the role of the lukan parables in terms of the purpose of luke's gospel
the role of the lukan parables in terms of the purpose of luke's gospel the role of the lukan parables in terms of the purpose of luke's gospel
master’s goods, . The word “squander” can have quite different meanings: ‘to disperse simply’ or ‘spend extravagantly’. If the meaning of is seen as “scatter,” then the charges may be considered as unjust accusations, since it can present simply a lack of attention to using his owner’s possessions responsibly in operating a business. 27 By contrast, if we take the negative meaning, namely, “to spend extravagantly,” one then takes the accusations for granted, for the steward would have misappropriated his master’s goods for selfish or immoral activities. This is reminiscent of the prodigal son’s loose living expressed in the word in Luke 15:13. 28 On the other hand, Kloppenborg argues that the reason why the steward is dismissed is not the wasting of his goods, but the damage to his social honour. 29 It is important to note however, aside from the dictionary meanings of the word, that it is a very complex problem to solve given his silence over the charges, his monologue, and the commendation of the steward in v. 8. In any case, it is reasonable to view the steward’s silence as an admission of his guilt, although his defense and excuse would be useless or only further provoke his master to anger in first century Palestine’s social situation. Moreover, if the charges are unjust, the steward would do his best to prove his innocence at a critical moment, not yielding to any social code at that time. The master commands his steward to submit the account books, since he is to be dismissed from his stewardship. Surrendering the account books, 27. Scott, Hear Then the Parable, 257, idem, “Praise,” 179-80; Beavis, “Slavery as an Interpretive Context,” 48; Lygre, “Of What Charges?” 25; J.S. Kloppenborg, “The Dishonoured Master,” Bib 70 (1989), 474-95, here 479- 86, 487-88; Wright, “The Parable of the Shrewd Manger,” 224; Via, The Parables: Their Literary and Existential Dimension, 157-62; John Dominic Crossan, ‘Structuralist Analysis and the Parables of Jesus: A Reply to D. O. Via, “Parable and Example Story: A Literary-Structuralist Approach,’” Semeia 1 (1974), 50-54. Via and Crossan see the parable as a comic, pricaresque and rascal story which avenges his master on his unjust charges. With regard to the content of the charges, there are several suggestions. Stein, Herzog and Lygre argue that it is of inefficiency, incompetence, or inattention to duty. Even B.H. Young views it as dishonest business dealings rather than ineffectual management. Stein, Parables, 109; Herzog, Parables as Subversive Speech, 244; Lygre, “Of What Charges?” 24, 27; Young, Jesus and his Jewish Parables: Rediscovering the Roots of Jesus’ Teaching, 233. 28. L.M. Friedel, “The Parable of the Unjust Steward,” CBQ 3 (1941), 337-48, here 337-38; Fitzmyer, “The Story of the Dishonest Manager (Lk 16:1-13),” 31, n19; Bailey, Poet and Peasant, 97; Stanley E. Porter, “The Parable of the Unjust Steward (Luke 16:1-13): Irony is the Key,” in ed., David J.A. Clines, S.E. Fowl, and S.E. Porter, The Bible in Three Dimensions: Essays in Celebration of Forty Years of Biblical Studies in the University of Sheffield (Sheffield: JSOT, 1990), 127-53, here 140; Forbes, The God of God, 156; Hultgren, Parables, 149; David Landry & Ben May, “Honor Restored: New Light on The Parable of The Prudent Steward(Luke 16:1-8a),” JBL 119 (2000), 287-309, here 297-98; Metzger, Consumption and Wealth in Luke’s Travel Narrative,110-11. For the comparison between the prodigal son’s squandering and the steward’s one, see Donahue, The Gospel in Parable, 167; Fitzmyer, The Gospel According to Luke, 1100; Johnson, The Gospel of Luke, 244. 29. Kloppenborg, “Dishonoured Master,” 486-93. His point is followed by Landry and May, Lygre and Metzger. 99
means to give the steward time for the finishing touches, so that his master can pass it over to the new manager to be employed. To put it more exactly, the steward, as Bailey contends, is instantly dismissed and all that remains is for him to hand the account books to his master, and is not in progress or in the midst of dismissal. 30 The steward, in his soliloquy, foresees the desperate future life which he might face, and reveals his plan to handle it. Lygre claims that, in comparison with the prodigal son’s soliloquy, the steward does not voice any remorse in his soliloquy though it is the most logical place to express it. In the light of this one deduces then that the charges are filed unjustly by the owner, if anything, the accusations are put for preservation of the owner’s 31 honour. He fails, however, to grasp that the soliloquy is not a literary device merely for the expression of a character’s straightforward remorse, but also to reveal a character’s inner thinking to audiences or readers. On the contrary, the fact that the steward in his soliloquy foresees a most miserable future (apart from the possibility of seeking new employment) implies that the charges are just. If his dismissal because of the events involved in his wrongdoing becomes known to the other tenants or merchants who have the capacity to hire him, presumably none of them would hire him as a manager for themselves. Digging work is beyond his physical strength 32 and his pride cannot bring him to beg as noted in Sir 40:29, 33 therefore, he has resolved to plan for his safe future. His plan becomes clear as the story proceeds: If he grants favours to the debtors in the form of debt reductions, when he is removed from his stewardship, they may welcome him into their homes. Even though it 30. Bailey, Poet and Peasant, 97. 31. Lygre, “Of What Charges?” 25-26. Lygre argues that the reason why the steward did not pursue legal procedures was that it was useless because, according to Fitzmyer’s suggestion, persons holding subservient positions did not have proper recourse to legal action in Roman-occupied rural areas. Fitzymyer, The Semitic Background of the New Testament (Grand Rapids: Eerdmans, 1997), 175. 32. Apart from digging in agriculture as manual labour which audiences can envision easily, Beavis’ contention is excessive conjecture that digging means to be sent away to do hard labour in a stone quarry. Even Herzog argues that for the steward digging means not only to drop out the class of retainers into the class of expendables, but to face a death from malnutrition from which the class of expendables generally suffers. Beavis, “Ancient Slavery,” 49; Herzog, Parables as Subversive Speech, 242. Against Landry and May’s contention that the steward’s soliloquy is a frank, sober assessment of his (in)abilities, not as a expression of his unwillingness to mingle with the lower classes, if anything, his attitude here, as Scott has pointed out, makes remote from the audiences who are composed of people to have largely to live by physical labor, thereby he voices that he want to continuously live in the world of the wealthy, even after being fired. Landry and May, “Honor Restored,” 300; Via, The Parables: Their Literary and Existential Dimension, 161; Breech, The Silence of Jesus: The Authentic Voice of the Historical Man, 105-106; Kloppenborg, “The Dishonored Master,” 491; Scott, Hear Then the Parable, 263; Schottroff, The Parables of Jesus, 158. 33. Sir 40:29. “It is better to die than to beg.” 100
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means to give <strong>the</strong> steward time for <strong>the</strong> f<strong>in</strong>ish<strong>in</strong>g<br />
touches, so that his master can pass it over to <strong>the</strong> new manager to be employed. To put it<br />
more exactly, <strong>the</strong> steward, as Bailey contends, is <strong>in</strong>stantly dismissed and all that rema<strong>in</strong>s is<br />
for him to hand <strong>the</strong> account books to his master, and is not <strong>in</strong> progress or <strong>in</strong> <strong>the</strong> midst <strong>of</strong><br />
dismissal. 30<br />
The steward, <strong>in</strong> his soliloquy, foresees <strong>the</strong> desperate future life which he might face, and<br />
reveals his plan to handle it. Lygre claims that, <strong>in</strong> comparison with <strong>the</strong> prodigal son’s<br />
soliloquy, <strong>the</strong> steward does not voice any remorse <strong>in</strong> his soliloquy though it is <strong>the</strong> most<br />
logical place to express it. In <strong>the</strong> light <strong>of</strong> this one deduces <strong>the</strong>n that <strong>the</strong> charges are filed<br />
unjustly by <strong>the</strong> owner, if anyth<strong>in</strong>g, <strong>the</strong> accusations are put for preservation <strong>of</strong> <strong>the</strong> owner’s<br />
31<br />
honour. He fails, however, to grasp that <strong>the</strong> soliloquy is not a literary device merely for <strong>the</strong><br />
expression <strong>of</strong> a character’s straightforward remorse, but also to reveal a character’s <strong>in</strong>ner<br />
th<strong>in</strong>k<strong>in</strong>g to audiences or readers. On <strong>the</strong> contrary, <strong>the</strong> fact that <strong>the</strong> steward <strong>in</strong> his soliloquy<br />
foresees a most miserable future (apart from <strong>the</strong> possibility <strong>of</strong> seek<strong>in</strong>g new employment)<br />
implies that <strong>the</strong> charges are just. If his dismissal because <strong>of</strong> <strong>the</strong> events <strong>in</strong>volved <strong>in</strong> his<br />
wrongdo<strong>in</strong>g becomes known to <strong>the</strong> o<strong>the</strong>r tenants or merchants who have <strong>the</strong> capacity to hire<br />
him, presumably none <strong>of</strong> <strong>the</strong>m would hire him as a manager for <strong>the</strong>mselves. Digg<strong>in</strong>g work is<br />
beyond his physical strength 32 and his pride cannot br<strong>in</strong>g him to beg as noted <strong>in</strong> Sir 40:29, 33<br />
<strong>the</strong>refore, he has resolved to plan for his safe future. His plan becomes clear as <strong>the</strong> story<br />
proceeds: If he grants favours to <strong>the</strong> debtors <strong>in</strong> <strong>the</strong> form <strong>of</strong> debt reductions, when he is<br />
removed from his stewardship, <strong>the</strong>y may welcome him <strong>in</strong>to <strong>the</strong>ir homes. Even though it<br />
30. Bailey, Poet and Peasant, 97.<br />
31. Lygre, “Of What Charges?” 25-26. Lygre argues that <strong>the</strong> reason why <strong>the</strong> steward did not pursue legal<br />
procedures was that it was useless because, accord<strong>in</strong>g to Fitzmyer’s suggestion, persons hold<strong>in</strong>g subservient<br />
positions did not have proper recourse to legal action <strong>in</strong> Roman-occupied rural areas. Fitzymyer, The Semitic<br />
Background <strong>of</strong> <strong>the</strong> New Testament (Grand Rapids: Eerdmans, 1997), 175.<br />
32. Apart from digg<strong>in</strong>g <strong>in</strong> agriculture as manual labour which audiences can envision easily, Beavis’ contention<br />
is excessive conjecture that digg<strong>in</strong>g means to be sent away to do hard labour <strong>in</strong> a stone quarry. Even Herzog<br />
argues that for <strong>the</strong> steward digg<strong>in</strong>g means not only to drop out <strong>the</strong> class <strong>of</strong> reta<strong>in</strong>ers <strong>in</strong>to <strong>the</strong> class <strong>of</strong> expendables,<br />
but to face a death from malnutrition from which <strong>the</strong> class <strong>of</strong> expendables generally suffers. Beavis, “Ancient<br />
Slavery,” 49; Herzog, Parables as Subversive Speech, 242. Aga<strong>in</strong>st Landry and May’s contention that <strong>the</strong><br />
steward’s soliloquy is a frank, sober assessment <strong>of</strong> his (<strong>in</strong>)abilities, not as a expression <strong>of</strong> his unwill<strong>in</strong>gness to<br />
m<strong>in</strong>gle with <strong>the</strong> lower classes, if anyth<strong>in</strong>g, his attitude here, as Scott has po<strong>in</strong>ted out, makes remote from <strong>the</strong><br />
audiences who are composed <strong>of</strong> people to have largely to live by physical labor, <strong>the</strong>reby he voices that he want<br />
to cont<strong>in</strong>uously live <strong>in</strong> <strong>the</strong> world <strong>of</strong> <strong>the</strong> wealthy, even after be<strong>in</strong>g fired. Landry and May, “Honor Restored,” 300;<br />
Via, The Parables: Their Literary and Existential Dimension, 161; Breech, The Silence <strong>of</strong> Jesus: The Au<strong>the</strong>ntic<br />
Voice <strong>of</strong> <strong>the</strong> Historical Man, 105-106; Kloppenborg, “The Dishonored Master,” 491; Scott, Hear Then <strong>the</strong><br />
Parable, 263; Schottr<strong>of</strong>f, The Parables <strong>of</strong> Jesus, 158.<br />
33. Sir 40:29. “It is better to die than to beg.”<br />
100