The Iconography of Nepalese Buddhism

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II. Dharmakaya Representation 2.1. Swayambhu Nepal was the place where the system of Adi-buddha was originated. e Swayambhu Purana gives an account of the first manifestation of Adi-Buddha or primordial Buddha in the form of a flame of fire or Clear Light ( skt. rabhashvara). e meaning of Clear Light is self-cognizant and unfabricated original wakefulness primordially present in the mind stream of all sentient beings of the three realms. Since it is primordially present in all sentient beings it is called Buddha-nature or Tathagatagarbha or Adi-Buddha. e nature of Clear Light which is Dharmakaya is not generally represented in images or sculptures. For Dharmakaya is not the form body. Dharmakaya aspect is depicted in a stupa or in a Caitya form only. However in Tibetan Nyingmapa tradition, Dharmakaya aspect is depicted in painting as Adi-Buddha Samantabhadra/ Samantabhadri form. Samantabhadra is blue in color. symbolizing emptiness essence of our mind and Samantabhadri is white in color symbolizing clear knowing aspect of the mind. e unity of emptiness and cognizant aspect is thus depicted in male and female form of Adi-Buddha. Adi-Buddha does not mean first Buddha or creator of the Universe. Samantabhadri is totally nude and without even ornaments symbolizing Dharmakaya or the nature of the mind which is free of thought constructs 44
or fabrication. It means that Dharmakaya can be realized only when we are free from thought constructs and perceive the emptiness nature of our mind directly. di-uddha amantabhadra/amantabhadri 45
Page 1 and 2: The Iconography of Nepalese Buddhis
Page 3: e of Nepalese Buddhism by Min Bahad
Page 6 and 7: niques: Lost Wax Process, Chisellin
Page 8 and 9: and appreciated about the importanc
Page 10 and 11: III. Sambhogakaya Representation 3.
Page 12 and 13: 7.7 Lokanath Lokeshvara ...........
Page 14 and 15: 14.7 Takkiraja or Vajrayaksha .....
Page 16 and 17: Buddha Shakyamuni (Mahabodhi Temple
Page 18 and 19: Sarvanivarana Bodhisattva .........
Page 20 and 21: he conography of epalese uddhism
Page 22 and 23: At various places such as Dhanyakat
Page 24 and 25: the mind. By virtue of possessing B
Page 26 and 27: “e formation of an enlightened at
Page 28 and 29: the integral part of the path for a
Page 30 and 31: not realize Dharmakaya in their lif
Page 32 and 33: 3. He is endowed with mastery of mi
Page 34 and 35: Another form of Nirmanakaya is a Tu
Page 36 and 37: ese five Buddhas are not the subdiv
Page 38 and 39: with these practices since these de
Page 40 and 41: ese Dakinis generally travel throug
Page 42 and 43: images and were sent to Tibet, Chin
Page 46 and 47: III. Sambhogakaya Representation 3.
Page 48 and 49: uddha airocana › (bronze) ‹ ajr
Page 50 and 51: joined displaying Bodhyanga mudra.
Page 52 and 53: mirror every visible object reflect
Page 54 and 55: jewel in his left hand kept on his
Page 56 and 57: Amitabha in Sanskrit means immeasur
Page 58 and 59: ody is bright, like lapislazuli. He
Page 60 and 61: 3.9 Amitayus or Buddha Aparimita Bu
Page 62 and 63: uddha hakyamuni (ahabodhi emple, at
Page 64 and 65: mood to honor Buddha Dipamkara. He
Page 66 and 67: uddha ishvabhu › uddha ‹ ipashv
Page 68 and 69: ikhi uddha › uddha ‹ rakuchchan
Page 70 and 71: sattva, who was to become Shakyamun
Page 72 and 73: During his career Buddha Kanakamuni
Page 74 and 75: Shakyamuni Buddha was born in Kapil
Page 76 and 77: V. Gurus 5.1 Guru Nagarjuna Guru Na
Page 78 and 79: 78 uru adma ‹ ambhava (bronze) In
Page 80 and 81: she also suggested him to consult G
Page 82 and 83: He was invited to Tibet to eliminat
Page 84 and 85: uru songhkapa › uru ‹ ilarepa (
Page 86 and 87: 5.8 Guru Sakya Pandit Guru Sakya Pa
Page 88 and 89: amantabhadra odhisattva
Page 90 and 91: sitigarbha odhisattva
Page 92 and 93: 6.3 Akashgarbha or Khagarbha Bodhis
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kashagarbha or hagharba odhisattva
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and Odiyana Acarya continued to pay
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offering ceremonies in honour of hi
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Vajrapani is often depicted with Av
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ya aitreya (silver)
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VII. Forms Of Avalokitesvara 7.1 Pa
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7.2 Amoghpash Lokeshvara Amoghpash
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hand holding a rosary signifies tha
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arihariharihari ahan okeshvara ›
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efore him throwing away his Sudrash
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akta ryavalokiteshvara (ungadeo,
Page 116 and 117:
was the emanation of Arya Avalokite
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7.8 One Thousand-armed Lokeshvara o
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like earrings, and so on. He has el
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VIII. Manjushree & His Forms 8.1 Ar
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8.2 Manjughosha is form of Manjushr
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Manjughosa instantly appeared in th
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Different forms of Manjushree image
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aeons ago. During Shakyamuni’s ti
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hite ara › (bronze) ‹ reen ara
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her Mantra merely a hundred thousan
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existence and destruction. Her Vara
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X. Prajnas Of Five Buddhas (Panca B
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wheel. She is said to be Prajna of
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family and is the nature of hatred.
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ara
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XI. Deities of Anuttara Yoga Tantra
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ornaments, such as the earrings, th
Page 150 and 151:
akrasamvara › ‹ ayagriva (bronz
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deity or Yidam deity. Nepalese Budd
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In his six-armed form, he has three
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She holds a Kartri in her right han
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XIII. Five Protectress Deities: Pan
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against various sorts of unseen dan
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the people of Vaishali the Buddha d
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this incident with tears in his eye
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ahamantranusarini
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that he is the emanation of Bodhisa
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cala › ‹ ighnantaka
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etinue was quite effective. Odiyana
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trident, a sword, a jewel and a lot
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admanantaka › akkiraja ‹ or ajr
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snisa › ‹ iladanda
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hritarastra
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irpaksha › ‹ irudhak
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His body is red in colour. He shows
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XVI. Eight Dikpalas (Eight Deities
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16.2 Yama Yama or Yamaraja is anoth
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16.3 Kuvera Kuvera is one of the mo
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gni eva › ‹ aruna
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certainly attain Buddhahood in futu
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sana eva
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17.1 Mahakala XVII. Guardian Deitie
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e characteristic feature of the Pro
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Bibliography Banerjee, Biswonath ri
Page 204 and 205:
Menon, I. & Farrow, G.W. e evajrata
Page 206 and 207:
laka — Abode of Kuvera, the deity
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amara — Chowris or the fly whisk
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atamattrochcha — Mountain Peak be
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hanikeshara vitaraga — a shrine n
Page 214:
tpala — a blue lotus ttaratantra
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The Iconography of Nepalese Buddhism

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