the role of the lukan parables in terms of the purpose of luke's gospel

the role of the lukan parables in terms of the purpose of luke's gospel the role of the lukan parables in terms of the purpose of luke's gospel

etd.uovs.ac.za
from etd.uovs.ac.za More from this publisher
05.06.2013 Views

parables in a way sensitive to their narrative function in the canonical, final form of Luke’s Gospel. 67 Parsons believes that Lukan parables in the Lukan Travel Narrative should be aligned in a chiastic or ring structure where the parables are paired, surrounding Luke 14:7-11, which lies at the heart of the Lukan Parables in the Lukan Travel Narrative. He eventually asserts that this theme of reversal seems to be the overarching theme of the Lukan Parables in the Lukan Travel Narrative on the basis of the reversal theme of Luke 14:11 and the reversal contrast or structure of Lukan Parables. In this article, Parsons’ main concerns serve not only to correct the neglect of canonical study of the parables, such as canonical form, contexts, and performance, but to explore the pre-canonical history in order to better understand the function of the parables, owing to C.H. Talbert’s taxonomy of what the word “Jesus” can refer to. 68 In conclusion, he contends that Lukan parables have a rich theological resource for the life and work of the church today, and that they are also landmarks along the Way. 69 It remains rather questionable as to whether it is forced to frame the Lukan parables in a chiastic or ring structure around the choice of place at the table (Luke 14:7-11) which contains the reversal theme, although I agree with his contention that the Lukan parables in the journey to Jerusalem of Jesus become landmarks for instructing the disciples. In conclusion, most of the research on the Lukan parables tends to be limited to analyses of individual parables. Moreover, though there are a few works that focus on the Lukan parables as a whole, they generally tend to focus on either structural features, or narrative devices and characteristics. There is little attempt to link the Lukan parables to the purpose of the Gospel. Therefore, in the light of this, it is worth investigating further the role of Lukan parables in the purpose of the Gospel of Luke. 67. Ibid., 36. 68. C.H. Talbert’s classification of what “Jesus” can refer to is as follows: “1) The historians’ Jesus, a reconstructed portrait, derived from the method of form criticism, useful for apologetic reasons; 2) the evangelist’s Jesus, derived from redaction criticism, useful for homiletical reasons; 3) the apocryphal Jesus, useful for reconstructing the popular piety of early Christianity; and 4) the canonical Jesus, valuable for constructive theological and ethical arguments.” Charles H. Talbert, “The Church and Inclusive Language for God?” PRSt 19 (1992), 421-39, here 434 n. 66. 69. Parsons, “Landmarks Along The Way: The Function of The ‘L’ Parables in The Lukan Travel Narrative,” SJT, 47. 15

Chapter 3 A Methodological basis for an analysis of the Lukan Parables Basically, I believe that the parables have metaphorical and narrative characteristics, at least in so-called narrative parables. It appears that the metaphorical characteristic in the parables elicits the allegorical approach and polyvalent meanings in connection with the interpretation of the parables. Furthermore, the narrative characteristic in the parables makes us consider the literary context of the parables as well as methods for a narrative analysis of the parables. Taking all this into consideration, it is important at the outset to adopt a methodological criterion for the analysis of the Lukan Parables. 1 In this chapter, I intend to build up some methodological bases resulting from my awareness of the lack and failure of the interpretation of the parables. 1. The parables must be interpreted. Before going further, I would like briefly to deal with the following question: Can the parables be interpreted? There are those who believe that the parables either do not need to be, 2 or cannot be interpreted. This stems from the point of view that sees the parables as “language events” 3 in modern literary analysis, particularly in relation to the emphasis on metaphor. According to modern literary criticism, metaphors and parables cannot be reduced to literal and abstract interpretations, nor are they simply illustrations and bearers of meaning. 1. With respect to methodology and hermeneutics, R. Zimmermann’s work which takes a new route in four steps gives us an insight into the exegesis of the parables of Jesus, that is, a historical perspective, a traditionhistorical perspective, the perspective of the literary form of the parables and a hermeneutic perspective. See Ruben, Zimmermann, “How to Understand the Parables of Jesus. A Paradigm Shift in Parable Exegesis,” Acta Theologica 29 (2009), 157-82; idem, Kompendium der Gleichnisse Jesu. Herausgegeben von Ruben Zimmermann; in Zusammenarbeit mit Detlev Dormeyer, Gabi Kern, Annette Merz, Christian Münch, Enno Edzard Popkes (Gütersloh: Gütersloher Verlagshaus, 2007); idem, Hermeneutik der Gleichnisse Jesu. Methodische Neuansätze zum Verstehen urchristlicher Parabeltexte; Herausgegeben von Ruben Zimmermann unter Mitarbeit von Gabi Kern (Tübingen: Mohr Siebeck, 2008). 2. The representative scholars who continually influence junior scholars with respect to this assertion are as follows: Robert W. Funk, Language, Hermeneutic and the Word of God (New York: Harper & Row, 1966); Paul Ricoeur, “Biblical Hermeneutics,” Semeia 4 (1975), 27-148; idem, The Rule of Metapher (Toronto and London: University of Toronto Press, 1977); Sallie M. Te Selle, Speaking in Parables: A Study in Metaphor and Theology (Philadelphia: Fortress; London: SCM Press, 1975); B.B. Scott, Jesus, Symbol-Maker for the Kingdom (Philadelphia: Fortress, 1981); idem, Hear Then the Parable: A Commentary on the Parables of Jesus (Minneapolis: Fortress, 1989). 3. This term was rooted in the modern literary analysis by Robert W. Funk who, at the outset, introduced it from Ernst Fuchs who opened the door of The New Hermeneutic, which was influenced by modern philosophic thoughts of Martin Heidegger and Hans-Georg Gadamer. For the influence of existential philosophy on the parables, see Eta Linnemann, Jesus of the Parables (New York: Harper & Row, 1966). 16

Chapter 3<br />

A Methodological basis for an analysis <strong>of</strong> <strong>the</strong> Lukan Parables<br />

Basically, I believe that <strong>the</strong> <strong>parables</strong> have metaphorical and narrative characteristics, at least<br />

<strong>in</strong> so-called narrative <strong>parables</strong>. It appears that <strong>the</strong> metaphorical characteristic <strong>in</strong> <strong>the</strong> <strong>parables</strong><br />

elicits <strong>the</strong> allegorical approach and polyvalent mean<strong>in</strong>gs <strong>in</strong> connection with <strong>the</strong> <strong>in</strong>terpretation<br />

<strong>of</strong> <strong>the</strong> <strong>parables</strong>. Fur<strong>the</strong>rmore, <strong>the</strong> narrative characteristic <strong>in</strong> <strong>the</strong> <strong>parables</strong> makes us consider<br />

<strong>the</strong> literary context <strong>of</strong> <strong>the</strong> <strong>parables</strong> as well as methods for a narrative analysis <strong>of</strong> <strong>the</strong> <strong>parables</strong>.<br />

Tak<strong>in</strong>g all this <strong>in</strong>to consideration, it is important at <strong>the</strong> outset to adopt a methodological<br />

criterion for <strong>the</strong> analysis <strong>of</strong> <strong>the</strong> Lukan Parables. 1<br />

In this chapter, I <strong>in</strong>tend to build up some<br />

methodological bases result<strong>in</strong>g from my awareness <strong>of</strong> <strong>the</strong> lack and failure <strong>of</strong> <strong>the</strong><br />

<strong>in</strong>terpretation <strong>of</strong> <strong>the</strong> <strong>parables</strong>.<br />

1. The <strong>parables</strong> must be <strong>in</strong>terpreted.<br />

Before go<strong>in</strong>g fur<strong>the</strong>r, I would like briefly to deal with <strong>the</strong> follow<strong>in</strong>g question: Can <strong>the</strong><br />

<strong>parables</strong> be <strong>in</strong>terpreted? There are those who believe that <strong>the</strong> <strong>parables</strong> ei<strong>the</strong>r do not need to be,<br />

2<br />

or cannot be <strong>in</strong>terpreted. This stems from <strong>the</strong> po<strong>in</strong>t <strong>of</strong> view that sees <strong>the</strong> <strong>parables</strong> as<br />

“language events” 3<br />

<strong>in</strong> modern literary analysis, particularly <strong>in</strong> relation to <strong>the</strong> emphasis on<br />

metaphor. Accord<strong>in</strong>g to modern literary criticism, metaphors and <strong>parables</strong> cannot be reduced<br />

to literal and abstract <strong>in</strong>terpretations, nor are <strong>the</strong>y simply illustrations and bearers <strong>of</strong> mean<strong>in</strong>g.<br />

1. With respect to methodology and hermeneutics, R. Zimmermann’s work which takes a new route <strong>in</strong> four steps<br />

gives us an <strong>in</strong>sight <strong>in</strong>to <strong>the</strong> exegesis <strong>of</strong> <strong>the</strong> <strong>parables</strong> <strong>of</strong> Jesus, that is, a historical perspective, a traditionhistorical<br />

perspective, <strong>the</strong> perspective <strong>of</strong> <strong>the</strong> literary form <strong>of</strong> <strong>the</strong> <strong>parables</strong> and a hermeneutic perspective. See<br />

Ruben, Zimmermann, “How to Understand <strong>the</strong> Parables <strong>of</strong> Jesus. A Paradigm Shift <strong>in</strong> Parable Exegesis,” Acta<br />

Theologica 29 (2009), 157-82; idem, Kompendium der Gleichnisse Jesu. Herausgegeben von Ruben<br />

Zimmermann; <strong>in</strong> Zusammenarbeit mit Detlev Dormeyer, Gabi Kern, Annette Merz, Christian Münch, Enno<br />

Edzard Popkes (Gütersloh: Gütersloher Verlagshaus, 2007); idem, Hermeneutik der Gleichnisse Jesu.<br />

Methodische Neuansätze zum Verstehen urchristlicher Parabeltexte; Herausgegeben von Ruben Zimmermann<br />

unter Mitarbeit von Gabi Kern (Tüb<strong>in</strong>gen: Mohr Siebeck, 2008).<br />

2. The representative scholars who cont<strong>in</strong>ually <strong>in</strong>fluence junior scholars with respect to this assertion are as<br />

follows: Robert W. Funk, Language, Hermeneutic and <strong>the</strong> Word <strong>of</strong> God (New York: Harper & Row, 1966);<br />

Paul Ricoeur, “Biblical Hermeneutics,” Semeia 4 (1975), 27-148; idem, The Rule <strong>of</strong> Metapher (Toronto and<br />

London: University <strong>of</strong> Toronto Press, 1977); Sallie M. Te Selle, Speak<strong>in</strong>g <strong>in</strong> Parables: A Study <strong>in</strong> Metaphor and<br />

Theology (Philadelphia: Fortress; London: SCM Press, 1975); B.B. Scott, Jesus, Symbol-Maker for <strong>the</strong> K<strong>in</strong>gdom<br />

(Philadelphia: Fortress, 1981); idem, Hear Then <strong>the</strong> Parable: A Commentary on <strong>the</strong> Parables <strong>of</strong> Jesus<br />

(M<strong>in</strong>neapolis: Fortress, 1989).<br />

3. This term was rooted <strong>in</strong> <strong>the</strong> modern literary analysis by Robert W. Funk who, at <strong>the</strong> outset, <strong>in</strong>troduced it from<br />

Ernst Fuchs who opened <strong>the</strong> door <strong>of</strong> The New Hermeneutic, which was <strong>in</strong>fluenced by modern philosophic<br />

thoughts <strong>of</strong> Mart<strong>in</strong> Heidegger and Hans-Georg Gadamer. For <strong>the</strong> <strong>in</strong>fluence <strong>of</strong> existential philosophy on <strong>the</strong><br />

<strong>parables</strong>, see Eta L<strong>in</strong>nemann, Jesus <strong>of</strong> <strong>the</strong> Parables (New York: Harper & Row, 1966).<br />

16

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!