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the role of the lukan parables in terms of the purpose of luke's gospel

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<strong>in</strong> some aspect <strong>of</strong> psychoanalytic <strong>the</strong>ory. Breech believes that <strong>the</strong> parable exposes <strong>the</strong> basic<br />

problem <strong>of</strong> triangular human relationships. For him <strong>the</strong> return <strong>of</strong> <strong>the</strong> younger son comprises a<br />

most tragic story, see<strong>in</strong>g <strong>the</strong> fa<strong>the</strong>r as a pa<strong>the</strong>tic figure and <strong>the</strong> elder son as seek<strong>in</strong>g a sign <strong>of</strong><br />

<strong>the</strong> fa<strong>the</strong>r’s love, not th<strong>in</strong>gs. See<strong>in</strong>g <strong>the</strong> fa<strong>the</strong>r as a negative figure, he ra<strong>the</strong>r speculates about<br />

<strong>the</strong> danger that <strong>the</strong> fa<strong>the</strong>r’s love and forgiveness can lead <strong>the</strong> younger son to parasitical and<br />

decadent behaviour. 144<br />

Among fem<strong>in</strong>ist scholars, Durber argues that <strong>the</strong> parable is constructed <strong>in</strong> a patriarchal<br />

legal and <strong>in</strong>heritance system <strong>in</strong> which a fa<strong>the</strong>r divides his property between his sons, s<strong>in</strong>ce<br />

<strong>the</strong>re are no women <strong>in</strong> <strong>the</strong> parable, ask<strong>in</strong>g where <strong>the</strong> mo<strong>the</strong>r and sisters are. For her, <strong>the</strong> lack<br />

<strong>of</strong> images <strong>of</strong> women looks like sexism, reveal<strong>in</strong>g <strong>the</strong> fact that <strong>the</strong>y came from a patriarchal<br />

145<br />

culture, and that <strong>the</strong>y have been written by men and for men. Follow<strong>in</strong>g Rohrbaugh, even<br />

Beavis regards <strong>the</strong> story as a dysfunctional family <strong>in</strong> which his son had not only been<br />

sexually molested by his fa<strong>the</strong>r, but also <strong>the</strong> fa<strong>the</strong>r’s emotional reaction, that is to say, <strong>the</strong><br />

sight to his son, his embrace and tender kisses can display a nurtur<strong>in</strong>g, maternal<br />

upbr<strong>in</strong>g<strong>in</strong>g. 146<br />

Obviously misled are those that try to f<strong>in</strong>d a fem<strong>in</strong><strong>in</strong>e emphasis <strong>in</strong> <strong>the</strong> fa<strong>the</strong>r’s<br />

actions or o<strong>the</strong>r aspect <strong>of</strong> <strong>the</strong> story, those that see a problem on account <strong>of</strong> <strong>the</strong> fact that <strong>the</strong>re<br />

is no mo<strong>the</strong>r. The parable has noth<strong>in</strong>g to do with fem<strong>in</strong>ist concerns.<br />

In economic <strong>terms</strong>, Metzger observes and concludes that <strong>the</strong> younger son is portrayed<br />

only as liv<strong>in</strong>g wastefully, and <strong>the</strong> fa<strong>the</strong>r is described as <strong>the</strong> foolish and <strong>in</strong>competent estate<br />

manager and paterfamilias, whereas <strong>the</strong> elder son’s voice <strong>in</strong> <strong>the</strong> parable challenges <strong>the</strong><br />

audiences aga<strong>in</strong>st overconsumption and wealth. The elder son is evaluated highly as one who<br />

147<br />

has dutifulness, prudence, fiscal responsibility and justified anger. On <strong>the</strong> o<strong>the</strong>r hand,<br />

Susan Eastman argues that it is possible to repent, forgive and reconcile only <strong>in</strong> <strong>the</strong><br />

economics <strong>of</strong> grace that <strong>in</strong> his fa<strong>the</strong>r’s house <strong>the</strong>re is enough and to spare, and that <strong>the</strong> fa<strong>the</strong>r<br />

gives away his property, and even property that is willed to his elder son accord<strong>in</strong>g to a<br />

bewilder<strong>in</strong>g generosity, not <strong>the</strong> wisdom <strong>in</strong> a world as Sirach warn<strong>in</strong>g a foolish fa<strong>the</strong>r aga<strong>in</strong>st<br />

144. Breech, The Silence <strong>of</strong> Jesus, 184-212. His contention is followed by R.Q. Ford that th<strong>in</strong>ks <strong>of</strong> <strong>the</strong> fa<strong>the</strong>r<br />

even more negatively as one who h<strong>in</strong>ders two sons’ development. R.Q. Ford, The Parables <strong>of</strong> Jesus: Recover<strong>in</strong>g<br />

<strong>the</strong> Art <strong>of</strong> Listen<strong>in</strong>g (M<strong>in</strong>neapolis: Fortress, 1997), 90-114.<br />

145. Durber, “The Female Reader <strong>of</strong> <strong>the</strong> Parables <strong>of</strong> <strong>the</strong> Lost,” 70.<br />

146. Beavis, “Mak<strong>in</strong>g Up Stories: A Fem<strong>in</strong>ist Read<strong>in</strong>g <strong>of</strong> <strong>the</strong> Parable <strong>of</strong> <strong>the</strong> Prodigal Son,” <strong>in</strong> ed., Mary Ann<br />

Beavis, The Lost Co<strong>in</strong>: Parables <strong>of</strong> Women, Work and Wisdom (Sheffield Academic Press, 2002), 98-123, here<br />

117.<br />

147. Metzger, Consumption and Wealth <strong>in</strong> Luke’s Travel Narrative, 106-108.<br />

89

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