the role of the lukan parables in terms of the purpose of luke's gospel
the role of the lukan parables in terms of the purpose of luke's gospel the role of the lukan parables in terms of the purpose of luke's gospel
espect, while audiences in the parable might not have been astounded by the father’s actions, the younger son must have been astounded by the unexpected father’s favour. The term , as in Luke 10:33, expresses the divine compassion, seen therefore in all father’s actions of running, embracing and kissing. With respect to Bailey’s contention concerning the running and embracing of the father, it is excessive conjecture that such behaviour of the father is to protect his younger son from the entire village who were filled with hostility because of his son returning. 110 There is no evidence implying that in the parable. In the father’s unexpected warm welcome, the younger son does not deliver his prepared speech to his father, in particular the word, , for it is not only prevented by his father, but it would also insult his father’s love. 112 The father, in contrast to the suggestion which the younger son plans to propose, orders that he be clothed in the best robe, a ring put on his finger, sandals for his feet, and a great feast thrown to celebrate his return. 113 114 115 Various meanings have been proposed for the best robe, a ring, sandals , and a great feast with the fatted calf 116 , but it would be best to view them as symbols of the younger son’s recovery to his position as his precious son, accepting him again, and forgiving his past 110. Bailey, Finding the Lost, 142-51. He here tries to draw the meaning of the incarnation (the father’s running outward) and atonement (the father’s embracing, the costly actions of the father or in the calf). 111. Bailey, following Derrett’s opinion, contends that the younger son plans to repay the lost money to his father through working as a hired servant on the grounds that the word, indicates ‘a hired servant’ unlike (bondsmen) or (slaves of a lower class). Bailey, Poet and Peasant, 176-77; Derrett, “The Parable of the Prodigal Son” 65. 112. Nolland, Luke, 785; Kistemaker, Parables, 221; Bailey, Finding the Lost, 152. 113. Jeremias comments that ‘the best robe’ points to the garment of salvation in which any eschatological significance is conveyed in relation to Isaiah 61:10. “I will greatly rejoice in the LORD, my soul shall exult in my God; for he has clothed me with the garments of salvation, he has covered me with the robe of righteousness, as a bridegroom decks himself with a garland, and as a bride adorns herself with her jewels.” (Isaiah 61:10). cf. Mk. 2:21; Matt. 5:3, 11:5; Lk. 4:18, 7:33. Jeremias, Parables, 189. 114. Metzger argues that wearing the ring indicates that the younger son has (re)acquired authority of the estate, although he is not sure how much level of authority he is (re)invested from his father because there is no comment on that. He believes that the audiences in the parable would have thought of the father as the foolish and incompetent, and the family as a very wealthy one. Metzger, Consumption and Wealth in Luke’s Travel Narrative, 98-99. 115. Rengstorf claims that putting on shoes is a sign of insistence on ownership in the Middle East on the basis of Ps. 60:8, “Moab is my washbasin; upon Edom I cast my shoe; over Philistia I shout in triumph.” However, his contention is rejected correctly by Bailey’s demonstration that at that time the custom had already disappeared and was no longer practiced. Bailey, Poet and Peasant, 185-86, n200. 116. The feast is so great that over a hundred people can eat, akin to that which has been prepared for the marriage of the eldest son, or the visit of the governor of the province, or some such occasion. In this respect, only in the case of a communal celebration, the festive celebration takes place beyond the home. Against Bailey’s contention, the communal celebration means to share the pleasure with the whole village rather than to reconcile the younger son with them.. 83
iniquity, rather than seeking to find a specific meaning in each one. 117 Now the focus moves to the present celebration. There still are arguments as to whether the celebration alludes to the messianic banquet, given the context of forgiveness and salvation in the father’s proclamation in v. 24, the imagery may well convey the messianic banquet. 118 The father’s declaration in v. 24 is naturally associated with the proclamations in the first two parables, juxtaposing ‘dead’ and ‘alive again’ with ‘lost’ and ‘found’. The repeat of the same declaration in v32 still more reveals that the father’s rationale for this celebration lies in the younger son’s safe return. As for the word , there are several suggestions, such as 119 120 121 being morally dead’, cutting off from the family, being dead to his father’s love , and being totally dead (physically, psychologically and spiritually). 122 The third scene of the parable shifts from the celebration to the field, where the elder son is returning from his work. When he draws near to the house, he hears music and dancing, so he asks a servant what is happening. Although it is quite strange that the elder son did not instantly hear the news, the story continues to flow. The servant then reports repeatedly and briefly that ‘your brother has come, and your father has killed the fatted calf, because he has received him safe and sound’. In the servant’s report, there seems to be an intention to emphasize the father’s extravagant actions in the light of the reference of the fatted calf, 123 instead mentioning a celebration. The elder son gets angry at the news and refuses to enter in and join the celebration. Incorrect is here such speculation that the elder son is angry because his brother may be supported once again by the family estate, 124 since according to vv. 29-30, his resentment is entirely toward his father. The father, as he did with his younger son, goes out and pleads with the elder son to come inside and join the celebration. But the elder son answers his father: ‘Look! For so many 117. Blomberg thinks of those as indicating the degree of the younger son’s restoration. Blomberg, Interpreting the Parables, 178; Nolland, Luke, 785, 790; C.F. Evans, Saint Luke, 594; Stein, Parables, 120; Scott, Hear Then the Parable, 118. But Hultgren see those as a status of honour for the best robs, the granting of authority for ring and freedom for shoes on his feet, emphasizing full restoration of the young son. Hultgren, Parable, 79; Donahue, The Gospel in Parable, 155. 118. Cf. Lk. 13:28-29; 14:15-24; 19:9; 22:16, 18. See Stephen Barton, “Parables on God’s Love and Forgiveness,” 211. 119. Forbes, The God of Old: The Role of the Lukan Parables in the Purpose of Luke’s Gospel, 140. 120. Rengstorf, Re-investitur, 21-22. 121. Bailey, Poet and Peasant, 159-60. 122. F.H. Borsch, Many Things in Parables: Extravagant Stories of New Community (Philadelphia: Fortress Press, 1988), 42. 123. Scott, Hear Then the Parable , 119. 124. Derrett, “The Parable of the Prodigal Son,” 67; Scott, Hear Then the Parable, 120. 84
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espect, while audiences <strong>in</strong> <strong>the</strong> parable might not have been astounded by <strong>the</strong> fa<strong>the</strong>r’s actions,<br />
<strong>the</strong> younger son must have been astounded by <strong>the</strong> unexpected fa<strong>the</strong>r’s favour.<br />
The term , as <strong>in</strong> Luke 10:33, expresses <strong>the</strong> div<strong>in</strong>e compassion, seen<br />
<strong>the</strong>refore <strong>in</strong> all fa<strong>the</strong>r’s actions <strong>of</strong> runn<strong>in</strong>g, embrac<strong>in</strong>g and kiss<strong>in</strong>g. With respect to Bailey’s<br />
contention concern<strong>in</strong>g <strong>the</strong> runn<strong>in</strong>g and embrac<strong>in</strong>g <strong>of</strong> <strong>the</strong> fa<strong>the</strong>r, it is excessive conjecture that<br />
such behaviour <strong>of</strong> <strong>the</strong> fa<strong>the</strong>r is to protect his younger son from <strong>the</strong> entire village who were<br />
filled with hostility because <strong>of</strong> his son return<strong>in</strong>g. 110<br />
There is no evidence imply<strong>in</strong>g that <strong>in</strong> <strong>the</strong><br />
parable.<br />
In <strong>the</strong> fa<strong>the</strong>r’s unexpected warm welcome, <strong>the</strong> younger son does not deliver his prepared<br />
<br />
speech to his fa<strong>the</strong>r, <strong>in</strong> particular <strong>the</strong> word, , for it is not only prevented by his fa<strong>the</strong>r,<br />
but it would also <strong>in</strong>sult his fa<strong>the</strong>r’s love. 112<br />
The fa<strong>the</strong>r, <strong>in</strong> contrast to <strong>the</strong> suggestion which<br />
<strong>the</strong> younger son plans to propose, orders that he be clo<strong>the</strong>d <strong>in</strong> <strong>the</strong> best robe, a r<strong>in</strong>g put on his<br />
f<strong>in</strong>ger, sandals for his feet, and a great feast thrown to celebrate his return.<br />
113 114 115<br />
Various mean<strong>in</strong>gs have been proposed for <strong>the</strong> best robe, a r<strong>in</strong>g, sandals , and a<br />
great feast with <strong>the</strong> fatted calf 116<br />
, but it would be best to view <strong>the</strong>m as symbols <strong>of</strong> <strong>the</strong> younger<br />
son’s recovery to his position as his precious son, accept<strong>in</strong>g him aga<strong>in</strong>, and forgiv<strong>in</strong>g his past<br />
110. Bailey, F<strong>in</strong>d<strong>in</strong>g <strong>the</strong> Lost, 142-51. He here tries to draw <strong>the</strong> mean<strong>in</strong>g <strong>of</strong> <strong>the</strong> <strong>in</strong>carnation (<strong>the</strong> fa<strong>the</strong>r’s runn<strong>in</strong>g<br />
outward) and atonement (<strong>the</strong> fa<strong>the</strong>r’s embrac<strong>in</strong>g, <strong>the</strong> costly actions <strong>of</strong> <strong>the</strong> fa<strong>the</strong>r or <strong>in</strong> <strong>the</strong> calf).<br />
111. Bailey, follow<strong>in</strong>g Derrett’s op<strong>in</strong>ion, contends that <strong>the</strong> younger son plans to repay <strong>the</strong> lost money to his<br />
fa<strong>the</strong>r through work<strong>in</strong>g as a hired servant on <strong>the</strong> grounds that <strong>the</strong> word, <strong>in</strong>dicates ‘a hired servant’ unlike<br />
(bondsmen) or (slaves <strong>of</strong> a lower class). Bailey, Poet and Peasant, 176-77; Derrett, “The Parable<br />
<strong>of</strong> <strong>the</strong> Prodigal Son” 65.<br />
112. Nolland, Luke, 785; Kistemaker, Parables, 221; Bailey, F<strong>in</strong>d<strong>in</strong>g <strong>the</strong> Lost, 152.<br />
113. Jeremias comments that ‘<strong>the</strong> best robe’ po<strong>in</strong>ts to <strong>the</strong> garment <strong>of</strong> salvation <strong>in</strong> which any eschatological<br />
significance is conveyed <strong>in</strong> relation to Isaiah 61:10. “I will greatly rejoice <strong>in</strong> <strong>the</strong> LORD, my soul shall exult <strong>in</strong><br />
my God; for he has clo<strong>the</strong>d me with <strong>the</strong> garments <strong>of</strong> salvation, he has covered me with <strong>the</strong> robe <strong>of</strong> righteousness,<br />
as a bridegroom decks himself with a garland, and as a bride adorns herself with her jewels.” (Isaiah 61:10). cf.<br />
Mk. 2:21; Matt. 5:3, 11:5; Lk. 4:18, 7:33. Jeremias, Parables, 189.<br />
114. Metzger argues that wear<strong>in</strong>g <strong>the</strong> r<strong>in</strong>g <strong>in</strong>dicates that <strong>the</strong> younger son has (re)acquired authority <strong>of</strong> <strong>the</strong> estate,<br />
although he is not sure how much level <strong>of</strong> authority he is (re)<strong>in</strong>vested from his fa<strong>the</strong>r because <strong>the</strong>re is no<br />
comment on that. He believes that <strong>the</strong> audiences <strong>in</strong> <strong>the</strong> parable would have thought <strong>of</strong> <strong>the</strong> fa<strong>the</strong>r as <strong>the</strong> foolish<br />
and <strong>in</strong>competent, and <strong>the</strong> family as a very wealthy one. Metzger, Consumption and Wealth <strong>in</strong> Luke’s Travel<br />
Narrative, 98-99.<br />
115. Rengstorf claims that putt<strong>in</strong>g on shoes is a sign <strong>of</strong> <strong>in</strong>sistence on ownership <strong>in</strong> <strong>the</strong> Middle East on <strong>the</strong> basis<br />
<strong>of</strong> Ps. 60:8, “Moab is my washbas<strong>in</strong>; upon Edom I cast my shoe; over Philistia I shout <strong>in</strong> triumph.” However, his<br />
contention is rejected correctly by Bailey’s demonstration that at that time <strong>the</strong> custom had already disappeared<br />
and was no longer practiced. Bailey, Poet and Peasant, 185-86, n200.<br />
116. The feast is so great that over a hundred people can eat, ak<strong>in</strong> to that which has been prepared for <strong>the</strong><br />
marriage <strong>of</strong> <strong>the</strong> eldest son, or <strong>the</strong> visit <strong>of</strong> <strong>the</strong> governor <strong>of</strong> <strong>the</strong> prov<strong>in</strong>ce, or some such occasion. In this respect,<br />
only <strong>in</strong> <strong>the</strong> case <strong>of</strong> a communal celebration, <strong>the</strong> festive celebration takes place beyond <strong>the</strong> home. Aga<strong>in</strong>st<br />
Bailey’s contention, <strong>the</strong> communal celebration means to share <strong>the</strong> pleasure with <strong>the</strong> whole village ra<strong>the</strong>r than to<br />
reconcile <strong>the</strong> younger son with <strong>the</strong>m..<br />
83