the role of the lukan parables in terms of the purpose of luke's gospel

the role of the lukan parables in terms of the purpose of luke's gospel the role of the lukan parables in terms of the purpose of luke's gospel

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the parables, I believe it important that we take the gospel contexts into consideration for the interpretation of the parables as a vital factor, since literary work, particularly narratives, if we see the Gospels as narratives, 14 retains narrative unity in their works 15 but also the parables, as we shall see later, have allegorical features where some of these details at least point beyond themselves to realities at times in the gospel context. The study of how a shorter narrative coheres and functions together within their larger narrative is best explanined in Gerard Genette’s Narrtive Discourse: An Essay in Method. 16 According to his theory, the main types of relationships that can connect a shorter narrative (the parables) to their larger narrative (Luke) can be divided into three relationships such as direct causal, thematic, and no explicit relationship. 17 The parables fall in the category of thematic relationship in which the shorter narrative takes the position of contrast or analogy to the larger narrative. 18 The parables shed light on the meaning of the narrative in that it recapitulates the previous saying and narrative of Jesus, and foreshadows what would take place, but also should be interpreted in light of the narrative where the meaning of the parables is determined by the narrative plot or scheme. 19 The parables stand in fundamental relationship to the story as a whole, and 14. It is unnecessary to discuss that the gospels presume to be narratives, for modern literary critics have already seen them so and produced many researches. For narrative studies of Luke-Acts in particular, see Robert Maddox, The Purpose of Luke-Acts (Göttingen: Vandenhoeck and Ruprecht, 1982) and Charles H. Talbert, Literary Patterns, Theological Themes, and the Genre of Luke-Acts (SBLMS 20, Missoula, Mont: Scholars Press, 1974). In relation to the contention that the gospel presentation of the parables limits the variety of possible readings by providing a content underlining certain aspects, I will not say much, since this phenomenon, namely, restriction of the variety of readings is natural when a story as a parable is embedded in larger narrative as the gospels. Moreover, we should postulate the Gospel narratives as secondary additions, not original situations, since it is the intention of the evangelists with the gospel presentation of the parables to apply their gospel narrative to their situations rather than to limit the variety of readings. 15 . For the same point of view, see Hans-Josef Klauck, Allegorie und Allegorese in synoptischen Gleichnistexten (Munster: Aschendorff, 1978); Drury, The Parables in the Gospels: History and Allegory; Noel, ‘Parables in Context: Developing a Narrative-Critical Approach to Parables in Luke’; Tannehill, The Narrative Unity of Luke-Acts: A Liteary Interpretation, vol 1. (Philadelphia: Fortress Press, 1986); Donahue, The Gospel in Parable (Philadelphia: Fortress Press, 1988); Birger Gerhardsson, “If We Do Not Cut the Parables out of Their Frames,” NTS 37 (1991), 321-335; David B. Gowler, Host, Guest, Enemy, and Friend: Portraits of the Pharisees in Luke and Acts (New York, Bern, Frankfurt, Paris: Peter Lang Press, 1991); Warren Carter and John Paul Heil, Matthew’s Parables, CBQMS 30 (Washington, DC: The Catholic Biblical Association of America, 1998); Stephen Curkpatrick, “Parable Metonymy and Luke’s Kerygmatic Framing,” JSNT 25.3 (2003), 289-307. 16. Gerard Genette, Narrative Discourse: An Essay in Method, trans. Jane E. Lewin (Ithaca, N. Y.: Cornell University Press, 1980), 227-252. 17. Ibid., 232-233. 18. David B. Gowler in his book, ‘What Are They Saying About the Parables?’ as opposed to Gerard Genette, argues that this relationship between the gospel context and the parables is not dialectic but dialogic. David B. Gowler, What Are They Saying About the Parable? (New York: Mahwah, N.J. Paulist Press, 2000), 38. 19. Drury, The Parables in the Gospels: History and Allegory, 39-61. 19

estore their power and sense of drama in their gospel contexts. 20 If we cut the parables out of their gospel contexts, we have to assume other contexts such as the overall message of Jesus, philosophy and psychology to make sense of their stories. These contexts are, however, too far away from the text in making sense of proper meaning. Accordingly, the gospel contexts in this dissertation is defined as follows: the gospel contexts always mean the setting in the narrative of Luke which includes the parable itself that contains an introduction, conclusion, application and recapitulation, the immediate context, the larger context and the gospel of Luke as a whole narrative. I shall begin to analyze and interpret the Lukan parables in their gospel contexts. 21 3. The Parables contain allegory and point to referents beyond the story. 22 23 In connection with this discussion, it seems good to start with the work of Adolf Jülicher, a new beginning and a watershed of parables research. He argues that the parables are nothing more than expanded similes which are self-explanatory, not allegories, adding to the conjecture that Jesus would not have spoken in such cryptic terms as allegory. He even progresses towards the matter of the authenticity of the parables on the basis of the artificial features of most allegories, claiming that the parables with allegories have been influenced by the Evangelists who have become aware of a need to interpret them in the line of allegories. 24 20. Ched Myers, Binding the Strong Man: A Political Reading of Mark’s Story of Jesus (MaryKnoll, N. Y: Orbis, 1991), 169-174; Drury, The Parables in the Gospels: History and Allegory, 40. 21. Even though terminology and its extent vary in their works which claim that the parables must be interpreted within their gospel contexts, such as Kerygmatic context, their frames, the gospel contexts, the gospel presentations of the parables, literary context, the context and the gospel settings, the designation basically has the same meaning in holding at least an introduction, conclusion, application and recapitulation surrounding the parable. Donahue even includes two other contexts: 1. The context in connection with a history of its effect or impact on theology and church life and 2. The context in which we read, appropriate and proclaim the parables. Donahue, The Gospel in Parable, 27. 22. For the Church Fathers’ allegorical approach to the parables such as Irenaeus, Tertullian, Clement of Alexandria, Origen and Augustine, see A.M. Hunter, Interpreting the Parables (London: SCM Press, 1960), 21- 41; W.S. Kissinger, The Parables of Jesus: A History of Interpretation and Bibliography (New Jersey: Scarecrow, 1979), 1-71; Robert H. Stein, An Introduction to the parable of Jesus (Philadelphia: Westminster, 1981), 42-71. 23. A. Jülicher, Die Gleichnisreden Jesu (Darmstadt: Wissenschaftliche Buchgesellschaft, 1976). 24. Ibid., 169-173. Form criticism has greatly influenced the authenticity of the parables with allegory, explaining the process of how to convert a simple parable into a complex allegory through the transmission of oral tradition. Despite showing their influence on the matter of the authenticity of the parables, their contention also loses logical force in that contrary to their argument, the parables, as Vincent Taylor pointed out, tend to be abbreviated through the transmission of oral tradition rather than expanded. Vincent Taylor, The Formation of the Gospel Tradition (London: Macmillan, 1933), 202-209. For the claims of Form criticism, see Rudolf Bultmann, The History of the Synoptic Tradition (Oxford: Blackwell; New York: Harper & Row, 1963), 166-205; 20

<strong>the</strong> <strong>parables</strong>, I believe it important that we take <strong>the</strong> <strong>gospel</strong> contexts <strong>in</strong>to consideration for <strong>the</strong><br />

<strong>in</strong>terpretation <strong>of</strong> <strong>the</strong> <strong>parables</strong> as a vital factor, s<strong>in</strong>ce literary work, particularly narratives, if<br />

we see <strong>the</strong> Gospels as narratives, 14 reta<strong>in</strong>s narrative unity <strong>in</strong> <strong>the</strong>ir works 15 but also <strong>the</strong><br />

<strong>parables</strong>, as we shall see later, have allegorical features where some <strong>of</strong> <strong>the</strong>se details at least<br />

po<strong>in</strong>t beyond <strong>the</strong>mselves to realities at times <strong>in</strong> <strong>the</strong> <strong>gospel</strong> context. The study <strong>of</strong> how a shorter<br />

narrative coheres and functions toge<strong>the</strong>r with<strong>in</strong> <strong>the</strong>ir larger narrative is best explan<strong>in</strong>ed <strong>in</strong><br />

Gerard Genette’s Narrtive Discourse: An Essay <strong>in</strong> Method. 16 Accord<strong>in</strong>g to his <strong>the</strong>ory, <strong>the</strong><br />

ma<strong>in</strong> types <strong>of</strong> relationships that can connect a shorter narrative (<strong>the</strong> <strong>parables</strong>) to <strong>the</strong>ir larger<br />

narrative (Luke) can be divided <strong>in</strong>to three relationships such as direct causal, <strong>the</strong>matic, and no<br />

explicit relationship. 17 The <strong>parables</strong> fall <strong>in</strong> <strong>the</strong> category <strong>of</strong> <strong>the</strong>matic relationship <strong>in</strong> which <strong>the</strong><br />

shorter narrative takes <strong>the</strong> position <strong>of</strong> contrast or analogy to <strong>the</strong> larger narrative. 18 The<br />

<strong>parables</strong> shed light on <strong>the</strong> mean<strong>in</strong>g <strong>of</strong> <strong>the</strong> narrative <strong>in</strong> that it recapitulates <strong>the</strong> previous say<strong>in</strong>g<br />

and narrative <strong>of</strong> Jesus, and foreshadows what would take place, but also should be <strong>in</strong>terpreted<br />

<strong>in</strong> light <strong>of</strong> <strong>the</strong> narrative where <strong>the</strong> mean<strong>in</strong>g <strong>of</strong> <strong>the</strong> <strong>parables</strong> is determ<strong>in</strong>ed by <strong>the</strong> narrative plot<br />

or scheme. 19<br />

The <strong>parables</strong> stand <strong>in</strong> fundamental relationship to <strong>the</strong> story as a whole, and<br />

14. It is unnecessary to discuss that <strong>the</strong> <strong>gospel</strong>s presume to be narratives, for modern literary critics have already<br />

seen <strong>the</strong>m so and produced many researches. For narrative studies <strong>of</strong> Luke-Acts <strong>in</strong> particular, see Robert<br />

Maddox, The Purpose <strong>of</strong> Luke-Acts (Gött<strong>in</strong>gen: Vandenhoeck and Ruprecht, 1982) and Charles H. Talbert,<br />

Literary Patterns, Theological Themes, and <strong>the</strong> Genre <strong>of</strong> Luke-Acts (SBLMS 20, Missoula, Mont: Scholars<br />

Press, 1974). In relation to <strong>the</strong> contention that <strong>the</strong> <strong>gospel</strong> presentation <strong>of</strong> <strong>the</strong> <strong>parables</strong> limits <strong>the</strong> variety <strong>of</strong><br />

possible read<strong>in</strong>gs by provid<strong>in</strong>g a content underl<strong>in</strong><strong>in</strong>g certa<strong>in</strong> aspects, I will not say much, s<strong>in</strong>ce this phenomenon,<br />

namely, restriction <strong>of</strong> <strong>the</strong> variety <strong>of</strong> read<strong>in</strong>gs is natural when a story as a parable is embedded <strong>in</strong> larger narrative<br />

as <strong>the</strong> <strong>gospel</strong>s. Moreover, we should postulate <strong>the</strong> Gospel narratives as secondary additions, not orig<strong>in</strong>al<br />

situations, s<strong>in</strong>ce it is <strong>the</strong> <strong>in</strong>tention <strong>of</strong> <strong>the</strong> evangelists with <strong>the</strong> <strong>gospel</strong> presentation <strong>of</strong> <strong>the</strong> <strong>parables</strong> to apply <strong>the</strong>ir<br />

<strong>gospel</strong> narrative to <strong>the</strong>ir situations ra<strong>the</strong>r than to limit <strong>the</strong> variety <strong>of</strong> read<strong>in</strong>gs.<br />

15 . For <strong>the</strong> same po<strong>in</strong>t <strong>of</strong> view, see Hans-Josef Klauck, Allegorie und Allegorese <strong>in</strong> synoptischen<br />

Gleichnistexten (Munster: Aschendorff, 1978); Drury, The Parables <strong>in</strong> <strong>the</strong> Gospels: History and Allegory; Noel,<br />

‘Parables <strong>in</strong> Context: Develop<strong>in</strong>g a Narrative-Critical Approach to Parables <strong>in</strong> Luke’; Tannehill, The Narrative<br />

Unity <strong>of</strong> Luke-Acts: A Liteary Interpretation, vol 1. (Philadelphia: Fortress Press, 1986); Donahue, The Gospel<br />

<strong>in</strong> Parable (Philadelphia: Fortress Press, 1988); Birger Gerhardsson, “If We Do Not Cut <strong>the</strong> Parables out <strong>of</strong><br />

Their Frames,” NTS 37 (1991), 321-335; David B. Gowler, Host, Guest, Enemy, and Friend: Portraits <strong>of</strong> <strong>the</strong><br />

Pharisees <strong>in</strong> Luke and Acts (New York, Bern, Frankfurt, Paris: Peter Lang Press, 1991); Warren Carter and John<br />

Paul Heil, Mat<strong>the</strong>w’s Parables, CBQMS 30 (Wash<strong>in</strong>gton, DC: The Catholic Biblical Association <strong>of</strong> America,<br />

1998); Stephen Curkpatrick, “Parable Metonymy and Luke’s Kerygmatic Fram<strong>in</strong>g,” JSNT 25.3 (2003), 289-307.<br />

16. Gerard Genette, Narrative Discourse: An Essay <strong>in</strong> Method, trans. Jane E. Lew<strong>in</strong> (Ithaca, N. Y.: Cornell<br />

University Press, 1980), 227-252.<br />

17. Ibid., 232-233.<br />

18. David B. Gowler <strong>in</strong> his book, ‘What Are They Say<strong>in</strong>g About <strong>the</strong> Parables?’ as opposed to Gerard Genette,<br />

argues that this relationship between <strong>the</strong> <strong>gospel</strong> context and <strong>the</strong> <strong>parables</strong> is not dialectic but dialogic. David B.<br />

Gowler, What Are They Say<strong>in</strong>g About <strong>the</strong> Parable? (New York: Mahwah, N.J. Paulist Press, 2000), 38.<br />

19. Drury, The Parables <strong>in</strong> <strong>the</strong> Gospels: History and Allegory, 39-61.<br />

19

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