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A Dissertation by GRACE HUI-CHIN LIN Submitted to the Office of ...

A Dissertation by GRACE HUI-CHIN LIN Submitted to the Office of ...

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interlanguage was applicable when introducing <strong>the</strong> Chinese and Taiwanese cultures.<br />

He gave <strong>the</strong> following examples:<br />

Interlanguage was a practical strategy because it did help you <strong>to</strong> express.<br />

Especially when I introduced Chinese culture, I would use a lot <strong>of</strong><br />

interlanguage. For example, I explained “Puppet Show 布袋戲,” <strong>by</strong> saying,<br />

“It is played <strong>by</strong> hand,” and “It is a kind <strong>of</strong> carved wooden figure.” Then, my<br />

classmates realized what I was talking about.<br />

For “Taiwanese Opera 歌仔戲,” I said, “It comes from China, and <strong>the</strong>n I<br />

distinguished it from puppet show in order <strong>to</strong> avoid misunderstanding.” I<br />

fur<strong>the</strong>r explained, “The ac<strong>to</strong>rs need <strong>to</strong> make up and it is not played <strong>by</strong> hand.”<br />

Cheng Chih described how stressful he was when using <strong>the</strong> interlanguage strategy:<br />

Sometimes using interlanguage made me nervous. My classmate might notice<br />

me nervous. It was difficult <strong>to</strong> “create a new word,” “exemplify,” or<br />

“restructure” in a short time during talking. I was stressful when I got <strong>to</strong> think<br />

<strong>of</strong> something for a difficult word.<br />

Cheng Chih believed that imagination was a fac<strong>to</strong>r <strong>to</strong> create and understand <strong>the</strong><br />

interlanguage:<br />

121<br />

When using “paragraph,” I had <strong>to</strong> stimulate my partners’ ability <strong>of</strong>

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