Steve Goodson Model Flyer - Jazzming Sound
Steve Goodson Model Flyer - Jazzming Sound
Steve Goodson Model Flyer - Jazzming Sound
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At the high end of the <strong>Steve</strong> <strong>Goodson</strong> Line are the <strong>Steve</strong> <strong>Goodson</strong> Sopranino and the <strong>Steve</strong> <strong>Goodson</strong> Curved<br />
ASoprano. The <strong>Steve</strong> <strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Sopranino Saxophone is without a doubt the fi nest sopranino ever made. Strong<br />
words, but we’ve got the product to back them up! With a gorgeous beaded silver fi nish on the body tube and<br />
gold-plated keywork, this unique instrument is keyed to E natural.<br />
Many make curved sopranos, but only <strong>Steve</strong> <strong>Goodson</strong> has brought it to this new level of playing<br />
ease and beauty. The ergonomics of this silver-plated instrument astound. Consider only that the<br />
right hand thumb hook is rotated away from the center, toward the saxophonist’s body. You’ll be<br />
pleasantly surprised how very comfortable it is to play!<br />
Easy blowing with precise intonation, the <strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Curved Soprano has a warmth<br />
lacking in all other sopranos, regardless of their prices.<br />
<strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Alto and Tenor Saxophones are the most innovative, modern designs<br />
available today. In addition to their superior acoustics, <strong>Steve</strong> added features never seen on<br />
any saxophone, at any price.<br />
For example, there is a third octave key, positioned on the neck, activated by the left thumb.<br />
The use of this key makes your altissimo notes clear and effortless. There is a special vent key in<br />
the upper stack, making the transition between subregisters a non-issue. Dished, pearl-less key<br />
touches defi ne a new, vibrant look, with hand-cut engraving throughout. Finshes are brilliant<br />
silver plate and gold plate, plus <strong>Steve</strong>’s favorite, black nickel thoughout.<br />
Taken as a whole, features are just one dimension. The proof of a saxophone is in the playing.<br />
You’ll have to play it to believe it, and only at an authorized Orpheus Musical Instruments dealer.<br />
You’ll fi nd a list of them at our website, http://orpheusmusicalinstruments.com/.<br />
No other saxophone has more innovative features.<br />
No other saxophone company puts the name of the designer on the saxophone.<br />
The <strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong>s:<br />
Defi ning categories, yet beyond category!<br />
Rethinking the baritone<br />
saxophone is long overdue.<br />
The <strong>Steve</strong> <strong>Goodson</strong><br />
<strong>Model</strong> Baritone Saxophone<br />
has so many innovations<br />
and refi nements that you<br />
owe it to yourself to go to<br />
our website and see the<br />
complete list.<br />
To list but a few, the fi nger<br />
positions are similar to<br />
a tenor, eliminating fi nger<br />
cramping. A redesigned<br />
pigtail and upper bow unify<br />
the<br />
sound in all registers.<br />
The low<br />
A key is engineered<br />
from from the beginning of the<br />
design, instead of as an af-<br />
terthought. Double brac-<br />
ing protects the body to<br />
bell connection like never<br />
before. Gorgeous hand-cut<br />
engraving graces every visible surface, from neck to bell fl are.<br />
Available in four fi nishes, with a wheeled case, the <strong>Steve</strong><br />
<strong>Goodson</strong> <strong>Model</strong> is the most innovative baritone saxophone on<br />
the market today!<br />
Orpheus<br />
Musical Instruments<br />
http://www.orpheusmusicalinstruments.com<br />
325 Nolan St • San Antonio, Texas<br />
210-637-0414 • 888-368-7770<br />
Se habla Español • Specifi cations subject to change.
Orpheus Times<br />
<strong>Goodson</strong> <strong>Model</strong> Sopranino and Curved<br />
Soprano Saxophones head line-up<br />
San Antonio (Saxophone News Service): Glacially slow is the rate of progress<br />
with saxophones. As long as the saxophonic public still thinks of a certain model<br />
as the pinnacle of the saxophone-maker’s art, despite the fact that it was made<br />
in 1953, certain fearless individuals are trying to install a new paradigm, based<br />
on a scientifi c approach to acoustics and metallurgy.<br />
When Orpheus Musical Instruments asked <strong>Steve</strong> to design a line of saxophones<br />
without limits, <strong>Steve</strong> jumped at the chance to further the cause of saxophone<br />
design.<br />
Starting at the top, the <strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Sopranino tames what used<br />
to be known as the Wild Beast. Still made by a couple manufacturers, modern<br />
sopraninos bear a striking resemblence to the sopraninos of yesteryear. <strong>Steve</strong><br />
added a half step to the instrument’s range, comfortable, mother-of-pearl key<br />
touches, and the classic look of beaded silver with gold-plated keys. Easy to play<br />
and without the troublesome control issues of yesterday’s designs, the <strong>Steve</strong><br />
<strong>Goodson</strong> <strong>Model</strong> Sopranino is a welcome addition to any saxophonist’s sonic<br />
pallete.<br />
Th e <strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Curved Soprano Saxophone is so entirely new,<br />
there’s never been one like it on the marketplace. Th e fi nish of the curved soprano<br />
is bright silver, with gorgeous hand-cut engraving. Th e instrument has<br />
a unique tonal balance and a wealth of ergonomic features to keep you playing.<br />
Never before has there been such a curved soprano, with the most modern<br />
keywork and classic design features seen through the prism of designer <strong>Steve</strong><br />
<strong>Goodson</strong>.<br />
For more information about either of these “high-end” saxophones, and about<br />
the Orpheus lines of saxophones, clarinets, and fl utes, point your web browser<br />
to http://www.orpheusmusicalinstruments.com/ .<br />
Innovative design features hallmarks of<br />
<strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Alto and Tenor<br />
Los Angeles (Saxophone News Service): Th e <strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Alto and<br />
Tenor Saxophones have features never seen on any saxophone in the history of<br />
the art and craft of saxophone design.<br />
If you’re willing to dispense with a little orthodoxy, you owe it to yourself to<br />
try a <strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Alto or Tenor at your Orpheus dealer. Why not try<br />
them both?<br />
Th e <strong>Goodson</strong> <strong>Model</strong> Altos and Tenors have a unique way of dealing with<br />
the third (altissimo) octave. Th ey have an octave key to make the third octave<br />
more user-friendly. Th e actuator for this key is located on the left-hand<br />
thumb’s key touch, adjacent to the standard octave key. Just press it down, use<br />
the normal altissimo fi ngerings, and the altissimo shouts out!<br />
Th e body to bell brace is unique in that it sits low, allowing greater resonance.<br />
A speaker key in the upper stack vents the stuff y notes on the cusp of the<br />
registers.<br />
Th readed octave pips and a special rifl ed neck start the tone off right, in the<br />
neck. Th e unique neck ring adds to the party, accellerating the air into the<br />
neck.<br />
For more information: http://www.orpheusmusicalinstruments.com/ .<br />
http://www.orpheusmusicalinstruments.com<br />
Who’s this <strong>Steve</strong> <strong>Goodson</strong><br />
anyway?<br />
Los Angeles (Saxophone News Service): <strong>Steve</strong><br />
<strong>Goodson</strong> is a saxophonist, woodwind oodwind repair specialist,<br />
businessman, a native son n of Alabama, an<br />
adopted citizen of New Orleans ans by by marriage, a<br />
son, husband, and father, web impresario, and a<br />
saxophone designer.<br />
A completely redesigned baritone<br />
saxophone<br />
San Antonio (Saxophone News Service): Tired of fi ghting your baritone saxophone<br />
every step of the way?<br />
Have you considered that the problem may not be you, but the problem is with<br />
the ancient and honorable art of saxophone design?<br />
<strong>Steve</strong> <strong>Goodson</strong> considers himself at his core to be a baritone saxophonist.<br />
He’s got an interest in seeing an advancement. And what an advancement he’s<br />
made!<br />
Th e net eff ect of a reworking of the pigtail, bow, and hody tube is that the<br />
<strong>Steve</strong> <strong>Goodson</strong> <strong>Model</strong> Baritone speaks with one voice. No longer do you have to<br />
shade diff erent registers to make the horn sound like one horn instead of three<br />
or four. One unifi ed, contiguous range of sound from low A to high F#.<br />
Th e biggest tone holes on any baritone, ever, are based on acoustic calculations.<br />
Th ey help widen the dynamic range of this gorgeous instrument, from<br />
pianissimo to a supercharged fortissimo.<br />
A triple-ring strap hook makes it easy to hook up. Th e best pads in the business,<br />
kangaroo from MusicMedic.com, and the best resonators, Noyak, which<br />
are plated to match the fi nish of the baritone, round out this quick feature list.<br />
For more features, to fi nd out where your nearest dealer is, and to generally<br />
fi nd out what we’re up to, http://www.orpheusmusicalinstruments.com/ .