues <strong>of</strong> gods and goddesses <strong>of</strong> <strong>Buddhism</strong> and<br />

Hinduism stand foremost.eir importance is enhanced not only<br />

because <strong>of</strong> the fact that they are hand made but also that they are<br />

made by using meticulously time-consuming traditional tech-<br />

v

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