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the role of the lukan parables in terms of the purpose of luke's gospel

the role of the lukan parables in terms of the purpose of luke's gospel

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In addition to Kilgallen’s view, I th<strong>in</strong>k that <strong>the</strong> lesson about possessions is a coupl<strong>in</strong>g r<strong>in</strong>g<br />

between <strong>the</strong> two chapters, that is, <strong>the</strong> proper attitude to wealth and a right use <strong>of</strong> possessions.<br />

This common <strong>the</strong>me clearly comes to <strong>the</strong> surface <strong>in</strong> all three <strong>parables</strong>. In this respect,<br />

whoever reads <strong>the</strong> <strong>parables</strong> can easily take up <strong>the</strong> common <strong>the</strong>me from it as well. Each<br />

character <strong>in</strong> three <strong>parables</strong> is recklessly prodigal with property for <strong>the</strong>ir own self-contentment,<br />

regardless <strong>of</strong> its ownership. Their covetousness toward possessions eventually causes <strong>the</strong>m to<br />

fall <strong>in</strong>to a predicament. Tak<strong>in</strong>g all that <strong>in</strong>to consideration, we can say with little doubt that <strong>the</strong><br />

lesson about possessions is a common <strong>the</strong>me connect<strong>in</strong>g <strong>the</strong> two chapters.<br />

With respect to <strong>the</strong> relationship between <strong>the</strong> three <strong>parables</strong> <strong>in</strong> 15:1-32, it is more forceful<br />

to claim that <strong>the</strong>re is a pla<strong>in</strong> unity between <strong>the</strong>se three <strong>parables</strong> ra<strong>the</strong>r than to isolate one from<br />

ano<strong>the</strong>r one. We can highlight <strong>the</strong>ir essential unity by virtue <strong>of</strong> three features: First, on <strong>the</strong><br />

literary level, <strong>the</strong>se three <strong>parables</strong> are associated with one ano<strong>the</strong>r not only <strong>in</strong> <strong>the</strong> <strong>in</strong>troductory<br />

verses <strong>in</strong> 1-3, but <strong>in</strong> an <strong>in</strong>clusio with two compla<strong>in</strong>ts from <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g and end <strong>of</strong> ch. 15. In<br />

Luke’s use <strong>of</strong> <strong>the</strong> s<strong>in</strong>gular, <strong>in</strong> v.3, he at least understood <strong>the</strong> three <strong>parables</strong> as a<br />

s<strong>in</strong>gle unit and wanted readers to read <strong>the</strong> three as a literary unit. In addition, an <strong>in</strong>clusio that<br />

is constituted by <strong>the</strong> compla<strong>in</strong>t <strong>of</strong> <strong>the</strong> Pharisees and scribes (vv. 1-2) and <strong>the</strong> compla<strong>in</strong>t <strong>of</strong> <strong>the</strong><br />

elder son (vv. 28-30), here functions <strong>in</strong> <strong>the</strong> <strong>role</strong> <strong>of</strong> ty<strong>in</strong>g toge<strong>the</strong>r <strong>the</strong> three <strong>parables</strong>. 4<br />

Second,<br />

<strong>the</strong> three <strong>parables</strong> share a common <strong>the</strong>me and sett<strong>in</strong>g: That is to say, God’s joy <strong>in</strong> response to<br />

a s<strong>in</strong>ner’s repentance is a common <strong>the</strong>me, and <strong>the</strong> sett<strong>in</strong>g <strong>of</strong> meals and eat<strong>in</strong>g as a common<br />

sett<strong>in</strong>g. Third, <strong>the</strong>re is a common structure <strong>in</strong> <strong>the</strong> events: A sequence <strong>of</strong> loss, recovery and<br />

celebration. In view <strong>of</strong> <strong>the</strong>se reasons, we can say that Luke at least expects ch 15 to be read as<br />

a literary unit <strong>in</strong> m<strong>in</strong>d.<br />

There have been several claims concern<strong>in</strong>g <strong>the</strong> relationship between <strong>the</strong> first and second<br />

<strong>parables</strong>. While <strong>the</strong>re are common aspects among <strong>the</strong>m <strong>in</strong> that <strong>the</strong> Lost Sheep may have been<br />

drawn from Q, <strong>the</strong> ma<strong>in</strong> differences are that <strong>the</strong> Lost Co<strong>in</strong> may have been taken from Q, L<br />

5<br />

and a Lukan composition or a composition <strong>of</strong> <strong>the</strong> early church. We could <strong>of</strong> course add a<br />

4. K.E. Bailey, Jacob and <strong>the</strong> Prodigal: How Jesus Retold Israel’s Story (Downers Grove, Ill<strong>in</strong>ois: InterVarsity<br />

Press, 2003), 60; Liebenberg, The Language o f <strong>the</strong> K<strong>in</strong>gdom and Jesus: Parable, Aphorism, and Metaphor <strong>in</strong><br />

<strong>the</strong> Say<strong>in</strong>gs Material Common to <strong>the</strong> Synoptic Tradition and <strong>the</strong> Gospel <strong>of</strong> Thomas, 416; Fitzmyer, The Gospel<br />

Accord<strong>in</strong>g to Luke, 1076; Stephen C. Barton, “Parables on God’s Love and Forgiveness (Luke 15:1-32),” <strong>in</strong> ed.,<br />

R.N. Longenecker, The Challenge <strong>of</strong> Jesus Parables (Grand Rapids, Michigan: Eerdmans Publish<strong>in</strong>g, 2000),<br />

199-216, here 201.<br />

5. In regard to <strong>the</strong> orig<strong>in</strong>ation <strong>of</strong> <strong>the</strong> Lost Co<strong>in</strong>, for be<strong>in</strong>g from Q, see Breech, The Silence <strong>of</strong> Jesus: The<br />

Au<strong>the</strong>ntic Voice <strong>of</strong> <strong>the</strong> Historical Man, 80; J. Lambrecht, Once More Astonished: The Parables <strong>of</strong> Jesus (New<br />

York: Crossroad, 1981), 38, for be<strong>in</strong>g taken from L, see Fitzmyer, The Gospel Accord<strong>in</strong>g to Luke, 1073, for<br />

be<strong>in</strong>g drawn from a Lukan composition and <strong>the</strong> early church, see Drury, The Parables <strong>in</strong> <strong>the</strong> Gospels: History<br />

62

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