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Training in the Conservation of Paintings - Calouste Gulbenkian ...

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TRAINING IN THE CONSERVATION OF PAINTINGS<br />

Staff<br />

10. The total permanent staff is seventy-one; <strong>the</strong> number <strong>of</strong> restorers<br />

deal<strong>in</strong>g with several branches <strong>of</strong> conservation is fifteen, <strong>in</strong>clud<strong>in</strong>g<br />

<strong>the</strong> pr<strong>in</strong>cipal restorer, and <strong>the</strong>re are eleven technicians.<br />

There are six scientists aided by three laboratory technicians. No<br />

part-time staff are employed.<br />

F<strong>in</strong>ance<br />

n. ICR is f<strong>in</strong>anced by <strong>the</strong> Italian Government through <strong>the</strong> M<strong>in</strong>istry<br />

<strong>of</strong> Public Instruction.<br />

Student F<strong>in</strong>ance<br />

12. The tuition is free. As regards ma<strong>in</strong>tenance, some students<br />

receive scholarships from a private foundation, and several regions,<br />

Sicily and Apulia, for example, have made provision <strong>in</strong> <strong>the</strong>ir programmes<br />

for giv<strong>in</strong>g scholarships to students com<strong>in</strong>g from those<br />

prov<strong>in</strong>ces.<br />

VI. THE INSTITUT ROYAL DU PATRIMOINE<br />

ARTISTIQUE - BRUSSELS<br />

1. The Institut Royal de Patrimo<strong>in</strong>e Artistique (IRPA) was set up<br />

under <strong>the</strong> Belgian M<strong>in</strong>istry <strong>of</strong> Education and Culture <strong>in</strong> 1934 to<br />

conserve <strong>the</strong> artistic heritage <strong>of</strong> Belgium, whe<strong>the</strong>r <strong>in</strong> <strong>the</strong> ownership<br />

<strong>of</strong> public museums or galleries, <strong>the</strong> church or private persons.<br />

2. S<strong>in</strong>ce 1962 <strong>the</strong> IRPA has been housed <strong>in</strong> a new build<strong>in</strong>g, which<br />

also provides accommodation for o<strong>the</strong>r national <strong>in</strong>stitutions, such<br />

as <strong>the</strong> Archaeological Excavation Service. The area <strong>of</strong> <strong>the</strong> conservation<br />

studio is 1,100 square metres (11,840 square feet).<br />

3. In addition to <strong>the</strong> conservation <strong>of</strong> pa<strong>in</strong>t<strong>in</strong>gs, <strong>the</strong> <strong>in</strong>stitute undertakes<br />

that <strong>of</strong> polychrome sculpture and o<strong>the</strong>r objects on a wooden<br />

support, <strong>in</strong>volv<strong>in</strong>g o<strong>the</strong>r materials such as ivory or enamel, <strong>of</strong> tapestries<br />

and <strong>of</strong> archaeological antiquities. It does not restore watercolours<br />

or draw<strong>in</strong>gs, which are dealt with by <strong>the</strong> Royal Library, and<br />

rarely deals with <strong>the</strong> conservation <strong>of</strong> oriental works <strong>of</strong> art.<br />

4. The Institute's library, archives and photographic collections,<br />

which have been developed dur<strong>in</strong>g <strong>the</strong> last eighteen years, are available<br />

not only to <strong>the</strong> staff and students, but also to all scholars and<br />

conservators.<br />

90

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